In this 'image journal' and textbook, the contemporary artist Betty Spackman takes us on a guided tour of her collection of the images and objects that represent the Christian faith in popular culture. Having set out to critique these poor relations of ecclesiastical art, she finds herself torn between being deeply moved and outraged by their sentimental appeal. Her gentle deconstructions and playful permutations elicit new life from them to illustrate her observations, and to surprise and at times unsettle the reader. A closing questionnaire prompts further reflection. This is a book that can help us greatly to make sense of the pictures that unwittingly may have shaped our faith or unfaith. It is highly recommended for artists, teachers, preachers, youth leaders, parents and spiritual counsellors. Book jacket.
Una vita vissuta in parallelo tra la banalità quotidiana di una piccola cittadina toscana e il pericoloso e violento mondo barbaro dei Marcomanni, calati a depredare e sconvolgere i resti del morente Impero Romano d'Occidente. Avventura, amore e tradimenti in un'epoca dominata da congiure ed inganni. Un centurione, memore di antiche integrità, cerca di contrastare, con le armi, corruzione e decadenza. Una fanciulla di antica e nobile stirpe romana che conosce l'amore sulle sponde barbare. Apprende, con coraggio, usi e costumi del forte Clan dei Lupi e ne diventa la Principessa. Bello e tenebroso, con un passato orribile, il "Re dei Re" trova finalmente nell'amore quella voglia di vivere che aveva, suo malgrado, abbandonato.
A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival. These festivals are considered not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of the festival and of the iconography, spectacle, music, dance, voice and gesture in which they were expressed. To demonstrate the geographic spread and political significance of festivals, and to illustrate the range of aesthetic languages they deploy, the festivals included in these two volumes are grouped in the following sections: Henri III; Genoa; Poland-Lithuania; The Netherlands; The Protestant Union; La Rochelle; Scandinavia; and The New World. These texts provide many valuable insights into the variety of political systems and historical circumstances that formed them. Beautifully produced with 148 black-and-white and 23 colour illustrations, Europa Triumphans represents an invaluable reference source for the study of early modern Europe. It presents texts both in transcription and translated into English, and is supplemented with introductory essays and commentaries. Europa Triumphans is co-published by Ashgate and the Modern Humanities Research Association, in conjunction with the AHRB Centre for the Study of the Renaissance at the University of Warwick, UK.