Satie Seen Through His Letters

Satie Seen Through His Letters

Author: Erik Satie

Publisher: Marion Boyars Publishers

Published: 1989

Total Pages: 0

ISBN-13: 9780714529806

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This whimsical book about the eccentric Parisian composer Erik Alfred Leslie Satie (1866-1925) confirms his position as one of the most bizarre personalities in music history. Gathered by a determined iconographer, thedirector of the Satie Foundation in Paris, and arranged somewhat chronologically by topic, such as "Friends," and "Lawsuits," these lettersto Cocteau, Debussy, Milhaud, Picasso, Ravel and Stravinsky, among others,many of which have not been previously published, give us a picture of Satie the friend, student, neighbor, composer and musical influence, and of the only adherent to a religion that he founded. Illustrated with line line drawings by Cocteau, Magritte and Picasso, as well as Satie's own musical scores and logos, this book will entrance and delight those interested in Parisian cultural life in the early 20th century.


Writers' Letters

Writers' Letters

Author: Michael Bird

Publisher: White Lion Publishing

Published: 2021-11-09

Total Pages: 226

ISBN-13: 0711248753

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Writer’s Letters is a collection of fascinating letters written by great writers, from Dickens to De Beauvoir


C. S. Lewis' Letters to Children

C. S. Lewis' Letters to Children

Author: Clive Staples Lewis

Publisher: Simon and Schuster

Published: 1996-06-03

Total Pages: 128

ISBN-13: 0684823721

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A collection of letters from the English author of the Narnia books to a variety of children.


The World Republic of Letters

The World Republic of Letters

Author: Pascale Casanova

Publisher: Harvard University Press

Published: 2004

Total Pages: 446

ISBN-13: 9780674013452

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The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.


Literature in Letters

Literature in Letters

Author: James P. Holcombe

Publisher: BoD – Books on Demand

Published: 2021-12-17

Total Pages: 538

ISBN-13: 3752553847

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Reprint of the original, first published in 1866.


The Sketch, the Tale, and the Beginnings of American Literature

The Sketch, the Tale, and the Beginnings of American Literature

Author: Lydia G. Fash

Publisher: University of Virginia Press

Published: 2020-03-31

Total Pages: 399

ISBN-13: 081394399X

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Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"—Hawthorne’s The Scarlet Letter, Melville’s Moby-Dick and Stowe’s Uncle Tom’s Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States’ past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.