Life in the big city has its problems: traffic, overpopulation, and crime, not to mention the brain-hungry living dead. But for hard rockers Straw and Whip, life among the flesh-eating populace is easy . . . until they meet a gun-crazy vixen named Betty. Collects Living with the Dead #1–#3. * Written by Dark Horse founder Mike Richardson!
The Dark Horse Book of Horror is a comic anthology of some of comics' best writers. Mike Mignola, Hellboy, and a roster of great creators and characters explore the dark corners of the horror genre in 35 stories of witchcraft, ghosts, and the risen dead. Also includes illustrated classic stories by legendary horror authors, and interviews with experts in the occult fields. Collects: Dark Horse Book of Monsters, the Dark Horse Book of Witchcraft, the Dark Horse Book of Hauntings, and the Dark Horse Book of the Dead.
Since the early 2000s, zombies have increasingly swarmed the landscape of popular culture, with ever more diverse representations of the undead being imagined. A growing number of zombie narratives have introduced sexual themes, endowing the living dead with their own sexual identity. The unpleasant idea of the sexual zombie is itself provocative, triggering questions about the nature of desire, sex, sexuality, and the politics of our sexual behaviors. However, the notion of zombie sex has been largely unaddressed in scholarship. This collection addresses that unexamined aspect of zombiedom, with essays engaging a variety of media texts, including graphic novels, films, television, pornography, literature, and internet meme culture. The essayists are scholars from a variety of disciplines, including history, theology, film studies, and gender and queer studies. Covering The Walking Dead, Warm Bodies, and Bruce LaBruce's zombie-porn movies, this work investigates the cultural, political and philosophical issues raised by undead sex and zombie sexuality.
A handful of survivors find refuge at a local mall. They realize that a mall is the perfect place to sit out the end of the world and even begin to enjoy themselves. But before long, the zombies start to find their way in.
Gender and Sexuality in Latin American Horror Cinema explores the different mechanisms and strategies through which horror films attempt to reinforce or contest gender relations and issues of sexual identity in the continent. The book explores issues of machismo, marianismo, homosociality, bromance, among others through the lens of horror narratives and, especially, it offers an analysis of monstrosity and the figure of the monster as an outlet to play out socio-sexual anxieties in different societies or gender groups. The author looks at a wide rage of films from countries such as Cuba, Peru, Mexico and Argentina and draws points of commonality, as well as comparing essential differences, between the way that horror fictions – considered by many as low-brow cinema - can be effective to delve into the way that sexuality and gender operates and circulates in the popular imaginary in these regions.
Eric Riordan was once a wealthy man leading a comfortable, easy life. Until one day Gabriel--his oldest friend, a Marine Corps veteran, and a former mercenary--told him how the world was going to end. He did his best to prepare. He thought he was ready for anything. He was wrong. As the dead rise up to devour the living, one man finds himself struggling to survive in the ruins of a shattered world. Alone, isolated, and facing starvation, his only chance is to flee to the Appalachians and join forces with Gabriel. But the journey will not be easy, and along the way his humanity, his will to live, and his very soul will be tested. This is the beginning. This is his story.
"A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"--
Eric Riordan doesn't look for trouble, but trouble has a way of finding him.Two years have passed since the Outbreak. After joining forces with his friend Gabriel he has managed to stay alive by fleeing to the peaks of the Appalachian mountains. With supplies running low, and enemies gathering, the two survivors are forced to begin their journey west to Colorado. Along the way they will find unexpected allies, reunite with old friends, and make deadly new enemies. As difficult as life has been, the most dangerous times lie ahead. Nothing is ever easy at the end of the world.Show More Show Less
A man must survive the zombie apocalypse armed with only a shotgun, a Samurai bat, and the will to live among the unliving in this horror series debut. It's been two years since civilization ended in an unstoppable wave of chaos and blood. Now, former house painter Augustus "Gus" Berry lives a day-to-day existence of waking up, getting drunk, and preparing for the inevitable moment when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of Annapolis, Gus goes scavenging for whatever supplies remain in the undead suburbia below. Every time he descends the mountain could be his last. But when Gus encounters another survivor, he soon realizes the zombie horde may not be the greatest threat he faces . . . Combining heart-pounding action in a frozen dystopia with complex characters and dark humor, Mountain Man kicks off Keith C. Blackmore's thrilling survival series-perfect for fans of HBO's The Last of Us.
The bestselling comic series that inspired the blockbuster film returns with gruesome hilarity from the showrunner of AMC's Halt and Catch Fire and Hellboy's Patric Reynolds. Years ago, a weird mask of unknown origin and limitless power was buried in the cement of an apartment building's basement floor. Edge City and its residents have all but forgotten the mysterious green-faced killer known only as "Big Head." But now, decades later, the bizarre Tex Avery-style killings are happening all over again and are on a collision course with a bizarre political campaign where a homicidal maniac wants to "Make America Green Again"! Collects The Mask: I Pledge Allegiance to the Mask #1-#4.
