Follows a young girl named Lilly as she enjoys different activities during each season of the year, from dancing in the park in the spring to throwing snowballs in the winter.
Lilly loves everything about school, especially her cool teacher, Mr. Slinger. But when Lilly brings her purple plastic purse and its treasures to school and can't wait until sharing time, Mr. Slinger confiscates her prized possessions. Lilly's fury leads to revenge and then to remorse and she sets out to make amends. Lilly, the star of Chester's Way and Julius, the Baby of the World, is back. And this time she has her name in the title - something she's wanted all along. If you thought Lilly was funny before, you are in for a treat. So hurry up and start reading. Lilly can't wait for you to find out more about her.
Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
A beautifully illustrated look inside of Indiana University Bloomington’s renowned library of rare books, manuscripts, and related oddities. What do locks of Edgar Allan Poe’s hair, Sylvia Plath’s attractive handmade paper dolls, John Ford’s Oscars, and Ian Fleming’s James Bond 007 cigars have in common? They are just a few of the fascinating objects found in the world-famous Lilly Library, located on the campus of Indiana University Bloomington. In this beautifully illustrated A-to-Z volume, Darlene J. Sadlier journeys through the library’s wide-ranging collections to highlight dozens of intriguing items and the archives of which they are a part. Read about life and death masks of John Keats, Abraham Lincoln, and Theodore Dreiser; Walt Whitman’s last pencil; and vintage board games, mechanical puzzles, and even comic books. Among the more peculiar items are a pair of elk teeth and an eerily realistic wall-mount bust of Boris Karloff. Sadlier writes engagingly about the Lilly Library’s major historical collections, which include Civil War diaries and a panopticon of the war called the Myriopticon; War of 1812 payment receipts to spies; and the World War II letters and V-mail of journalist Ernie Pyle. This copiously illustrated, entertaining, and educational book will inspire you to take your own journey and discover for yourself the wonders of the Lilly Library.
Meet Selma of the Rin-Run Royals, a clever little girl who is spoiled to the core. One day Selma stumbles upon a band of colorful marionettes, and gets more than she bargained for. The remarkable Squickerwonkers of the fabulous Squickershow are about to teach Selma that she’ll not always get her way. Evangeline Lilly is best known for her work as an actress, but her foremost passion has always been writing. This book is her first published work. Beautifully illustrated by Johnny Fraser-Allen, this eccentric and visually stunning cautionary tale will appeal to adults and children alike.
No, no, NO! Geraldine is NOT moving. Not to this new town where she’s the only giraffe. Not to this new school where she has no friends. Not to this new place, where everyone only knows her as That Giraffe Girl. But soon Geraldine meets Cassie, a girl who is just as much of an outcast as she is, and as time goes by, she realizes that being yourself and making one really good, unusual friend can help someone who literally stands out fit right in. Together, Geraldine and Cassie play by their own rules.
Mr. Slinger has big news. He's getting married. Married! Lilly has big plans. She's going to be the flower girl. (Lilly has always wanted to be a flower girl. Even more than a surgeon or a diva or a hairdresser.) But what's the biggest, the best, the most perfect thing of all? You're invited to the wedding -- so start reading!
The riotously funny Lilly, last seen in Chester's Way (Greenwillow), thinks her new baby brother, Julius, is disgusting -- if he was a number, he would be zero. But when Cousin Garland dares to criticize Julius, Lilly bullies her into loudly admiring Julius as the baby of the world.Lilly knows her baby brother is nothing but dreadful -- until she claims him for her own. "Henkes displays a deep understanding of sibling rivalry and a child's fragile self-esteem....Lilly is a superb and timely heroine." -- Publishers Weekly. "
Lilly Pulitzer's pre-1985 resort wear is an American classic. This book introduces for the first time the archive of drawings that were the basis for the whimsical and timeless prints we all know and love. The brightly colored, playful prints of Lilly Pulitzer's clothing were a staple of American fashion in the 1960s, '70s, and '80s--worn by members of society from Palm Beach to Nantucket, actresses, models, and stylish housewives. One could always spot a "Lilly" with its undeniable characteristics: clean, comfortable lines; bright and vivid colors; and the fantastical design of its fabrics. Whether at the beach or a cocktail party, these simple shifts for women and girls and jackets and trousers for the gents were a preppy rite of passage. The majority of Pulitzer's fabric designs from 1962 through 1985 were based on artwork by Key West-based artist Suzie Zuzek. These designs--monkeys sipping martinis, dancing flowers, colorful seashells, op-art geometrics--were all the rage and attracted the eye of such ladies as Jackie Kennedy, Happy Rockefeller, and Dina Merrill. This book--which is a treasure trove of the iconic prints and contextualizes the purely American label--is a must-have for the libraries of those who love fashion and social history.
Lilly Jarman comes from a small town in rural Virginia not the likely home of a tennis professional. Lilly is Eurasian and overcomes prejudice and isolation in her hometown. Because of her family income and costs of supporting 2 children in different sports, the family can not afford the training facilites that most junior tennis players leaving a difficult road to get recruited to college and the tour. The book takes you though not only the miracle of qualifying for the US Open and then making it to the round of 16, then the journey throughout the next year as she rises int he ranks of tennis. With her coaches who support her from her part-time coach Paul, to her final coach Johan, Lilly takes coaching to succeed where nobody saw it possible. Lilly represents both athleticism and being feminine, as her colors represented and it is actually that saying that is the key to her later success. With the aide of her good friend Anita not only does she share a major title, she also shares the same family as both fall in love with the Wilson brothers and propose to the 2 tennis professionals in a similar manner publicly. In the end Lilly overcomes all the obstacles and succeeds in all areas of her life, and her success that she assumed would only be about tennis ends up be aiding other young girls to be able to play tennis through a foundation that supports junior tennis players needing funding for travels. The Foundation comes from her Grandmothers saying of Athletic and Feminine, that she told Lilly she represented at an early age.