For Beth Lindstrom, the rundown caf? she inherited in the small town of Lone Wolf was simply a means to an end. Selling it and moving on was the young widow's only hope of a fresh start for her and her five-year-old daughter– though she doubted there was any place on earth they'd feel really safe ever again.
For the sake of a tiny baby… When a tragic family accident reunites Shannon Gilbraith with Luca Salvatore, she isn't prepared for the searing attraction that still flames between them. Luca urges Shannon to marry him, but she knows he isn't motivated by love. For the sake of her orphaned baby niece, Shannon knows she will accept. But what does the future hold when Luca believes—wrongly—that she once betrayed him?
A woman’s secret identity brings her scandalously close to the man she never forgot in this holiday Regency romance. London, 1819. Kirstin Blair has spent seven years trying to forget brooding Cameron Dunbar. In that time, she has reinvented herself as The Procurer—a mysterious woman capable of making the impossible possible. But when Cameron seeks The Procurer’s help recovering his missing niece, Kirstin knows it is the riskiest job she’s ever considered. There is one truth that Kristin cannot deny: seeing Cameron again sparks the same irresistible attraction that first brought them together. Now, as her investigation unfolds and holiday festivities begin, she must decide whether to resist temptation, or reveal herself completely to the man who broke her heart . . .
This study focuses on the complex relations between author, publisher and contemporary reading public in 19th-century America; in particular, the emergence of Irving and Cooper as America's first successful literary entrepreneurs, how Poe's and Melville's successes and failures affected their writing, the popularization of poetry in the 1830s and 1840s, the role of the literary magazine in the 1840s and 1850s, and the beginnings of book promotion. It pays particular attention to the way social and economic forces helped to shape literary works.
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.