A highly original study that examines the central role played by women as mediums, healers, and believers during the golden age of spiritualism in the late Victorian era, The Darkened Room is more than a meditation on women mediums—it's an exploration of the era's gender relations. The hugely popular spiritualist movement, which maintained that women were uniquely qualified to commune with spirits of the dead, offered female mediums a new independence, authority, and potential to undermine conventional class and gender relations in the home and in society. Using previously unexamined sources and an innovative approach, Alex Owen invokes the Victorian world of darkened séance rooms, theatrical apparitions, and moving episodes of happiness lost and regained. She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.
Created by renowned author and witch Lucy Cavendish, this deluxe illustrated journal is full of profound and magickal wisdom about the lunar cycles, the Wheel of the Year, and the time-honoured traditions of witchcraft. A Book of Shadows and Light is your own sacred journal. For hundreds of years, wise ones, magicians, witches and lightworkers of all kinds have kept personal journals in which they have recorded their soul-questing. Be it through meditation, inner exploration, mystic adventure, spiritual travels, magickal manifestation or blessed spellcrafting and casting, the uncovering of each individual enchanted path is full of unique wisdom. Now you can join these magickal practitioners in the quest to realise your soul's energy as it is meant to manifest within the world. Through many inspired quotes and musings, Lucy imparts her extraordinary experience and knowledge to assist you in connecting with your divine wisdom, self-knowledge and natural gifts of intuition. This deluxe soft cover journal features 220 pages of cream-coloured premium quality wood-free paper, with a combination of lined and unlined pages to accommodate all facets of your self-expression--you may like to write, doodle, paint or draw. It also includes 44 full-page, color artwork reproductions by Lucy Cavendish to inspire your creative expression.
This edition provides an insight into the dark areas between Victorian science, medicine and religion. The rare reset source material in this collection is organized thematically and spans the period from initial mesmeric experiments at the beginning of the nineteenth century to the decline of the Society for Psychical Research in the 1920s.
An elucidation of the Spiritualism movement in Salem in the mid-19th to the early 20th centuries. Salem, Massachusetts, is the quintessential New England town, with its cobbled streets and strong ties to the sea. With the notoriety of the Salem witch trials, the city's reputation has been irrevocably linked to the occult. However, few know the history behind the religion of Spiritualism and the social movement that took root in this romanticized land. At the turn of the century, seers, mediums and magnetic healers all hoped to connect to the spiritual world. The popularity of Spiritualism and renewed interest in the occult blossomed out of an attempt to find an intellectual and emotional balance between science and religion. Learn of early converts, the role of the venerable Essex Institute and the psychic legacy of “Moll” Pitcher. Historian Maggi Smith-Dalton delves into Salem’s exotic history, unraveling the beginnings of Spiritualism and the rise of the Witch City.
Classics in Extremis reimagines classical reception. Its contributors explore some of the most remarkable, hard-fought and unsettling claims ever made on the ancient world: from the coal-mines of England to the paradoxes of Borges, from Victorian sexuality to the trenches of the First World War, from American public-school classrooms to contemporary right-wing politics. How does the reception of the ancient world change under impossible strain? Its protagonists are 'marginal' figures who resisted that definition in the strongest terms. Contributors argue for a decentered model of classical reception: where the 'marginal' shapes the 'central' as much as vice versa – and where the most unlikely appropriations of antiquity often have the greatest impact. What kind of distortions does the model of 'centre' and 'margins' produce? How can 'marginal' receptions be recovered most effectively? Bringing together some of the leading scholars in the field, Classics in Extremis moves beyond individual case studies to develop fresh methodologies and perspectives on the study of classical reception.