Localization and Humor Translation in The Secret of Monkey Island and The Curse of Monkey Island

Localization and Humor Translation in The Secret of Monkey Island and The Curse of Monkey Island

Author: Martin Gallo

Publisher: GRIN Verlag

Published: 2020-08-24

Total Pages: 25

ISBN-13: 3346230848

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Academic Paper from the year 2019 in the subject Interpreting / Translating , grade: 11.0, University of the Republic (Uruguay), language: English, abstract: This essay analyzes whether it is possible to localize humor maintaining equivalence in the target language. The issue will be applied to the case of the video game saga Monkey Island, since humor has always been an important element of it. The English and Spanish versions of two titles of the video game saga were selected in order to answer the question: Are both video games The Secret of Monkey Island and The Curse of Monkey Island good examples of successful localization and humor translation? Those titles are The Secret of Monkey Island and The Curse of Monkey Island since humor constitutes a substantial part of their dialogues and because they earned great popularity among the gaming community. Dialogues containing humorous elements, such as puns and wordplay, were extracted while playing those games in both versions, comparing each other and observing anisomorphisms. Regarding the issue of localization and transcreation and their challenges, research conducted was based on articles and books written by game localization scholars, who also deal with the issue of localizing humor in video games and its challenges. The analysis conducted in this paper consists in comparing each version of both titles and stating whether translators managed to maintain humorous effects in puns and wordplay, or if they failed to meet the challenge. Research shows that, indeed, humor in The Secret of Monkey Island and The Curse of Monkey Island was successfully localized despite challenges translators faced, and that the target player experiences the same humorous elements as the original source.


The Origin of Consciousness in the Breakdown of the Bicameral Mind

The Origin of Consciousness in the Breakdown of the Bicameral Mind

Author: Julian Jaynes

Publisher: Houghton Mifflin Harcourt

Published: 2000-08-15

Total Pages: 580

ISBN-13: 0547527543

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National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry


The Translation of Realia and Irrealia in Game Localization

The Translation of Realia and Irrealia in Game Localization

Author: Silvia Pettini

Publisher: Routledge

Published: 2021-09-19

Total Pages: 170

ISBN-13: 1000438422

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This book explores the impact of a video game’s degree of realism or fictionality on its linguistic dimensions, investigating the challenges and strategies for translating realia and irrealia, the interface of the real world and the game world where culture-specificity manifests itself. The volume outlines the key elements in the translation of video games, such as textual non-linearity, multitextuality, and playability, and introduces the theoretical framework used to determine a game’s respective degree of realism or fictionality. Pettini applies an interdisciplinary approach drawing on video game research and Descriptive Translation Studies to the linguistic and translational analysis of in-game dialogs in English-Italian and English-Spanish language pairs from a corpus of three war video games. This approach allows for an in-depth look at the localization challenges posed by the varying degree of realism and fictionality across video games and the different strategies translators employ in response to these challenges. A final chapter offers a comparative analysis of the three games and subsequently avenues for further research on the role of culture-specificity in game localization. This book is key reading for students and scholars interested in game localization, audiovisual translation studies, and video game research.


God Laughed

God Laughed

Author: Hershey H. Friedman

Publisher: Routledge

Published: 2017-09-08

Total Pages: 232

ISBN-13: 1351517171

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Humor has had a profound effect on the way the Jewish people see the world, and has sustained them through millennia of hardships and suffering. God Laughed reviews, organizes, and categorizes the humor of the ancient Jewish texts-the Hebrew Bible, the Talmud, and Midrash-in a clear, readable, and accessible manner. These works have influenced the Jewish people in many ways, and all are replete with humor and wit. Inevitably, this oeuvre of Jewish humor has itself influenced generations of comics, as well as genres of humor. The authors use examples of Biblical humor from several broad categories, including irony, sarcasm, wordplay, humorous names, humorous imagery, and humorous situations. Because their primary purpose is not to entertain, but to teach humanity how to live the ideal life, much of the humor in the Talmud and the Midrash has a single purpose: to demonstrate that evil is wrong and even, at times, ludicrous. This may help explain why approximately 1,500 years after its closing, the Talmud is still such a fascinating work.