"Broadbent Manor is a home brimming with life and love. With eleven adopted children in her care, young widow Lily Broadbent is in search of the right tutor to instruct and nurture her young charges. So when Frederick Woodstone arrives on her doorstep seeking the position, Lily is quickly impressed by his qualifications--but even more pleased with his gentle manner and immediate rapport with the children that society cast aside. It is clear: Mr. Woodstone is a perfect fit for the family. From the moment he arrives at the manor, Frederick is enchanted by the lady of the house. Lily is a pillar of strength and compassion, and her striking beauty is undeniable. As the pair works side by side to teach the children, their professional association evolves into something far deeper. But when they stumble upon a young boy in dire circumstances, their relationship is put to the test ..."--
The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn. Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer. But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford. They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed. The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?
A young widow takes her first steps back into London society only to get drawn into a murder investigation in this series debut, perfect for fans of Tasha Alexander and Rhys Bowen "Fast-paced, expertly researched, and intricately plotted. I actually gasped when I got to the end!”—Alex Grecian, New York Times bestselling author of The Saint of Wolves and Butchers Regency London, 1815. Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer. Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.
Lily Price Hamersley became, with her 1888 marriage to the eighth Duke of Marlborough, the highest-ranking American peeress in England and the first American duchess in fifty years. The duke was one of three distinguished, but, alas, short-lived husbands of this beauty from Troy, New York. Her first husband, Louis Hamersley, was a patrician New Yorker who left her an affluent widow at the age of twenty-eight. Her second was the brilliant but "wicked," divorced, and socially outcast Duke of Marlborough--brother-in-law to Jennie Churchill, uncle to Winston, and father to the first husband of Consuelo Vanderbilt. Lily's third choice was an ebullient Anglo-Irish lord, William de la Poer Beresford, a horseracing enthusiast whose popularity has been likened to that of modern film stars. In the course of a surprising life, Lily knew triumph and heartbreak while proving herself a woman of self-confidence, optimism, and remarkable resilience. Lily's "three marriages, her confident ease in moving into impossibly complicated and exalted social realms, and her decades of dealing with legal complexities related to wills, estates, and trusts make her story read like a newly discovered Edith Wharton novel. The history of the fairytale years when Lily became the Duchess of Marlborough and a dear friend of Winston Churchill is immensely readable and fascinating." Eric Homberger, emeritus professor of American Studies, University of East Anglia, and author of Mrs. Astor's New York: Money and Social Power in a Gilded Age "This entrancing portrait of a conventional American girl who made three extraordinary marriages draws on society papers and women's magazines as well as archives, court records and private papers to create a lively and vivid picture of social elites on both sides of the Atlantic during the late nineteenth century." Sally Mitchell, author of Daily Life in Victorian England and The New Girl: Girls' Culture in England, 1880-1915
THE NEW SUNDAY TIMES BESTSELLER Marrying for love was all well and good, but it wasn't always enough Nuneaton, 1875. Lily Moon, the local miner's daughter, spends her days as a parlour maid for Lord and Lady Bellingham at Oakley Manor, and lives a happy life. But one day, everything changes when she becomes lady's maid to the Bellingham's daughter, Arabella, who is pregnant with an illegitimate child. When Arabella suddenly disappears and Lily is left holding the baby, it is only Louis Bellingham, the handsome son and heir of the estate, who shows any interest in the child. Soon a friendship forms between him and Lily, or perhaps more than a friendship if village gossips are to be believed. Could Lily dare to believe that she might be more than just a parlour maid?
In early nineteenth century England, a woman’s worth was rarely appreciated, and among the aristocracy (the ton) that especially applied to an intelligent woman. Lady Lily Maxwell, daughter to the earl and countess of Townsend, fit this category all too well. In the first ball of her first season, Lily sought refuge from the inane talk of her counterparts and the gentlemen around her by stepping outside. Unfortunately for her, this would lead to her ruin among the ton and even in the eyes of her parents, yet she had done nothing wrong. While most women would have borne their ruination in silence, Lily resolved otherwise. Angry at the ton’s unfair treatment, she left London for the countryside where she could begin constructing her revenge. With a convenient death in the family, and a chance meeting with others equally furious with the ton, she had all the tools she needed.
