A study of the life and work of 'the Maggid"—a major figure in the mystical thought of early Hasidism Enshrined in Jewish memory simply as "the Maggid" (preacher), Rabbi Dov Ber Friedman of Mezritsh (1704-1772) played a critical role in the formation of Hasidism, the movement of mystical renewal that became one of the most important and successful forces in modern Jewish life. In Speaking Infinities, Ariel Evan Mayse turns to the homilies of the Maggid to explore the place of words in mystical experience. He argues that the Maggid's theory of language is the key to unpacking his abstract mystical theology as well as his teachings on the devotional life and religious practice. Mayse shows how Dov Ber's vision of language emerges from his encounters with Ba'al Shem Tov (the BeSHT), the founder of Hasidic Judaism, whose teaching put forward a vision of radical divine immanence. Taking the BeSHT's notion of God's immanence as a kind of linguistic vitality echoing in the cosmos, Dov Ber developed a theory of language in which all human tongues, even in their mundane forms, have the potential to become sacred when returned to their divine source. Analyzing homilies and theological meditations on language, Mayse demonstrates that Dov Ber was an innovative thinker and contends that, in many respects, it was Dov Ber, rather than the BeSHT, who was the true founder of Hasidism as it took root, and the foremost shaper of its early theology. Speaking Infinities offers an exploration of this introspective mystic's life, gleaned from scattered anecdotes, legends, and historical sources, distinguishing the historical personage from the figure that emerges from the composite array of textual and oral traditions that have shaped the memory of the Maggid and his legacy.
Enthusiastic, valuable, remarkable, and perceive are examples of WOW! Words - sophisticated words that enrich children's listening and speaking vocabularies regardless of writing and reading proficiency. Sorted into age-specific groups, four sets of 36 lessons teach one new word for each age group for each week of the school year. Parents and teachers can engage their confident conversationalists with the book's rich, age-appropriate tools and resources: definitions, synonyms, pronunciation guidelines, figurative language, additional forms, sentences, short rhymes, poems, songs, discussion questions, illustrations, and hands-on activities, in addition to visual aids that organize and display word-acquisition progress. Grades PreK-2. Index. Illustrated.
One of the central issues of analytic philosophy and especially the theory of language is the concept of logical form. As typically understood this concept covers investigations into universal logical features underlying languages. However, from Frege and Russell onwards logical form analysts were no longer confined to such narrow linguistic perspectives. For them, investigating the logical form of language took the wider philosophical perspective of trying to understand language as our principal means for representing the world. From Russell's theory of definite descriptions to Davidson's truth-theoretical analyses of adverbial modification, citation, and reported speech, to lay open the logical structures underlying language is seen as a way of revealing the structure and features of the thereby represented world. Seventeen specially written essays by eminent philosophers and linguists appear for the first time in this anthology. Logical Form and Language brings together exciting new contributions from diverse points of view, which illuminate the lively current debate about this topic.
Ground-breaking and hugely controversial on first publication in 1995, this classic text pre-empted the emerging church movement, questioning whether the certainties of evangelical orthodoxy could survive in a postmodern world
Paint Masterful Descriptions on the Page! Writing strong descriptions is an art form, one that you need to carefully develop and practice. The words you choose to describe your characters, scenes, settings, and ideas--in fiction, poetry, and nonfiction--need to precisely illustrate the vision you want to convey. Word Painting Revised Edition shows you how to color your canvas with descriptions that captivate readers. Inside, you'll learn how to: • Develop your powers of observation to uncover rich, evocative descriptions. • Discover and craft original and imaginative metaphors and similes. • Effectively and accurately describe characters and settings. • Weave description seamlessly through your stories, essays, and poems. You'll also find dozens of descriptive passages from master authors and poets--as well as more than one hundred exercises--to illuminate the process. Whether you are writing a novel or a poem, a memoir or an essay, Word Painting Revised Edition will guide you in the creation of your own literary masterpiece.
This anthology features translations of ten seminal plays written during the Yuan dynasty (1279–1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of China's culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known translators and scholars have supervised the making of this collection and add a short description to each play. A general introduction situates all selections within their cultural and historical contexts.
This study focuses on conceptual questions that arise when we explore the fundamental aspects of violence. Mark Vorobej teases apart what is meant by the term ‘violence,’ showing that it is a surprisingly complex, unwieldy and highly contested concept. Rather than attempting to develop a fixed definition of violence, Vorobej explores the varied dimensions of the phenomenon of violence and the questions they raise, addressing the criteria of harm, agency, victimhood, instrumentality, and normativity. Vorobej uses this multifaceted understanding of violence to engage with and complicate existing approaches to the essential nature of violence: first, Vorobej explores the liberal tradition that ties violence to the intentional infliction of harm, and that grows out of a concern for protecting individual liberty or autonomy. He goes on to explore a more progressive tradition – one that is usually associated with the political left – that ties violence to the bare occurrence of harm, and that is more concerned with an equitable promotion of human welfare than with the protection of individual liberty. Finally, the book turns to a tradition that operates with a more robust normative characterization of violence as a morally flawed (or forbidden) response to the ontological fact of (human) vulnerability. This nuanced and in-depth study of the nature of violence will be especially relevant to researchers in applied ethics, peace studies and political philosophy.