Cultural Writing. Music. Henry Crowder, consort of Nancy Cunard, was Eddie South's pianist from 1927-1928. This 128 page monograph with previously undocumented materials includes an essay, roll/discography, some 90 photos, documents, music, CD insert with rolls and recordings including the Crowder-Cunard composition Memory Blues aka Bouf sur le toit and new recordings by New York vocalist Allan Harris of six compositions by Crowder including his collaboration with Samuel Beckett. "Because [Barnett's] research is so scrupulous and diligent, his delight in fact over conjecture soenlivening, I would like to see this book in universities--not just on the library shelves--because it is an essential text for anyone interested in the culture of the last century and its implications"--Michael Steinman, Cadence Magazine.
Beckett's Political Imagination charts unexplored territory: it investigates how Beckett's bilingual texts re-imagine political history, and documents the conflicts and controversies through which Beckett's political consciousness and affirmations were mediated. The book offers a startling account of Beckett's work, tracing the many political causes that framed his writing, commitments, collaborations and friendships, from the Scottsboro Boys to the Black Panthers, from Irish communism to Spanish republicanism to Algerian nationalism, and from campaigns against Irish and British censorship to anti-Apartheid and international human rights movements. Emilie Morin reveals a very different writer, whose career and work were shaped by a unique exposure to international politics, an unconventional perspective on political action and secretive political engagements. The book will benefit students, researchers and readers who want to think about literary history in different ways and are interested in Beckett's enduring appeal and influence.
The five-hundred-year history of printed books, told through the people who created them Books tell all kinds of stories—romances, tragedies, comedies—but if we learn to read the signs correctly, they can tell us the story of their own making too. The Book-Makers offers a new way into the story of Western culture’s most important object, the book, through dynamic portraits of eighteen individuals who helped to define it. Books have transformed humankind by enabling authors to create, document, and entertain. Yet we know little about the individuals who brought these fascinating objects into existence and of those who first experimented in the art of printing, design, and binding. Who were the renegade book-makers who changed the course of history? From Wynkyn de Worde’s printing of fifteenth-century bestsellers to Nancy Cunard’s avant-garde pamphlets produced on her small press in Normandy, this is a celebration of the book with the people put back in.
In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory. This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips Casteel examines both testimonial art by victims of the Nazi regime and creative works that imaginatively reconstruct the wartime period. Among these are the internment art of Caribbean painter Josef Nassy, the survivor memoir of Black German journalist Hans J. Massaquoi, the jazz fiction of African American novelist John A. Williams and Black Canadian novelist Esi Edugyan, and the photomontages of Scottish Ghanaian visual artist Maud Sulter. Bridging Black and Jewish studies, this book identifies the significance of African diaspora experiences and artistic expression for Holocaust history, memory, and representation.
Lois Gordon's absorbing biography tells the story of a writer, activist, and cultural icon who embodied the dazzling energy and tumultuous spirit of her age, and whom William Carlos Williams once called "one of the major phenomena of history." Nancy Cunard (1896-1965) led a life that surpasses Hollywood fantasy. The only child of an English baronet (and heir to the Cunard shipping fortune) and an American beauty, Cunard abandoned the world of a celebrated socialite and Jazz Age icon to pursue a lifelong battle against social injustice as a wartime journalist, humanitarian aid worker, and civil rights champion. Cunard fought fascism on the battlefields of Spain and reported firsthand on the atrocities of the French concentration camps. Intelligent and beautiful, she romanced the great writers of her era, including three Nobel Prize winners, and was the inspiration for characters in the works of Ezra Pound, T. S. Eliot, Aldous Huxley, Pablo Neruda, Samuel Beckett, and Ernest Hemingway, among others. Cunard was also a prolific poet, publisher, and translator and, after falling in love with a black American jazz pianist, became deeply committed to fighting for black rights. She edited the controversial anthology Negro, the first comprehensive study of the achievement and plight of blacks around the world. Her contributors included Langston Hughes, W. E. B. Du Bois, and Zora Neale Hurston, among scores of others. Cunard's personal life was as complex as her public persona. Her involvement with the civil rights movement led her to be ridiculed and rejected by both family and friends. Throughout her life, she was plagued by insecurities and suffered a series of breakdowns, struggling with a sense of guilt over her promiscuous behavior and her ability to survive so much war and tragedy. Yet Cunard's writings also reveal an immense kindness and wit, as well as her renowned, often flamboyant defiance of prejudiced social conventions. Drawing on diaries, correspondence, historical accounts, and the remembrances of others, Lois Gordon revisits the major movements of the first half of the twentieth century through the life of a truly gifted and extraordinary woman. She also returns Nancy Cunard to her rightful place as a major figure in the historical, social, and artistic events of a critical era.
Dazzlingly beautiful, highly intelligent and an extraordinary force of energy, Nancy Cunard was an icon of the Jazz Age, said to have inspired half the poets and novelists of the twenties. Born into a life of wealth and privilege, yet one in which she barely saw her parents, Nancy rebelled against expectations and pursued a life in the arts. She sought the constant company of artists, writers, poets and painters, first in London's Soho and Mayfair, and then in the glamorous cafes of 1920s Paris. This is the remarkable story of Nancy's Paris life, filled with art, sex and alcohol. She became a muse to Wyndham Lewis, Constantin Brâncusi sculpted her, Man Ray photographed her and she played tennis with Ernest Hemingway. She had many love affairs, the most significant of which are included in this book: the American poet Ezra Pound, the novelists Aldous Huxley and Michael Arlen, the French poet Louis Aragon and finally and controversially the black American pianist Henry Crowder, with whom she ran her printing press in Paris. She was also shaped by her lifelong friendship with George Moore, her mother's lover. This tempestuous tale of passion and intrigue is as much a portrait of twenties Paris as it is the story of an extraordinary woman who defined her age.
Don’t torture yourself, Ruth Crowder Flood has always told Harry Stein. Don’t let your life be ruined by what might have been. But he can’t help it. And, in truth, neither can she. In the one short moment that was theirs, Ruth had too much pride and Harry didn’t have enough courage. In the instant that defined the rest of their lives, they both hesitated and were lost, condemned to wander in a wilderness of their own making. In Harry & Ruth, Howard Owen’s fifth novel, two unlikely lovers learn just how much their lives can be defined by one bad decision. They will be seasoned by wars both foreign and domestic, by Washington and state politics, by an Olympic swimmer they’ve both failed in different ways, by business and financial success—and by two haunted and disastrous marriages. Through it all, Harry and Ruth endure—on paper. They begin writing in the fall of 1942 and never stop. Now it’s the fall of 1995, hurricane season again. Ruth Crowder Flood is 70 years old, the matriarch of a damaged, secret-hoarding family. Harry Stein is dying, and he wants to tie up a plenitude of loose ends. All that remains is for some of the famous Crowder family reserve to melt away, so that a disaffected daughter might understand everything, even the mystery of what happened to Henry Flood.
Coming of age in a Saudi Arabia where they delight in small acts of rebellion against the Saudi cultural police, from secretly wearing Western clothing and listening to forbidden music to flirting and driving, best friends Leena and Mishie find themselves struggling against cultural restrictions that challenge their ambitions for college and independence.
