Includes two of John Ruskin's famous essays: "The Nature of the Gothic" and "The Work of Iron" from his book The Stones of Venice. Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass-production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
How did a privileged Victorian matron, newly widowed and newly impoverished, manage to raise and educate her six young children and restore her family to social prominence? Mary Baker McQuesten’s personal letters, 155 of which were carefully selected by Mary J. Anderson, tell the story. In her uninhibited style, in letters mostly to her children, Mary Baker McQuesten chronicles her financial struggles and her expectations. The letters reveal her forthright opinions on a broad range of topics — politics, religion, literature, social sciences, and even local gossip. We learn how Mary assessed each of her children’s strengths and weaknesses, and directed each of their lives for the good of the family. For example, she sent her daughter Ruby out to teach, so she could send her earnings home to educate Thomas, the son Mary felt was most likely to succeed. And succeed he did, as a lawyer and mpp, helping to build many of Hamilton’s and Ontario’s highways, bridges, parks, and heritage sites, and in doing so, bringing the family back to social prominence. Mary Baker McQuesten was also president of the Women’s Missionary Society. The appearance, manner, and eloquence of various ministers and politicians all come under her uninhibited scrutiny, providing lively insights into the Victorian moral and social motivations of both men and women and about the gender conflicts that occurred both at home and abroad. This book will satisfy many readers. Those interested in the drama of Victorian society will enjoy the images of the stern Presbyterian matriarch, the sacrificed female, family mental illness, the unresolved death of a husband, and the dangers of social stigma. Scholars looking for research material will find an abundance in the letters, well annotated with details of the surrounding political, social, and current events of the times.
