Liszt as Transcriber

Liszt as Transcriber

Author: Jonathan Kregor

Publisher: Cambridge University Press

Published: 2010-11-18

Total Pages: 315

ISBN-13: 0521117771

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Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.


The Music of Franz Liszt

The Music of Franz Liszt

Author: Michael Saffle

Publisher: Routledge

Published: 2018-04-09

Total Pages: 322

ISBN-13: 1351243314

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Much of Franz Liszt's musical legacy has often been dismissed as 'trivial’ or 'merely showy,' more or less peripheral contributions to nineteenth-century European culture. But Liszt was a mainstream composer in ways most of his critics have failed to acknowledge; he was also an incessant and often extremely successful innovator. Liszt's mastery of fantasy and sonata traditions, his painstaking settings of texts ranging from erotic verse to portions of the Catholic liturgy, and the remarkable self-awareness he demonstrated even in many of his most 'entertaining' pieces: all these things stamp him not only as a master of Romanticism and an early Impressionist, but as a precursor of Postmodern 'pop.' Liszt's Music places Liszt in historical and cultural focus. At the same time, it examines his principal contributions to musical literature -- from his earliest operatic paraphrases to his final explorations of harmonic and formal possibilities. Liszt's compositional methods, including his penchant for revision, problems associated with early editions of some of his works, and certain aspects of class and gender issues are also discussed. The first book-length assessment of Liszt as composer since Humphrey Searle’s 1956 volume, Liszt's Music is illustrated with well over 100 musical examples.


Liszt and Virtuosity

Liszt and Virtuosity

Author: Robert Doran

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 447

ISBN-13: 1580469396

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A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.


Franz Liszt

Franz Liszt

Author: Michael Saffle

Publisher: Routledge

Published: 2013-02-01

Total Pages: 538

ISBN-13: 113583959X

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Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.


Liszt's Final Decade

Liszt's Final Decade

Author: Dolores Pesce

Publisher: Boydell & Brewer

Published: 2014

Total Pages: 386

ISBN-13: 158046484X

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Liszt's Final Decade reveals in the composer's own words to his confidantes Carolyne von Sayn-Wittgenstein and Olga von Meyendorff how he resolved his conflicted self-image as a celebrated performer but underappreciated composer. Toward the end of his life Franz Liszt maintained extensive correspondence with two women who were at the time his closest confidantes, Carolyne von Sayn-Wittgenstein and Olga von Meyendorff. Liszt wrote to them regularly, expressing his intimate feelings about personal and career events and his conflicted self-image as a celebrated performer but underappreciated composer. Absent a diary, the letters offer the most direct avenue into Liszt's psyche in hisfinal years. Liszt's Final Decade explores through these letters the mind and music of one of the nineteenth century's most popular musicians, providing insight into Liszt's melancholia in his last years and his struggle to gain recognition for his music yet avoid criticism. The exchange indicates that Liszt ultimately resolved his inner conflict through a personally constructed Christian moral philosophy that embraced positive resignation to suffering, compassionate love, and trust in a just reward to come. The book also examines how Liszt's late sacred compositions affirm the yielding of suffering to joy and hope. Significantly, Liszt viewed these works, commonly overlooked today, as a major part of his compositional legacy. This volume thus challenges the idea of a single "late" Lisztian style and the notion that despair overwhelmed the composer in his final years. We are pleased to announce that Liszt's Final Decade is the winner of the 2017 Alan Walker Book Award, given by the American Liszt Society. Dolores Pesce is the Avis Blewett Professor of Music in Arts and Sciences at Washington University in St. Louis.


The Collected Writings of Franz Liszt

The Collected Writings of Franz Liszt

Author:

Publisher: Scarecrow Press

Published: 2012-04-20

Total Pages: 596

ISBN-13: 0810883260

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During his early years, Franz Liszt worked as a traveling piano virtuoso, his adventures highlighted by his entrée into the literary world as a correspondent for the most popular French journals of his time. In this second volume of Janita Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt’s work as a music essayist and journalist is on full display. In his essays, readers will see the influence of the revolutionary theories of Hugues-Felicité Robert de Lamennais, Victor Hugo, and François-René de Chateaubriand as Liszt boldly calls for social reforms on behalf of musicians and musical institutions, from demands for a repertoire of church music of divine praise to the timely publication of inexpensive music editions. In addition to Liszt’s scandalous review of Sigismond Thalberg and the fiery exchange that ensued, the essays include his testimonies to living composers Giacomo Meyerbeer and Robert Schumann and the recently deceased Niccolò Paganini. Alongside the essay, this new translation of Liszt’s letters opens a window onto the composer’s immersion in the Italian countryside, where he paints a portrait of a rich musical landscape. Liszt regales his correspondents with amusing anecdotes at Sand’s Italian country estate in Nohant, describes the beautiful landscape and artistic treasures of Italy from his residence on Lake Como, defends himself from Heinrich Heine’s accusations of his “ill-seated” character, discusses the religious aesthetic of Raphael’s painting, and offers his thoughts on the interconnectedness of all the arts. Including two complete facsimile reproductions of the existing manuscripts for “De la situation des artistes” and “Sur Paganini à propos de sa mort,” Essays and Letters of a Traveling Bachelor of Music is a must-read for student and scholars of 19th-century classical music.


Liszt's Transcultural Modernism and the Hungarian-gypsy Tradition

Liszt's Transcultural Modernism and the Hungarian-gypsy Tradition

Author: Shay Loya

Publisher: University Rochester Press

Published: 2011

Total Pages: 364

ISBN-13: 1580463231

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Transcultural modernism -- Verbunkos -- Identity, nationalism, and modernism -- Modernism and authenticity -- Listening to transcultural tonal practices -- The verbunkos idiom in the music of the future -- Idiomatic lateness


Keys to Play

Keys to Play

Author: Roger Moseley

Publisher: Univ of California Press

Published: 2016-10-28

Total Pages: 468

ISBN-13: 0520291247

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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.