Known for his spectacular performances, the magnificent Wladziu Valentino Liberace was a world-renowned star in the entertainment industry for more than four decades, and his dazzling, often outrageous costumes are what made him most memorable. In Liberace Extravaganza! the entertainer's sequined, bejeweled, and rhinestone-studded outfits, as well as his extravagant collection of furs, feather capes, sparkling bow ties, and custom-made shoes are exhibited in book form for the very first time. These mesmerizing costumes grew from Liberace's humble beginnings when, as a young man, he would perform in his brother's hand-me-downs. From there, his suits, worth as much as twenty-four thousand dollars, featured layers of silk and satin ruffles, Swarovski crystal rhinestones, and fourteen-karat white-gold, diamond-encrusted buttons, culminating in his "electric" costumes with four thousand light bulbs weighing more than twenty-five pounds. Michael Travis, Liberace's principal designer, has written the foreword for this breathtaking volume. Jim Lapidus, another of Liberace's designers, furrier Anna Nateece, and Ray Arnett, his producer, have contributed original sketches used to design Liberace's costumes. The result is a book that is one of a kind: a celebration of the legendary performer and a visual feast of the most extraordinary costumes ever created. With more than 260 full-color photographs
The Secret Life of Siegfried and Roy reveals the touching, little-known story of how two youngsters founded a friendship, a franchise, and a tempestuous on-and-off love affair that would last a lifetime.
“Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.
This retro cookbook is so totally Liberace. It is the step-by-step guide to Bling Cooking, food with all the panache of the glitziest pianist that ever tinkled a Steinway. It is filled with over 80 recipes that made America swoon in the 50s, including such delights as Salami Bouquet, Tchaikovsky Would Love This Salad, Poofy Spuds and As a Matter of Fact, I am Chopped Liver Pate. These are the culinary classics that kept viewers tuned in to The Liberace Show, pulled together with the Bling Cooking panache that was the signature of the world's greatest entertainer.
More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy. Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America. Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé. "An entertaining and rewarding biography of the pianist and entertainer whose fans' adoration was equaled only by his critics' loathing. . . . [Pyron] persuasively argues that Liberace, thoroughly and rigorously trained, was a genuine musician as well as a brilliant showman. . . . [A]n immensely entertaining story that should be fascinating and pleasurable to anyone with an interest in American popular culture."—Kirkus Reviews "This is a wonderful book, what biography ought to be and so seldom is."—Kathryn Hughes, Daily Telegraph "[A]bsorbing and insightful. . . . Pyron's interests are far-ranging and illuminating-from the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment."—Publishers Weekly "Liberace, coming on top of his amazing life of Margaret Mitchell, Southern Daughter, puts Darden Pyron in the very first rank of American biographers. His books are as exciting as the lives of his subjects."—Tom Wolfe "Fascinating, thoughtful, exhaustive, and well-written, this book will serve as the standard biography of a complex icon of American popular culture."—Library Journal
Good, bad, or indifferent, every customer has an experience with your company and the products or services you provide. But few businesses really manage that customer experience, so they lose the chance to transform customers into lifetime customers. In this book, Lou Carbone shows exactly how to engineer world-class customer experiences, one clue at a time. Carbone draws on the latest neuroscientific research to show how customers transform physical and emotional sensations into powerful perceptions of your business... perceptions that crystallize into attitudes that dictate everything from satisfaction to loyalty. And he explains how to assess and audit existing customer experiences, design and implement new ones... and "steward" them over time, to ensure that they remain outstanding, no matter how your customers change.
Wedlocked! Brotherly love…? It was Sophia's wedding day, but she wasn't a happy and radiant bride. How could she feel anything but blue when she wasn't marrying Godfrey, the man she'd loved and the father of the baby she was expecting? Instead she was to wed Godfrey's younger brother. Jonathon Parnell was coldly handsome, and ruthless about carrying out the deathbed promise he'd made to Godfrey: to marry Sophia and give their baby legitimacy and financial security. Jonathon had assured Sophia that this would be a marriage in name only, but now she was beginning to realize that he expected her to act the role of his wife—in every sense…. "Another display of superb storytelling."—Romantic Times
For decades, Liberace was known for his music, candelabra, charisma, diamonds and dazzle. Over the years Liberace acquired an astounding array of prestigious awards, including: Instrumentalist of the Year, Best Dressed Entertainer and Entertainer of the Year. He also earned two Emmy Awards, six gold albums, two stars on the Hollywood Walk of Fame. He is listed in the Guinness Book of World Records as the world's highest paid musician and pianist. Best of all, he was known and loved throughout the world as Mr. Showmanship."" Relive The Wonderful Private World of Liberace in the reprinting of his fourth publication. When I started this book, I couldn't keep help wondering if I was doing it the right way. After all, it was so very different from the other books. One afternoon, I ran into Shirley MacLaine in a florist shop in Malibu. She'd never seen my Malibu place, so I invited her over. While we were having a drink, I discovered she had just completed her book Dancing in the Light. ""What a coincidence,"" I said. ""I'm just starting to write my fourth book."" She described a private place she had up in Washington, where she liked to sit outside, particularly when it was raining. She would sit under an umbrella and jot down the material in longhand. The solace and quietude of the place were very inspiring to writing in this personal style. I told here I was doing mine in longhand, as well, just as if I was writing a letter to someone. She smiled encouragingly. ""But that's exactly how you should do it ""So here it is a very personal letter from me to you, sharing an intimate glimpse into The Wonderful Private World of Liberace.""
A discussion of how modern advertising attempts to control our thoughts and desires in order to make us buy the products it produces. Exploring the use of consumer motivational research and other psychological techniques, including subliminal tactics, this book shows how advertisers secretly manipulate mass desire for consumer goods and products. In addition, Packard also discusses advertising in politics, predicting the way image and personality rapidly came to overshadow real issues in the televised age.
"The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas."--Peter Schjeldahl, The New Yorker In her sculptures, room-sized installations, drawings, photographs, and artist's books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison's major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison's complicated, eclectic oeuvre--in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison's earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison's own past work.
