'Life is a Game of Inches' is an account of Cardiff City, Exeter City, Bristol City and Swindon Town footballer Christian Roberts. Amongst the glory of getting called up for Wales and delighting fans with his skills came the misery of alcohol addiction, gambling, losing a daughter and falling out with a managers and players.
The message that will change the world is only as strong as the transformation that has first taken place within believers. "Glocal" churches create disciples who, transformed by the Holy Spirit, are infiltrating today's culture on a global and local scale with the undeniable message of a changed life.
Music . . . the heart's greatest librarian. The average song is three and a half minutes long; those three and a half minutes could lead to a slow blink, a glimpse of the past, or catapult the soul into heart-shattering nostalgia. At the height of my career, I had the life I wanted, the life I'd always envisioned. I'd found my tempo, my rhythm. Then I received a phone call that left me off key. You see, my favorite songs had a way of playing simultaneously. I was in love with one man's beats and another's lyrics. But when it came to the soundtrack of a life, how could anyone choose a favorite song? So, to erase any doubt, I ditched my first-class ticket and decided to take a drive, fixed on the rearview. Two days. One playlist. And the long road home to the man who was waiting for me.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
MY NAMEDAY—COME FOR DESSERT, which was first published in 1962, is an invitation to parents to celebrate the family’s namedays. It contains the names, feasts, and symbols of our Blessed Mother and the saints, prayers of the liturgy, and appropriate desserts for the celebration of the sanctoral cycle of the Church year in the home. A nameday commemorates the feast of the saint whose name we received at baptism. To the Church’s mind, the day of the saint’s death is his real feastday, and that is the day usually assigned as his feast—his birthday into heaven. In some countries and in most religious orders it is customary to observe namedays instead of birthdays. On a child’s nameday, “My Nameday—Come for Dessert” is a popular way to entertain. It is economical, festive and meaningful, and permits the family to splurge on a fabulous dessert without inflicting lasting wounds on the budget. It can be a “little evening”—a time for a party and a prayer for the child in the company of his friends, a time for pleasant conversation for the grown-ups who accompany them.
