The kids realize that, aside from Rion, they are all students at Yukishina Junior High No. 5. After an eventful Christmas party, Masamune plucks up his courage to suggest that the kids help each other out with their problems and maybe even start attending classes again. They all agree to go to school on January 10th. Will Kokoro finally be able to face her bullies?
Seven junior high students are granted access to a mysterious castle. The only thing connecting the kids is that none of them go to school during the day. Kokoro sees the castle as the only place where she truly belongs, but not everyone feels that way. Ureshino announces one day that he's going back to school, but as summer vacation comes to an end, Ureshino returns with mysterious injuries. As it becomes clear that everyone in the castle has their own hidden secrets, Ookami-sama announces a new rule that will change everything.
Kokoro is a junior high school student--but after years of bullying, she's become so anxious that she no longer goes to school. One day, she's pulled through her full-length mirror into a castle in another dimension by a girl in a wolf mask. The mysterious girl tells Kokoro and six other kids that they will compete in a scavenger hunt. If one of them finds a key that unlocks a secret room, that person will get one wish granted. As long as they observe the rules of the world, they can come and go as they please. The seven kids gradually grow closer as they explore the castle, but the scavenger hunt is never far from anyone's mind. After all, only one can win their heart's desire.
STRONGER TOGETHER The kids realize that, aside from Rion, they are all students at Yukishina Junior High No. 5. After an eventful Christmas party, Masamune plucks up his courage to suggest that the kids help each other out with their problems and maybe even start attending classes again. They all agree to go to school on January 10th. Will Kokoro finally be able to face her bullies?
The kids had promised each other that they'd all attend school on January 10th, but when the day finally comes, the seven kids fail to meet up. With the key still missing, the month of Ookami-sama's deadline finally arrives. The kids decide to treasure the time they have left, but on their final day in the castle, something shocking happens at the very last moment!
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances. Published with the assistance of the Nippon Foundation.
This first volume in a series collecting kabuki play translations draws on new research in kabuki performance and history and presents translations of traditional plays by 22 scholars ranging from the eminent to emerging. Includes over two dozen playwrights and 51 plays representing a range of history or period plays (judaimono), domestic plays (sewamono), and dance pieces (shosagoto or buyo-geki). Plays were selected to show the widest array of kabuki dramaturgy from the Genroku era to the turn of the 20th century. Fine color and b&w illustrations. Annotation copyrighted by Book News, Inc., Portland, OR.
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The kids realize that, aside from Rion, they are all students at Yukishina Junior High No. 5. After an eventful Christmas party, Masamune plucks up his courage to suggest that the kids help each other out with their problems and maybe even start attending classes again. They all agree to go to school on January 10th. Will Kokoro finally be able to face her bullies?
