In Logoi and Muthoi, William Wians builds on his earlier volume Logos and Muthos, highlighting the richness and complexity of these terms that were once set firmly in opposition to one another as reason versus myth or rationality versus irrationality. It was once common to think of intellectual history representing a straightforward progression from mythology to rationality. These volumes, however, demonstrate the value of taking the two together, opening up and analyzing a range of interactions, reactions, tensions, and ambiguities arising between literary and philosophical forms of discourse, including philosophical themes in works not ordinarily considered in the canon of Greek philosophical texts. This new volume considers such topics as the pre-philosophical origins of Anaximander's calendar, the philosophical significance of public performance and claims of poetic inspiration, and the complex role of mythic figures (including perhaps Socrates) in Plato. Taken together, the essays offer new approaches to familiar texts and open up new possibilities for understanding the roles and relationships between muthos and logos in ancient Greek thought.
We think of myth as a fictional story, and Plato was the first to use the term muthos in that sense. But Plato also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker, Luc Brisson reconstructs Plato's multifaceted and not uncritical description of muthos in light of the latter's famous Atlantis story. The second part of the book contrasts this sense of myth, as Plato does, with another form of speech that he believed was far superior: the logos of philosophy. Appearing for the first time in English, Plato the Myth Maker is a solid and important contribution to the history of myth, based on the privileged testimony of one of its most influential critics and supporters.
Logos and Power in Isocrates and Aristotle presents Isocrates' vision of discourse as a worthy rival, rather than a mere precursor, of Aristotle's Rhetoric. It argues that much of what Aristotle said about the status of rhetoric and the role of discourse may have been a reaction to Isocrates.
This lively and original guidebook offers an invitation to the study of Greek philosophy and signposts to lead the student deeper. The reader is drawn in to the questions the philosophers posed. Doing Greek Philosophy conveys a vital sense of the dynamism and continuity in the Greek philosophical tradition, and shows how interaction between the philosophers creates and sustains that tradition. It concentrates on a set of interrelated concepts and problems – contradiction, relativism, refutation and consistency – which appear in the tradition, and show how philosophers dealt with them. The author considers not just what the philosophers were doing, but also what they thought they were doing. The goal is not simply to inform readers about Greek philosophy, but also to equip them with an intellectual toolkit, and to encourage them to use it. The reader will come away from this book with a set of good questions and the means to probe them further. Accessibly written, the book will appeal to philosophers at every level, and its concision will make it the ideal starting point for the beginner in philosophy.
The perception of intellectual life in Greek antiquity by the representatives of the European Enlightenment of the 18th century favoured the establishment of the cult of reason. Myth as a potential source of knowledge was disregarded: instead, the monopoly of truth-finding through pure rationalisation was asserted. This tendency, positing, as it did, reason in opposition to myth, did a signal disservice to the realities of intellectual life among the ancient Greeks. Nevertheless, these distortions of the Enlightenment have conditioned our approach to education and have led to our privileging of reason as a mode of enquiry right up to the present day. The ancient Greek intellectuals (i.e. the pre-Socratic philosophers, the early historiographers, philosophers of the classical age) did not set myth (mythos) and reason (logos) in opposition to each other. In fact, they benefited from both as differing modes of enquiry, each in its own right and possessing its own value. Plato, in his reasoning, was much concerned with the proper use of mythical narrative. In one of his dialogues, he even coined a new term for explaining how mythical topics and motifs should be exploited as a source of knowledge. This term is mythologia, and it first occurs in Plato's Republic (394b). The present study aims to offer a corrective to traditional cliches and received wisdom about intellectual life in ancient Greece. The work proposes, and aims to reconstruct, a mental landscape in which myth and reason connect and vividly interact, and in which the concepts of mythos and logos are intertwined in the terminological network of the ancient Greek language.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Argues that the meaning of Greek myths can only be studied according to their artistic forms of expression. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame surveys Greek mythology as a category inseparable from the literature in which so much of it is found.