Lorna Pashley lived with her mother and younger sister Maddie after fleeing from their abusive father. Life was tough and money short but they felt safer than they had in a long time. She didn’t know it but her father would eventually find them but would he be the same man as he was before? Lorna then met the love of her life Harry but with World War II on the horizon their life together would not be easy and when Harry went missing in action Lorna’s life fell apart. This is her story of how she survived not only her early years at the hands of her father who she was yet to meet again but the trials and tribulations of her life with and without Harry. It is a story of one young girl’s spirit to find happiness not only for herself but also for her beloved family.
In the West Highlands of Scotland, after the end of World War One, Brenda and her friends are preparing for an expedition of a lifetime: climbing An Cailleach, also known as The Witch. But even before they reach the base of the mountain, they realize that something is wrong. Strange apparitions, even stranger locals and ancient superstitions tell them of the dangerous path they have chosen. When things take a turn for the worse, will friendship be more important than survival?
The first three books in Helen Susan Swift's series of historical horror novels, 'Tales From The Dark Past', now available in one volume! Dark Voyage: It’s 1914, and fear and paranoia rule the high seas. Iain Cosgrove sets sail abroad Lady Balgay, last of Dundee’s once-grand sealing fleet. Fueled by rum and the tales of John Pratt, the crew obsess over ancient superstitions; ones Iain casually dismisses as simple lore... until they reach the frigid Artic seas. Soon, Iain's beliefs are shaken when the ship discovers two castaways, and events take a sinister turn. Dark Mountain: In the West Highlands of Scotland, few years after the end of World War One, Brenda and her friends are preparing for an expedition of a lifetime: climbing An Cailleach, also known as The Witch. But even before they reach the base of the mountain, they realize that something is wrong. Strange apparitions, even stranger locals and ancient superstitions are all signs that they are on a dangerous path. What evil lurks in the depths of the dark mountain? Dark Capital: Edinburgh, 1820s. On one side is the Old Town; ancient, crumbling and full of poverty. On the other is the New Town - elegant, refined and prosperous. When newly qualified Doctor Martin Elliot arrives, he discovers that there is more darkness in the streets than he could have imagined. Ghosts of the long-dead haunt the houses, and nightmares soon fill Martin’s head. Only a relic of the past seems to give Martin respite, but can be balance its power with the burden that comes with it?
All four books in Helen Susan Swift's series of historical horror novels, 'Tales From The Dark Past', now available in one volume! Dark Voyage: It’s 1914, and fear and paranoia rule the high seas. Iain Cosgrove sets sail abroad Lady Balgay, last of Dundee’s once-grand sealing fleet. Fueled by rum and the tales of John Pratt, the crew obsess over ancient superstitions; ones Iain casually dismisses as simple lore... until they reach the frigid Artic seas. Soon, Iain's beliefs are shaken when the ship discovers two castaways, and events take a sinister turn. Dark Mountain: In the West Highlands of Scotland, few years after the end of World War One, Brenda and her friends are preparing for an expedition of a lifetime: climbing An Cailleach, also known as The Witch. But even before they reach the base of the mountain, they realize that something is wrong. Strange apparitions, even stranger locals and ancient superstitions are all signs that they are on a dangerous path. What evil lurks in the depths of the dark mountain? Dark Capital: Edinburgh, 1820s. On one side is the Old Town; ancient, crumbling and full of poverty. On the other is the New Town - elegant, refined and prosperous. When newly qualified Doctor Martin Elliot arrives, he discovers that there is more darkness in the streets than he could have imagined. Ghosts of the long-dead haunt the houses, and nightmares soon fill Martin’s head. Only a relic of the past seems to give Martin respite, but can be balance its power with the burden that comes with it? Whistlers Of The Dark: Scotland, 1899. When young orphan Ellen Luath starts work as a kitchen maid in a remote farm, she hopes she has left her troubled past behind. But something is not right at Kingsinch farm. Soon, supernatural forces of long past return to haunt Ellen, enclosing her in a circle of darkness. As time and place alter, can she keep her sanity and find her place in an increasingly confusing and dangerous world?
Nicaragua Way tells the story of Lorna Almendros, a San Francisco Nicaraguan-American poet, passionately engaged in supporting revolutionary struggles in Latin America and the Sandinista solidarity movement in the U.S. Nicaragua Way follows Lorna, a single mother, searching for her roots, raising a daughter, falling in love, while facing deaths, griefs, intrigues, and her fears of menopause, empty nest blues, and aging. Through it all, she writes poems. Set in San Francisco and Managua between 1975 and 1989, the novel portrays a rich cast of characters, including Rini, Lorna’s daughter; Eddie, an organizer and revolutionary guerrilla fighter; Helen, her best friend, and a city politician; and Maria Rosa, a Nicaraguan-exiled immigrant. They move between San Francisco’s activist-arts community and Nicaragua, building support for change in the shadow of the U.S. undeclared wars in Central America.
The aim of Recharting the Thirties is to revitalize the awareness of the reading public with regard to eighteen writers whose books have been largely ignored by publishers and scholars since their major works first appeared in the thirties. The selection is not based on a political agenda, but encompasses a wide and divergent range of philosophies; clearly, the contrasts between Empson and Upward, or between Powell and Slater, indicated the wide-ranging vision of the period. Women writers of the period have largely been marginalized, and the writings of Sackville-West and Burdekin, for example, not only present distinct feminine voices of the period, but also illuminate how much good literature has been forgotten.
The sixth book in the addictive Woody Creek series from bestselling Australian author Joy Dettman "an adept storyteller" Sydney Morning Herald "a compulsive read" Sun-Herald In The Tying of Threads, the sixth instalment of the beloved Woody Creek series, we return to the small timber town where it all began... As the new millennium draws ever closer and Woody Creek struggles to survive, one thing becomes clear - in order to face their futures, Jenny and her daughters must first make peace with their pasts. If it's not too late. Georgie: Independent and spirited, Georgie is her mother's daughter through and through. But after a house fire takes the life of her sister, Margot, and burns her home to the ground, Georgie is lost. She flees town with nothing but a cardboard box and the determination to be somebody, anybody, else. Cara: After almost losing her adopted daughter, Cara's view of the world has radically shifted. She's decided that life is to be lived and love is to be cherished, even when that means crossing boundaries she'd never dreamed of. But is any love great enough to overcome and unimaginable burden of guilt and shame? Jenny: With her nest empty, Jenny is more lonely than ever. Rattling around her big old house with too much time to think, she's left to wonder: should her secrets stay buried forever or will revealing the truth set her free? Fans of Rosalie Ham's The Dressmaker will love Joy Dettman.
This book offers a unique analysis of the wide-ranging responses of British novelists to the East-West conflict. Hammond analyses the treatment of such geopolitical currents as communism, nuclearism, clandestinity, decolonisation and US superpowerdom, and explores the literary forms which writers developed to capture the complexities of the age.
“Motherhood” and “military” are often viewed as dichotomous concepts, with the former symbolizing feminine ideals and expectations, and the latter suggesting masculine ideals and norms. Mothers, Military, and Society contributes to a growing body of research that disrupts this false dichotomy. This interdisciplinary and international volume explores the many ways in which mothers and the military converse, align, contest, and intersect in society. Through various chapters that include in-depth case studies, theoretical perspectives and personal narratives, this book offers insights into the complex relationship between motherhood and the military in ways that will engage both academic and non-academic readers alike.
