Elena Poniatowska is recognized today as one of Mexico's greatest writers. Lilus Kikus, published in 1954, was her first book. However, it was labeled a children's book because it had a young girl as protagonist, it included illustrations, and the author was an unknown woman. Lilus Kikus has not received the critical attention or a translation into English it deserved, until now. Accompanying Lilus Kikus in this first American edition are four of Poniatowska's short stories with female protagonists, only one of which has been previously published in English. Poniatowska is admired today as a feminist, but in 1954, when Lilus Kikus appeared, feminism didn't have broad appeal. Twenty-first-century readers will be fascinated by the way Poniatowska uses her child protagonist to point out the flaws in adult society. Each of the drawings by the great surrealist Leonora Carrington that accompany the chapters in Lilus Kikus expresses a subjective, interiorized vision of the child character's contemplations on life. "A tantalizingly complex feminist author, whose importance and originality have yet to be appreciated in this country."--Cynthia Steele, author of Politics, Gender, and the Mexican Novel, 1968-1988
Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work. Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and concepts of race and gender.
Descended from the last king of Poland, born in France, educated at a British grade school in Mexico and a Catholic high school in the United States, Hélène Elizabeth Louise Amelie Paula Dolores Poniatowska Amor—otherwise known as Elena—is a passionate, socially conscious writer who is widely known in Mexico and who deserves to be better known everywhere else. With his subject’s complete cooperation (she granted him access to fifty years of personal files), Michael Schuessler provides the first critical biography of Poniatowska’s life and work. She is perhaps best known outside of Mexico as the author of Massacre in Mexico (La noche de Tlatelolco) and Here’s to You, Jesusa! (Hasta no verte, Jesús mío). But her body of published books is vast, beginning with the 1954 publication of Lilus Kikus, a collection of short stories. And she is still writing today. Schuessler, who befriended Poniatowska more than fifteen years ago, is a knowledgeable guide to her engrossing life and equally engaging work. As befits her, his portrait is itself a literary collage, a “living kaleidoscope” that is constantly shifting to include a multiplicity of voices—those of fellow writers, literary critics, her nanny, her mother, and the writer herself—easily accessible to general readers and essential to scholars. Available in English for the first time, this insightful book includes 40 photographs and drawings and an annotated bibliography of Poniatowska’s works—those that have already been translated into English and those awaiting translation.
This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies.
Before her death, the artist and writer Leonora Carrington (1917–2011) had already garnered a cult following, with numerous creative people making the pilgrimage to meet her at her home in Mexico City. Since then, her fame has only increased. Thinking across contemporary art media, this book demonstrates how Carrington has posthumously become a medium in her own right, critically haunting the creative intellectuals who met or knew her. It explores the work of a remarkable variety of individuals and organisations, including the artists Lucy Skaer, Samantha Sweeting and Lynn Lu, the actress Tilda Swinton, the novelists Chloe Aridjis and Heidi Sopinka and the ensemble Double Edge Theatre. This long-awaited study provides essential reading for both new and established members of the burgeoning Carrington fan club.
The work of one of the earliest Mexican American women writers who focused on life lived between two cultures and nations is the subject of this new literary study.
Explores Laura Esquivel's critical reputation, contextualizes her work in literary movements, and considers hers four novels and the film based on "Like Water for Chocolate" from various perspectives. This book assesses the twenty years of Esquivel criticism.