Lo spettacolo delle voci
Author: Francesco De Martino
Publisher:
Published: 1995
Total Pages: 564
ISBN-13:
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The World of Roman Song
Author: Thomas N. Habinek
Publisher: JHU Press
Published: 2005-07-27
Total Pages: 356
ISBN-13: 9780801881053
DOWNLOAD EBOOKWinner of the Classics and Ancient History award in the Professional and Scholarly Publishing Awards given by the Association of American Publishers In this bold work, Thomas Habinek offers an entirely new theoretical perspective on Roman cultural history. Although English words such as "literature" and "religion" have their origins in Latin, the Romans had no such specific concepts. Rather, much of the sense of these words was captured in the Latin word carmen, usually translated into English as "song." Habinek argues that for the Romans, "song" encompassed a wide range of ritualized speech, including elements of poetry, storytelling, and even the casting of spells. Habinek begins with the fraternal societies, or sodalitates, which predated the Republic and endured into the Imperial era, and whose rites, although adapted over time to different deities and cults, were from the beginning centered on song (perhaps most notably in the ancient Carmen Saliare). He goes on to show how this early use of song became a paradigm for cultural reproduction throughout Roman history. Ritual mastery of the chaos of everyday life, embodied and enacted in song, produced and transmitted the beliefs on which Roman culture was founded and by which Roman communities were sustained. By the emergence of the Empire, "song," in all of its senses, served in particular to reproduce the power of the state, organizing relations of power at every level of society. The World of Roman Song presents a systematic and comprehensive approach to Roman cultural history. Informed and imaginative, this book challenges classicists, social theorists, and literary scholars to engage in a provocative discussion of the power of song.
Kinship in Ancient Athens
Author: S. C. Humphreys
Publisher: Oxford University Press
Published: 2018-11-08
Total Pages: 1488
ISBN-13: 0191092398
DOWNLOAD EBOOKThe concept of kinship is at the heart of understanding not only the structure and development of a society, but also the day-to-day interactions of its citizens. Kinship in Ancient Athens aims to illuminate both of these issues by providing a comprehensive account of the structures and perceptions of kinship in Athenian society, covering the archaic and classical periods from Drakon and Solon up to Menander. Drawing on decades of research into a wide range of epigraphic, literary, and archaeological sources, and on S. C. Humphreys' expertise in the intersections between ancient history and anthropology, it not only puts a wealth of data at readers' fingertips, but subjects it to rigorous analysis. By utilizing an anthropological approach to reconstruct patterns of behaviour it is able to offer us an ethnographic 'thick description' of ancient Athenians' interaction with their kin that offers insights into a range of social contexts, from family life, rituals, and economic interactions, to legal matters, politics, warfare, and more. The work is arranged into two volumes, both utilizing the same anthropological approach to ancient sources. Volume I explores interactions and conflicts shaped by legal and economic constraints (adoption, guardianship, marriage, inheritance, property), as well as more optional relationships in the field of ritual (naming, rites de passage, funerals and commemoration, dedications, cultic associations) and political relationships, both formal (Assembly, Council) and informal (hetaireiai). Among several important and novel topics discussed are the sociological analysis of names and nicknames, the features of kin structure that advantaged or disadvantaged women in legal disputes, and the economic relations of dependence and independence between fathers and sons. Volume II deals with corporate groups recruited by patrifiliation and explores the role of kinship in these subdivisions of the citizen body: tribes and trittyes (both pre-Kleisthenic and Kleisthenic), phratries, genê, and demes. The section on the demes stresses variety rather than common features, and provides comprehensive information on location and prosopography in a tribally organized catalogue.
The Play of Language in Ancient Greek Comedy
Author: Kostas Apostolakis
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2024-05-14
Total Pages: 538
ISBN-13: 3111295990
DOWNLOAD EBOOKAncient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particular artifices of speech and the analysis of individual passages. The main purpose is to highlight the use of language for the achievement of the aesthetic, artistic, and intellectual purposes of ancient comedy, in particular for the generation of humour and comic effect, the delineation of characters, the transmission of ideological messages, and the construction of poetic meaning. The volume will be useful to scholars of ancient drama, linguists, students of humour, and scholars of Classical literature in general.
›Prometheus Bound‹ – A Separate Authorial Trace in the Aeschylean Corpus
Author: Nikos Manousakis
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2020-06-08
Total Pages: 327
ISBN-13: 311068781X
DOWNLOAD EBOOKClassics, Computer Science, and Linguistics are brought together in this book, in an attempt to provide an answer to the authorship question concerning Prometheus Bound, a disputed play in the Aeschylean corpus, by applying some well-established Computer Stylistics methods. One of the main objectives of Stylometry, which, broadly speaking, is the study of quantified style, is Authorship Attribution. In its traditional form it can range from manually calculating descriptive statistics to the use of computer-assisted methodologies. However, non-traditional Authorship Attribution drastically changed the field. It brought together modern Linguistics and Artificial Intelligence applications (machine learning, natural language processing), and its key characteristic is that it aims at developing fully-automated systems for the attribution of texts of unknown authorship. In this book the author employs a series of supervised and unsupervised techniques used in non-traditional Authorship Attribution–applied here for the first time in ancient drama. The outcome of the analysis indicates a significant distance between the disputed text and the secure plays of Aeschylus, but also various interesting (micro-linguistic) ties of affinity with other authors, especially Sophocles and Euripides.
Pragmatic Approaches to Drama
Author:
Publisher: BRILL
Published: 2020-10-12
Total Pages: 510
ISBN-13: 9004440267
DOWNLOAD EBOOKThis volume collects papers on pragmatic perspectives on ancient theatre. Scholars working on literature, linguistics, theatre will find interesting insights on verbal and non-verbal uses of language in ancient Greek and Roman Drama. Comedies and tragedies spanning from the 5th century B.C.E. to the 1st century C.E. are investigated in terms of im/politeness, theory of mind, interpersonal pragmatics, body language, to name some of the approaches which afford new interpretations of difficult textual passages or shed new light into nuances of characterisation, or possibilities of performance. Words, silence, gestures, do things, all the more so in dramatic dialogues on stage.
Gender and Communication in Euripides’ Plays
Author: J.H. Kim On Chong-Gossard
Publisher: BRILL
Published: 2008-08-31
Total Pages: 273
ISBN-13: 9047442768
DOWNLOAD EBOOKThe prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides’ plays communicate in ways constructed by the tragic genre itself as ‘female.’ Yet these women’s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides’ women resort to ‘female’ ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women’s speech—song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place—contribute to Euripides’ portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides’ tragedies dramatise women’s constant struggle to control language.
Multilingualism in the Graeco-Roman Worlds
Author: Alex Mullen
Publisher: Cambridge University Press
Published: 2012-09-06
Total Pages: 409
ISBN-13: 1107013860
DOWNLOAD EBOOKThis book employs new interdisciplinary approaches to understand multilingualism in the Graeco-Roman worlds, East and West, Classical and medieval.
The Oxford Handbook of Greek and Roman Comedy
Author: Michael Fontaine
Publisher: Oxford University Press
Published: 2014-04
Total Pages: 913
ISBN-13: 0199743541
DOWNLOAD EBOOKThe Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
How Women Became Poets
Author: Emily Hauser
Publisher: Princeton University Press
Published: 2023-08-22
Total Pages: 376
ISBN-13: 0691239282
DOWNLOAD EBOOKHow the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one—aoidos, or “singer-man.” The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. Women, as Virginia Woolf recognized, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.
