Looking back through the prism of the severe economic crisis for filmmaking in the 1980s, The Film Industry in Brazil explores the unusual relationship between the state-supported industry, which often produced politically radical films, and the authoritarian regime that had held sway for twenty years. To ground his analysis, Johnson covers the early years of the film industry, 1898-1930; attempts at industrialization during the 1930s and 1940s; film industry congresses and government film boards, 1950-1966; the National Film Institute, 1966-1975; and the expansion of the state's role from 1969 through 1980.Well-conceived, carefully researched and documented, Johnson's study fills a major gap in film studies by tracing the development of this industry in Brazil, focusing specifically on its relationship to the state.
"Since 1999 the U.S. Latino & Latina WWII Oral History Project at the University of Texas at Austin has videotaped more than 500 interviews throughout the country and in Puerto Rico and Mexico." "This volume, featuring summaries of interviews and thumbnail photographs of the individuals, demonstrates the vast breadth of experiences of the Latino WWII generation. The interviews are arranged by wartime experiences - on the home front, as well as in the military - followed by postwar efforts."--BOOK JACKET.
The companion volume to the celebrated PBS television series, with a new preface to mark its twenty-fifth anniversary With more than 500 illustrations: rare Civil War photographs—many never before published—as well as paintings, lithographs, and maps reproduced in full color It was the greatest war in American history. It was waged in 10,000 places—from Valverde, New Mexico, and Tullahoma, Tennessee, to St. Albans, Vermont, and Fernandina on the Florida coast. More than 3 million Americans fought in it and more than 600,000 men died in it. Not only the immensity of the cataclysm but the new weapons, the new standards of generalship, and the new strategies of destruction—together with the birth of photography—were to make the Civil War an event present ever since in the American consciousness. Thousands of books have been written about it. Yet there has never been a history of the Civil War quite like this one. A wealth of documentary illustrations and a narrative alive with original and energetic scholarship combine to present both the grand sweep of events and the minutest of human details. Here are the crucial events of the war: the firing of the first shots at Fort Sumter; the battles of Shiloh, Chancellorsville, and Gettysburg; the siege of Vicksburg; Sherman’s dramatic march to the sea; the surrender at Appomattox. Here are the superb portraits of the key figures: Abraham Lincoln, claiming for the presidency almost autocratic power in order to preserve the Union; the austere Jefferson Davis, whose government disappeared almost before it could be formed; Robert E. Lee and Ulysses S. Grant, seasoned generals of fierce brilliance and reckless determination. Here is the America in which the war was fought: The Civil War is not simply the story of great battles and great generals; it is also an elaborate portrait of the American people—individuals and families, northerners and southerners, soldiers and civilians, slaves and slaveowners, rich and poor, urban and rural—caught up in the turbulence of the times. An additional resonance is provided by four essays, the work of prominent Civil War historians. Don E. Fehrenbacher discusses the causes of the war; Barbara J. Fields writes about emancipation; James M. McPherson looks at the politics of the 1864 election; C. Vann Woodward speculates on how the war has affected the American identity. And Shelby Foote talks to filmmaker Ken Burns about wartime life on the battlefield and at home. A magnificent book. In its visual power, its meticulous research, its textual brilliance, and the humanity of its narrative, The Civil War will stand among the most illuminating and memorable portrayals of the American past.
City, Temple, Stage is a new interpretation of the art, architecture, and liturgy created for the conversion of Aztecs and other native peoples of central Mexico by European Franciscan missionaries in the mid-sixteenth century. Jaime Lara contends that the design of missionary centers, or so-called fortress monasteries, can only be understood against the backdrop of the eschatological concerns of the age and the missionary techniques of the mendicant friars. Lara argues that these architectural constructions are quasi-theatrical sets for elaborate educational and liturgical events that acted as rehearsals for the last age of world history. Euro-Christian apocalyptic texts, Lara has been able to identify a consistent thread connecting the religious and liturgical imaginations of these juxtaposed cultures. The close parallels between the symbols and metaphors of Aztec religion and medieval Catholicism fostered an unusual synthesis between their different world visions. These visual, literary, and cultic metaphors survive in what we today call Mexican Catholicism. Drawing on his expertise as a medievalist, Latin Americanist, and architectural and liturgical historian, Lara offers an astonishingly comprehensive and compelling examination of the churches and liturgies created by the Franciscans for new Aztec Christians. Lara's fascinating narrative is supplemented by more than 230 images.
Biographical material on maternal ancestors of the author and their contemporaries with hisorical background of the times back to the conquest of Mexico by Cortez. The authors ancestor's were among the founders of Monterrey, Saltillo, and other areas. Duaine's mother was the daughter of Juan Rios and Macadonia Ramirez of Mier, Mexico.
Follow the men who fought America's first battle in World War II--their will, their resolve, the odds against them, their surrender, the Death March, their imprisonment, and the few who escaped to continue the fight.After the destruction of Pearl Harbor on December 7, 1941, the U.S. Army on Bataan was forced to surrender to the Japanese and70,000 American and Filipino soldiers became Prisoners of War. Over the next three years, almost two-thirds of them would die in Japanese custody. However, a few hundred Americans refused to surrender, evaded the Japanese Army, and slipped into the jungle to hide and await the return of General MacArthur. Some joined Filipino guerrilla bands hoping to help the war effort during the months they would wait. But months turned into years, and there was no sign of General MacArthur or his army. At home in the United States their families waited for them, not knowing if their men were dead or alive. Bataan Diary is the remarkable true chronicle of the American prisoners, evaders and guerrillas, trapped in the Philippines during the Japanese occupation.
First published in 1963, this book by Raul Morin, who served in the 79th Infantry Division of the U.S. Army, was the first book to chronicle in detail the heroics of the Mexican-American soldier during World War II and Korea. It also provides information about the Chicano Medal of Honor recipients during these wars. The book is a tribute to all American fighting men, “be they white, red, black, yellow, or brown. We feel just as proud of the Colin Kellys, the Dobbie Millers, and the Sadio Munemoris as we are of the Martinez’, Garcias and Rodriguez’.”
