This edition of A Thrilling Narrative of Indian Captivity rescues from obscurity a crucially important work about the bitterly contested U.S.-Dakota War of 1862. Written by Mary Butler Renville, an Anglo woman, with the assistance of her Dakota husband, John Baptiste Renville, A Thrilling Narrative was printed only once as a book in 1863 and has not been republished since. The work details the Renvilles’ experiences as “captives” among their Dakota kin in the Upper Camp and chronicles the story of the Dakota Peace Party. Their sympathetic portrayal of those who opposed the war in 1862 combats the stereotypical view that most Dakotas supported it and illumines the injustice of their exile from Dakota homelands. From the authors’ unique perspective as an interracial couple, they paint a complex picture of race, gender, and class relations on successive midwestern frontiers. As the state of Minnesota commemorates the 150th anniversary of the Dakota War, this narrative provides fresh insights into the most controversial event in the region’s history. This annotated edition includes groundbreaking historical and literary contexts for the text and a first-time collection of extant Dakota correspondence with authorities during the war.
In 1862, four years after Minnesota was ratified as the thirty-second state in the Union, simmering tensions between indigenous Dakota and white settlers culminated in the violent, six-week-long U.S.-Dakota War. Hundreds of lives were lost on both sides, and the war ended with the execution of thirty-eight Dakotas on December 26, 1862, in Mankato, Minnesota--the largest mass execution in American history. The following April, after suffering a long internment at Fort Snelling, the Dakota and Winnebago peoples were forcefully removed to South Dakota, precipitating the near destruction of the area's native communities while simultaneously laying the foundation for what we know and recognize today as Minnesota. In North Country: The Making of Minnesota, Mary Lethert Wingerd unlocks the complex origins of the state--origins that have often been ignored in favor of legend and a far more benign narrative of immigration, settlement, and cultural exchange. Moving from the earliest years of contact between Europeans and the indigenous peoples of the western Great Lakes region to the era of French and British influence during the fur trade and beyond, Wingerd charts how for two centuries prior to official statehood Native people and Europeans in the region maintained a hesitant, largely cobeneficial relationship. Founded on intermarriage, kinship, and trade between the two parties, this racially hybridized society was a meeting point for cultural and economic exchange until the western expansion of American capitalism and violation of treaties by the U.S. government during the 1850s wore sharply at this tremulous bond, ultimately leading to what Wingerd calls Minnesota's Civil War. A cornerstone text in the chronicle of Minnesota's history, Wingerd's narrative is augmented by more than 170 illustrations chosen and described by Kirsten Delegard in comprehensive captions that depict the fascinating, often haunting representations of the region and its inhabitants over two and a half centuries. North Country is the unflinching account of how the land the Dakota named Mini Sota Makoce became the State of Minnesota and of the people who have called it, at one time or another, home.
In August 1862 the worst massacre in U.S. history unfolded on the Minnesota prairie, launching what has come to be known as the Dakota War, the most violent ethnic conflict ever to roil the nation. When it was over, between six and seven hundred white settlers had been murdered in their homes, and thirty to forty thousand had fled the frontier of Minnesota. But the devastation was not all on one side. More than five hundred Indians, many of them women and children, perished in the aftermath of the conflict; and thirty-eight Dakota warriors were executed on one gallows, the largest mass execution ever in North America. The horror of such wholesale violence has long obscured what really happened in Minnesota in 1862—from its complicated origins to the consequences that reverberate to this day. A sweeping work of narrative history, the result of forty years’ research, Massacre in Minnesota provides the most complete account of this dark moment in U.S. history. Focusing on key figures caught up in the conflict—Indian, American, and Franco- and Anglo-Dakota—Gary Clayton Anderson gives these long-ago events a striking immediacy, capturing the fears of the fleeing settlers, the animosity of newspaper editors and soldiers, the violent dedication of Dakota warriors, and the terrible struggles of seized women and children. Through rarely seen journal entries, newspaper accounts, and military records, integrated with biographical detail, Anderson documents the vast corruption within the Bureau of Indian Affairs, the crisis that arose as pioneers overran Indian lands, the failures of tribal leadership and institutions, and the systemic strains caused by the Civil War. Anderson also gives due attention to Indian cultural viewpoints, offering insight into the relationship between Native warfare, religion, and life after death—a nexus critical to understanding the conflict. Ultimately, what emerges most clearly from Anderson’s account is the outsize suffering of innocents on both sides of the Dakota War—and, identified unequivocally for the first time, the role of white duplicity in bringing about this unprecedented and needless calamity.
In the days following the Battle of Birch Coulie, the decisive battle in the deadly Dakota War of 1862, one of President Lincoln’s private secretaries wrote: “There has hardly been an outbreak so treacherous, so sudden, so bitter, and so bloody, as that which filled the State of Minnesota with sorrow and lamentation.” Even today, at the 150th anniversary of the Dakota War, the battle still raises questions and stirs controversy. In Birch Coulie John Christgau recounts the dramatic events surrounding the battle. American history at its narrative best, his book is also a uniquely balanced and accurate chronicle of this little-understood conflict, one of the most important to roil the American West. Christgau’s account of the war between white settlers and the Dakota Indians in Minnesota examines two communities torn by internal dissent and external threat, whites and Native Americans equally traumatized by the short and violent war. The book also delves into the aftermath, during which thirty-eight Dakota men were hanged without legal representation or the appearance of defense witnesses, the largest mass execution in American history. With its unusually nuanced perspective, Birch Coulie brings a welcome measure of clarity and insight to a critical moment in the troubled history of the American West.
As war overtakes the frontier, Emma’s family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions—even as horror and injustice unfolds all around them. Inspired by the true story of the thirty-eight Dakota-Sioux men hanged in Minnesota in 1862—the largest mass execution in US history—Dovetails in Tall Grass is a powerful tale of two young women connected by the fate of one man.
Southern Minnesota, August 1862. Smoke fills the horizon and blood soaks the prairie as the Sioux fight to drive white settlers from their ancestral homeland. Sarah Wakefield and her young son and baby daughter are fleeing for their lives when two warriors capture them. One is Hapa, who intends to murder them. The other is Chaska, an old acquaintance who promises to protect the family. Chaska shelters them in his mother's tepee, but with emotions running so high among both Indians and whites, the danger only intensifies. As she struggles to protect herself and those she loves, Sarah is forced to choose between doing what others expect of her and following her own deep beliefs. KIRKUS REVIEWS www.kirkusreviews.com "Chatlien...writes with nuanced sensitivity, nimbly cataloging the horrors each side visits upon the other. Even Sarah's marriage is depicted without yielding to facile simplicity-her husband can be sweet and chivalrous but also petty and cold. In a few spots, the author seems tempted by the desire to impart a didactic lesson-there is good and bad among all kinds-but resists even these minor concessions to moralistic judgment. In addition, Chatlien's mastery of the historical period-especially the life and culture of the Sioux-is notable and creates a fictional atmosphere of authenticity. A subtle dramatization of the conflict between white settlers and Native Americans in the 19th century." Stephanie Thornton, author, The Conqueror's Wife: "Richly detailed, Blood Moon is an intrepid tale of bravery and adventure in America's western frontiers. Perfect for fans of immersive historical fiction " Libbie Hawker, author, Tidewater: "An engrossing tale of struggle and justice-of friendship, mercy, and a rare, moving love. Ruth Hull Chatlien writes with great sensitivity and vivid yet subtle prose. Blood Moon is a must-read for fans of western novels, as well as women's historical fiction." Ray Simmons, Readers' Favorite: "Blood Moon: A Captive's Tale by Ruth Hull Chatlien is a powerful tale. Part of the strength of this novel is the fact that it is based on a true story and Ruth Hull Chatlien tries her best to be true to that story. And I must say that her best is very good indeed. I have been a fan of Westerns since I was a small boy. My dad loved them too and some of my first and best memories of being together as father and son are of sitting in front of the TV together, watching Gunsmoke. But to be honest, I consider Blood Moon more of a historical novel than a Western. A good part of it, maybe the best part, is the depiction of Native American family life. The contrast between her own domestic situation and the situation she finds herself in as a captive is something I haven't come across in many other novels. "The plot is authentic and compelling. This is partially due to being based on real events, but also due to the craftsmanship and sheer writing ability of Ruth Hull Chatlien. I like seeing Native Americans as people and not just the bad guys for the cavalry to kill or chase away. I like seeing them as strong, real characters instead of one dimensional stereotypes. Blood Moon is good. It goes beyond genre fiction into a more elevated style of writing. And yet those who love Westerns for whatever reason can still enjoy it too. Rich in detail, beautifully written, Blood Moon is a book any reader can enjoy and appreciate."
Volume 1 covers Minnesota's early development from the days of French exploration and trade with American Indians through territorial times to the eve of statehood in 1857. Volume 2 continues the story from 1858 to 1865, with emphasis on the state's participation in the Civil War and the Sioux Uprising (Dakota Conflict) of 1862. Volume 3 completes the chronological record with a comprehensive picture of Minnesota politics from 1865 to 1925. Volume 4 focuses on special topics such as iron mining, public education, the Chippewa (Ojibway), election procedures, and a dozen outstanding Minnesotans. Includes a consolidated index to Volumes 1-4.