A portrait of human devastation in the wake of the Bosnian Wars, "Like Eating a Stone" is a collection of heartbreaking stories as told by the survivors searching for family members and their remains. Illustrations throughout.
Long believed to be disappearing and possibly even extinct, the Southwestern bighorn sheep of Utah’s canyonlands have made a surprising comeback. Naturalist Ellen Meloy tracks a band of these majestic creatures through backcountry hikes, downriver floats, and travels across the Southwest. Alone in the wilderness, Meloy chronicles her communion with the bighorns and laments the growing severance of man from nature, a severance that she feels has left us spiritually hungry. Wry, quirky and perceptive, Eating Stone is a brillant and wholly original tribute to the natural world.
We know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics. To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.
Walden III: A Catholic America recapitulates the Thoreau Experiment in a moder urban context minus Thoreau s alienation. Catholic stands for community and the community of saints. Join. The Godel reference plays into life is faith based. There are truths in science that are true but cannot be proved to be true. Visit Walden Pond. It is a facade for a slum. This is the universal irony of Walden.
Only one Dark Knight remain, but that is enough to cause problems for the Alliance. Even the Council of Wizards are cautious to face such an adversary. With the final battle close at hand Alaric has to find the Onyx stone if he is to have any chance against Nyrra. He must conquer all his fears if he is going to succeed. The Alliance is in Remidia, but needs to travel to Avalon to embattle the Evil One's hoards in the final battle. The first time was a ruse, but there is no doubt this time the final battle will be won or lose.
In this evocative memoir, an acclaimed Indian poet explores writing, memory, and place in a post-9/11 world. Passionate, fierce, and lyrical, Fault Lines follows one woman’s evolution as a writer at home—and in exile—across continents and cultures. Meena Alexander was born into a privileged childhood in India and grew into a turbulent adolescence in the Sudan, before moving to England and then New York City. With poetic insight and devastating honesty, Alexander explores how trauma and recovery shaped the entire landscape of her memory: of her family, her writing process, and her very self. This new edition, published on the two-year anniversary of Alexander's passing in 2018, will feature a commemorative afterword celebrating her legacy. "Alexander's writing is imbued with a poetic grace shot through with an inner violence, like a shimmering piece of two-toned silk." —Ms. Magazine "Evocative and moving." —Publishers Weekly “One of the most important literary voices in South Asian American writing and American letters broadly writ, Meena Alexander’s close examination of exile and migration lays bare the heart of a poet.” —Rajiv Mohabir, author of The Cowherd’s Son
If you read wine reviews, you're already either amused or confused by the soaring language wine writers often use to describe what they're smelling and tasting. But do you always know what they mean? Have you ever sipped a complex white and sensed what's so colorfully described as a peacock's tail? Have you ever savored a full-bodied red only to detect the ripe acrid smell of a horse stall? If not, you're in for a treat, because these terms and thousands more are all here to amuse, dismay, enlighten, inspire, puzzle, and utterly shock you . Welcome to the rich linguistic universe of wine speak: a world where words and wine intersect in an uncontrolled riot of language guaranteed to keep you entertained for hours. The author, a lifelong lover of both wine and words, has compiled and organized this unique thesaurus of 36,975 wine tasting descriptors into 20 special collections extracted from 27 categories so you can locate exactly the right term or phrase to express yourself clearly or to understand others. May your path across the galaxy of wine be paved only with labels from the very best bottles on earth. Or, much more cautiously, with wines that could introduce you to angel pee, citronella, eastern European fruit soup, Godzilla, iodine, ladies' underwear, mustard gas, old running shoes, rawhide, hot tar roads, bubblegum, sweaty saddles, crushed ants, kitchen drains, or even turpentine.