From the New York Times bestselling author comes a story of love forged in the flames of the American Civil War, and a betrayal that threatens to tear it apart. Alaina McMann’s honor is compromised when she finds herself in the brazenly sensual arms of Union Major Ian McKenzie. Despite her loyalty to the Southern cause, she has no choice but to marry the Northern soldier. Their convictions keep them distant and cold from one another, until love begins to melt their hearts. But when Major McKenzie is dispatched on a mission to capture the most notorious and seductive spy in the confederacy, known only as the Moccasin, he realizes that the rebel he is hunting may be his own wife.
A beautifully illustrated look inside of Indiana University Bloomington’s renowned library of rare books, manuscripts, and related oddities. What do locks of Edgar Allan Poe’s hair, Sylvia Plath’s attractive handmade paper dolls, John Ford’s Oscars, and Ian Fleming’s James Bond 007 cigars have in common? They are just a few of the fascinating objects found in the world-famous Lilly Library, located on the campus of Indiana University Bloomington. In this beautifully illustrated A-to-Z volume, Darlene J. Sadlier journeys through the library’s wide-ranging collections to highlight dozens of intriguing items and the archives of which they are a part. Read about life and death masks of John Keats, Abraham Lincoln, and Theodore Dreiser; Walt Whitman’s last pencil; and vintage board games, mechanical puzzles, and even comic books. Among the more peculiar items are a pair of elk teeth and an eerily realistic wall-mount bust of Boris Karloff. Sadlier writes engagingly about the Lilly Library’s major historical collections, which include Civil War diaries and a panopticon of the war called the Myriopticon; War of 1812 payment receipts to spies; and the World War II letters and V-mail of journalist Ernie Pyle. This copiously illustrated, entertaining, and educational book will inspire you to take your own journey and discover for yourself the wonders of the Lilly Library.
Transition: Book 1 by Terry V. Gentner Transition begins with Thomas Goodwin, a 68-year-old man in poor health. He has a dream in which he wins $182 million in the lottery. The dream is very specific and leads him to believe that he will discover the process of Transition. This process allows a person’s essence to be recorded and imprinted on a clone blank, resulting in a new, younger, and stronger body and mind. The dreams end, but he does win the exact amount he dreamed about. His new persona, Ian, builds an Empire the likes of which the world has never seen.
"You are in danger as well...Please heed my warning..." So begins the diary written by Catherine Morgan as she describes the events of a Monday in 1810 Regency England. When another Catherine Morgan, who lives in present-day New York City, receives the diary, she is drawn into the mystery as the present Monday begins to resemble the Monday in 1810. Writing in the diary, Catherine pleads for help by hinting this particular Monday can be changed as long as the day doesn't end the same way. Catherine and her brother XJ desperately try to unravel the clues from 1810, but this is complicated since the chapters of the diary become visible only when the same events have taken place in the present. When a betrayal endangers the lives of those in 1810, present-day Catherine and XJ have less than 24 hours to uncover the mystery before the past repeats. Unfortunately, they think someone close to them might be conspiring to keep the mystery unsolved. If their Monday ends the same way as the diary of 1810, the events of the past will be forever repeated.
When Teagan’s father abruptly abandons his family and his farm, Teagan finds herself wading through the wreckage of what was once an idyllic life, searching for something—or someone—to hold on to. What she finds is Ian, short for Obsidian: the magnificent but dangerously headstrong horse her father left behind. But even as she grows close to Ian, patiently training him, trying to overcome her fear of him, Teagan is learning that life and love are fragile. With an unflinching eye and remarkable restraint, Talley English tells a piercing story about how families hold together and fall apart; about loss and grief; about friendship; about the blunt cruelty of chance; and, finally, about forgiveness.
Imperial Russia, is was said, had two capital cities because it had two identities: St. Petersburg was Russia's "window to Europe," whereas Moscow preserved the nation's proud historical traditions. Enlightened Metropolis challenges this myth by exploring how the tsarist regime actually tried to turn Moscow into a bridgehead of Europe in the heartland of Russia. Moscow in the eighteenth century was widely scorned as backward and "Asiatic." The tsars thought it a benighted place that endangered their state's internal security and their effort to make Russia European. Beginning with Catherine the Great, they sought to construct a new Moscow, with European buildings and institutions, a Westernized "middle estate," and a new cultural image as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectual history, Enlightened Metropolis asks: How was the urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine's accession to the death of Nicholas I? How were the lives of the inhabitants changed? Did a "middle estate" come into being? How similar was Moscow's modernization to that of Western cities, and how was it affected by the disastrous occupation by Napoleon? Lastly, how were Moscow and its people imagined by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?
In Surprised by Sound, Roi Tartakovsky shows that the power of rhyme endures well into the twenty-first century even though its exemplary usages may differ from traditional or expected forms. His work uncovers the mechanics of rhyme, revealing how and why it remains a vital part of poetry with connections to large questions about poetic freedom, cognitive and psychoanalytic theories, and the accidental aspects of language. As a contribution to studies of sound in poetry, Surprised by Sound takes on two central questions: First, what is it about the structure of rhyme that makes it such a potent and ongoing source of poetic production and extrapoetic fascination? Second, how has rhyme changed and survived in the era of free verse, whose prototypical poetry is as hostile to poetic meter as it is to the artificial sound of rhyme, including the sound of rhythmic thumping at the end of every line? In response, Tartakovsky theorizes a new category of rhyme that he terms “sporadic.” Since it is not systematized or expected, sporadic rhyme can be a single, strongly resounding rhyme used suddenly in a free verse poem. It can also be an internal rhyme in a villanelle or a few scattered rhymes unevenly distributed throughout a longer poem that nevertheless create a meaningful cluster of words. Examining usages across varied poetic traditions, Tartakovsky locates sporadic rhyme in sources ranging from a sixteenth-century sonnet to a nonsensical, practically unperformable piece by Gertrude Stein and a 2007 MoveOn.org ad in the New York Times. With careful attention to the soundscapes of poems, Surprised by Sound demonstrates that rhyme’s enduring value lies in its paradoxical and unstable nature as well as its capacity for creating poetic, cognitive, and psychic effects.
In a manuscript in a Russian archive, an anonymous German eyewitness describes what he saw in Moscow during Napoleon's Russian campaign. Who was this nameless memoirist, and what brought him to Moscow in 1812? The search for answers to those questions uncovers a remarkable story of German and Russian life at the dawn of the modern age. Johannes Ambrosius Rosenstrauch (1768-1835), the manuscript's author, was a man always on the move and reinventing himself. He spent half his life in the Holy Roman Empire, and the other half in Russia. He was a barber-surgeon, an actor, and a merchant, as well as a Catholic, a Freemason, and a Lutheran pastor. He saw the French Revolutionary and Napoleonic Wars, founded a business that flourished for sixty years, and took part in the Enlightenment, the consumer revolution, the Pietist Awakening, and Russia's colonization of the Black Sea steppe. A restless wanderer and seeker, but also the progenitor of an influential merchant family, he was a characteristic figure both of the Age of Revolution and of the bourgeois era that followed. Presenting a broad panorama of life in the German lands and Russia from the Old Regime to modernity, this microhistory explores how individual people shape, and are shaped by, the historical forces of their time.
David Bethea examines the distinctly Russian view of the "end" of history in five major works of modern Russian fiction. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Russia's poets hold a special place in Russian culture, perhaps revealing more about their country than poets within any other nation. In this unique and wide-ranging collection of writings on poets and poetic trends in Russia, contributors from the United States, Britain, and Russia examine the place of poetry in Russian culture. Through a variety of critical approaches, these scholars, translators, and poets consider a broad cross section of Russian poets, from Pushkin to Brodsky, Shvarts, and Kibirov.
