In Volume 4 in The Complete Li'l Abner...You'll Believe a Hillbilly Can Fly! High-octane humor and cockeyed characters -- it's the Cappian way! Sit a spell and you'll meet Available Jones (Is yo' available, Available?), Swami Riva, Big Stanislouse, Joe Btfsplk (the world's greatest jinx!), Dorothy Lamour (yes, that Dorothy Lamour), Lorna Goon, Orville Wolf, Cherry Blossom, the parents of Gat Garson, Sadie Hawkins V, Dinsmore Jerque, J.P. Fangsby, Tiny Mite, and that hog-wallowin' bundle of pulchritude, Moonbeam McSwine! They help make 1941 and 1942 fast, funny, and unforgettable!
Shmoo's Who?! What has been called "the greatest run of Li'l Abner ever" begins with Abner and Daisy Mae on a quest to locate the elusive Stanley Steamer. Meanwhile, Kickapoo Joy Juice prevents atomic disaster, while Fearless Fosdick tackles Anyface and the Chippendale Chair. "Evil Eye" Fleegle and Stupefyin' Jones make their inaugural appearances (not together, thank goodness), and Tenderleif Ericson creates a memorable Sadie Hawkins Day, by Yiminy! But when Abner makes a trip to the Valley of the Shmoon, he finds mankind's greatest benefactor -- and mankind's gravest threat! Laughs, thrills, and a healthy dose of gorgeous women all await in Li'l Abner Volume 7!
Princess Bernice Pauahi Bishop was the largest landowner and richest woman in the Hawaiian kingdom. Upon her death in 1884, she entrusted her property--"known as Bishop Estate--"to five trustees in order to create and maintain an institution that would benefit the children of Hawai'i: Kamehameha Schools. A century later, Bishop Estate controlled nearly one out of every nine acres in the state, a concentration of private land ownership rarely seen anywhere in the world. Then in August 1997 the unthinkable happened: Four revered kupuna (native Hawaiian elders) and a professor of trust-law publicly charged Bishop Estate trustees with gross incompetence and massive trust abuse. Entitled "Broken Trust," the statement provided devastating details of rigged appointments, violated trusts, cynical manipulation of the trust's beneficiaries, and the shameful involvement of many of Hawai'i's powerful. No one is better qualified to examine the events and personalities surrounding the scandal than two of the original "Broken Trust" authors.Their comprehensive account together with historical background, brings to light information that has never before been made public, including accounts of secret meetings and communications involving Supreme Court justices.
Gasoline Alley was one of the most influential and critically-acclaimed comic strips of all time. Dark Horse is reprinting all of the colour Sundays from the 1920s, with this volume collecting the Sundays from 1923 through 1925. Readers will discover the abundant wonder and dazzling beauty in the world - as seen through the eyes of creator Frank King and his beloved characters, Walt and Skeezix - in some of Gasoline Alley's most artistically imaginative art!
From the Disney Vaults! The early Donald Duck daily strips are collected for the first time ever! The daily newspaper comics premiered on February 7, 1938, and within eight weeks became the all-time fastest growing syndicated comic strip in the world. This premiere volume includes more than 750 sequential daily comic strips from 1938 to 1940 drawn by Al Taliaferro and written by Bob Karp, and reproduced from pristine original material in the Disney Vaults!
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
