The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.
“The author has done an outstanding job of making the colorful Georgian world come alive in all its contradictory, bawdy, and utterly fascinating glory.” —Britain Express Could you successfully be a Georgian? Find yourself immersed in the pivotal world of Georgian England, exciting times to live in. Everything was booming—the Industrial Revolution, the Enlightenment, and the nascent Empire—in an era inhabited by Mary Shelley, the Romantic poets, and their contemporaries. Find everything you need to know in order to survive as a time traveler from today, undetected among the ordinary people: how to dress, behave yourself in public, earn a living, and find somewhere to live. Just as importantly, you will be given advice on how to stay on the right side of the law, and how to avoid getting seriously ill. Monica Hall creatively evokes this bygone era, filling the pages of this book with all aspects of daily life within the period, calling upon diaries, illustrations, letters, poetry, prose, eighteenth century laws, and archives. This detailed account intimately explores the ever-changing lives of those who lived through Britain’s imperial prowess, the birth of modern capitalism, and the upheaval of the industrial revolution, major political reform, and class division. “A fantastic piece of social history that fills in a huge number of gaps in our knowledge. First class entertainment and educational at the same time!” —Books Monthly
From the award-winning author of The Gentleman’s Daughter,a witty and academic illumination of daily domestic life in Georgian England. In this brilliant work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition. The basis of a 3-part TV series for BBC2. “Vickery is that rare thing, an…historian who writes like a novelist.”—Jane Schilling, Daily Mail “Comparison between Vickery and Jane Austen is irresistible…This book is almost too pleasurable, in that Vickery's style and delicious nosiness conceal some seriously weighty scholarship.”—Lisa Hilton, The Independent “If until now the Georgian home has been like a monochrome engraving, Vickery has made it three dimensional and vibrantly colored. Behind Closed Doors demonstrates that rigorous academic work can also be nosy, gossipy, and utterly engaging.”—Andrea Wulf, New York Times Book Review
A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today The Georgian era is often seen as a time of innovations. It saw the end of monarchical absolutism, global exploration and settlements overseas, the world’s first industrial revolution, deep transformations in religious and cultural life, and Britain’s role in the international trade in enslaved Africans. But how were these changes perceived by people at the time? And how do their viewpoints compare with attitudes today? In this wide-ranging history, Penelope J. Corfield explores every aspect of Georgian life—politics and empire, culture and society, love and violence, religion and science, industry and towns. People’s responses at the time were often divided. Pessimists saw loss and decline, while optimists saw improvements and light. Out of such tensions came the Georgian culture of both experiment and resistance. Corfield emphasizes those elements of deep continuity that persisted even within major changes, and shows how new developments were challenged if their human consequences proved dire.
This pioneering exploration of Georgian men and women's experiences as readers explores their use of commonplace books for recording favourite passages and reflecting upon what they had read, revealing forgotten aspects of their complicated relationship with the printed word. It shows how indebted English readers often remained to techniques for handling, absorbing and thinking about texts that were rooted in classical antiquity, in Renaissance humanism and in a substantially oral culture. It also reveals how a series of related assumptions about the nature and purpose of reading influenced the roles that literature played in English society in the ages of Addison, Johnson and Byron; how the habits and procedures required by commonplacing affected readers' tastes and so helped shape literary fashions; and how the experience of reading and responding to texts increasingly encouraged literate men and women to imagine themselves as members of a polite, responsible and critically aware public.
The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
