Christianity and Islam are capable of dialogue. Neither faith has a single religious establishment or narrow belief system, both are rainbows of faith and practice. This book offers evidence of the complexities and rewards of exchanging ideas and opinions on the development and necessity of Islamic-Christian interfaith understanding.
Offering an analysis of Christian-Muslim dialogue across four centuries, this book highlights those voices of ecumenical tone which have more often used the Qur’an for drawing the two faiths together rather than pushing them apart, and amplifies the voice of the Qur’an itself. Finding that there is tremendous ecumenical ground between Christianity and Islam in the voices of their own scholars, this book ranges from a period of declining ecumenism during the first three centuries of Islam, to a period of resurging ecumenism during the most recent century until now. Among the ecumenical voices in the Christian-Muslim dialogue, this book points out that the Qur’an itself is possibly the strongest of those voices. These findings are cause for, and evidence of, hope for the Christian–Muslim relationship: that although agreement may never be reached, dialogue has led at times to very real mutual understanding and appreciation of the religious other. Providing a tool for those pursuing understanding and mutual appreciation between the Islamic and Christian faiths, this book will be of interest to scholars and students of Islam, the Qur’an and the history of Christian-Muslim relations.
In today's world, Christianity and Islam are capable of dialogue. Neither faith has a single religious establishment or narrow belief system. Both are rainbows of faith and practice. There is difference and there is delight for many believers in both traditions. Tragically, there is also some expression of institutional divergence. In Listening to Islam, a devout Trappist monk, Thomas Merton, and a dedicated Sufi mystic, live in intimate prayerful relationship. Sayyid Qutb, a major ideologue of the Muslim Brotherhood, was a literary educationalist whose exposition of the Qur'an is justifiably famous, though his version of political Islam is offensive to many Muslims. Bishop Kenneth Cragg is a careful translator, expositor and analyst of the Qur'an and modern Islam. He has devoted much of his life to the Arabic language and its people. He speaks of himself and his Muslim interlocutors as those who believe in one God. Ziauddin Sardar, who describes himself as 'a skeptical Muslim in search of Paradise', writes with remarkable clarity on the current confrontation between the West and Islam.
This collection of essays by some of the world's leading authorities on Islamic social history focuses on the juridical and cultural oppression of non-Muslims in Islamic societies. The authors of these in-depth but accessible articles explode the widely diffused myth, promulgated by Muslim advocacy groups, of a largely tolerant, pluralistic Islam. In fact, the contributors lay bare the oppressive legal superstructure that has treated non-Muslims in Muslim societies as oppressed and humiliated tributaries, and they show the devastating effects of these discriminatory attitudes and practices in both past and contemporary global conflicts.Besides original articles, primary source documents here presented also elucidate how the legally mandated subjugation of non-Muslims under Islamic law stems from the Muslim concept of jihad - the spread of Islam through conquest. Historically, the Arab-Muslim conquerors overran vast territories containing diverse non-Muslim populations. Many of these conquered people surrendered to Muslim domination under a special treaty called dhimma in Arabic. As such these non-Muslim indigenous populations, mainly Christians and Jews, were then classified under Islamic law as dhimmis (meaning "protected"). Although protected status may sound benign, this classification in fact referred to "protection" from the resumption of the jihad against non-Muslims, pending their adherence to a system of legal and financial oppression, as well as social isolation. The authors maintain that underlying this religious caste system is a culturally ingrained contempt for outsiders that still characterizes much of the Islamic world today and is a primary impetus for jihad terrorism.Also discussed is the poll tax (Arabic jizya) levied on non-Muslims; the Islamic critique of the Universal Declaration of Human Rights; the use of jihad ideology by twentieth-century radical Muslim theorists; and other provocative topics usually ignored by Muslim apologists.This hard-hitting and absorbing critique of Islamic teachings and practices regarding non-Muslim minorities exposes a significant human rights scandal that rarely receives any mention either in academic circles or in the mainstream press.
‘Zbigniew Cynkutis’ writings constitute invaluable testimony of his work with Jerzy Grotowski during the ‘theatre of productions’ phase and beyond. Cynkutis’ insights elucidate aspects of the Laboratory Theatre’s praxis and provide a unique perspective on the questions most often asked about Grotowski. Authored by one of the Laboratory Theatre’s most accomplished actors, this book draws on long-term theatre research and deep knowledge of the craft of acting to offer practical advice indispensable to the professional and aspiring actor alike. The volume offers the English-speaking reader an unprecedented richness of primary source material, which sheds new light on the practical work of one of the most influential theatre directors of the 20th century. Cynkutis’ voice is sincere and direct, and will continue to inspire new generations of theatre practitioners.’ – Dominika Laster, Yale University Acting with Grotowski: Theatre as a Field for Experiencing Life explores the actor-director dynamic through the experience of Zbigniew Cynkutis, one of Polish director Jerzy Grotowski’s foremost collaborators. Cynkutis’s work as an actor, combined with his later work as a director and theatre manager, gave him a visionary overview based on precise embodied understanding. Cynkutis’s writings yield numerous insights into the commitment needed to make innovative, challenging theatre. A central component of Acting with Grotowski is his distinctive approach to training: ‘Conversations with the Body’ includes a range of techniques and approaches to warming up, rehearsing and creating work from a physical starting point, beautifully illustrated by Bill Ireland. The book comprises reflections and practical suggestions on a range of subjects – theatre and culture, improvisation, ethics, group dynamics, and Cynkutis’s vision for the Wrocław Second Studio. It contains visual and textual materials from Cynkutis’s own private archive, such as diary entries and letters. Acting with Grotowski demonstrates the thin line that separates life and art when an artist works with extreme commitment in testing political and social conditions.
A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love
