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Author: Karl Julius Holzknecht
Publisher: Psychology Press
Published: 1966
Total Pages: 276
ISBN-13: 9780714610627
DOWNLOAD EBOOKFirst Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William J. Buxton
Publisher: Rowman & Littlefield
Published: 2014-12-18
Total Pages: 201
ISBN-13: 1442243392
DOWNLOAD EBOOKFor decades, media historians have heard of Harold Innis’s unpublished manuscript exploring the history of communications—but very few have had an opportunity to see it. In this volume, editors and Innis scholars William J. Buxton, Michael R. Cheney, and Paul Heyer make widely accessible, for the first time, three core chapters from the legendary Innis manuscript. Here, Innis (1894-1952) examines the development of paper and printing from antiquity in Asia through to 16th century Europe. He demonstrates how the paper/printing nexus intersected with a broad range of other phenomena, including administrative structures, geopolitics, militarism, public opinion, aesthetics, cultural diffusion, religion, education, reception, production processes, technology, labor relations, and commerce, as well as the lives of visionary figures. Buxton, Cheney, and Heyer knit the chapters into a cohesive narrative and help readers navigate Innis’s observations by summarizing the heavily detailed factual material that peppered the unpublished manuscript. They provide further context for Innis’s arguments by adding annotations, references, and pertinent citations to his other writings. The end result is both a testament to Innis’s status as a canonical figure in the study of communication and a surprisingly relevant contribution to how we might think about the current sea change in all aspects of social, cultural, political, and economic life stemming from the global shift to digital communication.
Author: June Hall McCash
Publisher: University of Georgia Press
Published: 1996
Total Pages: 428
ISBN-13: 9780820317021
DOWNLOAD EBOOKThe Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
Author: Alison Chapman
Publisher: Routledge
Published: 2013-01-17
Total Pages: 251
ISBN-13: 1135132313
DOWNLOAD EBOOKThis book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.
Author: Edward Andrew
Publisher: University of Toronto Press
Published: 2006-01-01
Total Pages: 297
ISBN-13: 0802090648
DOWNLOAD EBOOKPatrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.
Author: Karl Julius Holzknecht
Publisher:
Published: 1923
Total Pages: 274
ISBN-13:
DOWNLOAD EBOOKAuthor: Amy Noelle Vines
Publisher: Boydell & Brewer Ltd
Published: 2011
Total Pages: 186
ISBN-13: 1843842750
DOWNLOAD EBOOKA reading of how women's power is asserted and demonstrated in the popular medieval genre of romance.
Author: Albrecht Classen
Publisher: Walter de Gruyter
Published: 2011-03-29
Total Pages: 813
ISBN-13: 3110253984
DOWNLOAD EBOOKAlthough it seems that erotic love generally was the prevailing topic in the medieval world and the Early Modern Age, parallel to this the Ciceronian ideal of friendship also dominated the public discourse, as this collection of essays demonstrates. Following an extensive introduction, the individual contributions explore the functions and the character of friendship from Late Antiquity (Augustine) to the 17th century. They show the spectrum of variety in which this topic appeared ‐ not only in literature, but also in politics and even in painting.
Author: Morton W. Bloomfield
Publisher: Boydell & Brewer
Published: 1992
Total Pages: 182
ISBN-13: 9780859913478
DOWNLOAD EBOOKThis study draws on a wide range of texts — early Irish, pre-modern Scottish Gaelic, early Welsh, Early Norse, Old English —to illustrate the role of the poet as a tool of power, as seer, and as ceremonial figure.
Author: Evan Alderson
Publisher: Wilfrid Laurier Univ. Press
Published: 2006-01-01
Total Pages: 209
ISBN-13: 0889209014
DOWNLOAD EBOOKLooks at the roles various world views have played in generating cultural policies at various times in Western history. Evan Alderson’s introduction places the work within its social, political and historical framework. Robin Blaser addresses the problem of how we can begin to locate a responsible cultural position at the present time. The volume’s historical progression begins with John Humphrey looking at the relation of arts and state in Imperial Rome. Haijo Westra focusses on the relation of language and culture in the medieval world. Jonathan Bordo examines the emergence of the individually framed picture in the Renaissance. Steven Cole examines the artistic autonomy of English Romanticism. Hazard Adams outlines a conception of cultural policy through William Blake. Cultural policy is brought closer to the Canadian context with Gordon Fearn’s discussion of communications policy in Canada. Anthony Welch takes up the process of re-comprehending culture within the revolution of communications by examining revolutionary and pre-revolutionary Iran. The two final essays take up the challenge of positing the hope of the post-modern. Barry Cooper begins his examination of the relevant part of post-modernism in the sixth century A.D. Robert Kroetsch sees only a longing for order that must be abandoned so that we may measure the depth of our uncertainties and learn to converse across them. Robin Blaser reminds us in his “Afterthoughts” that much of our current unease stems, not from too many differences, but from too few. This volume speaks in a single voice both to those interested in the pragmatics of current cultural policy and to those whose primary allegiance is to the life of the imagination. It is not just a scholarly exercise, but also a call for action — to a more comprehensive and informed engagement with our present cultural condition.
