Like every word she wrote, Wollstonecraft's letters are full of personal revelations and wise thoughts. They are doubly interesting because can trace the intimate thought which lay beneath the public statement. One could pick out of this book enough epigrams to make a motto calendar. "Men with common minds seldom break through general rules. Prudence is ever the resort of weakness." "There is always a mixture of sentiment and imagination in voluptuousness " might have been written as a partial apology for the wayward Imlay. She relates her interview with the Prime Minister of Denmark, and sums him up as being "more anxious not to do wrong than to do good."
Letters written during a short residence in Sweden, Norway, and Denmark (1796) is both an arresting travel book and a personal memoir. In it Wollstonecraft describes the sublime landscape and the events and people she encounters. This edition includes reviews, additional letters, and documents on the background to the journey.
"Wollstonecraft's Letters Written in Sweden, Norway, and Denmark is a deeply personal travel narrative. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity to musings on her relationship with Imlay (although he is not referred to by name in the text). Using the rhetoric of the sublime, Wollstonecraft explores the relationship between the self and society. Reflecting the strong influence of Rousseau, Letters Written in Sweden shares the themes of the French philosopher's Reveries of a Solitary Walker (1782): "the search for the source of human happiness, the stoic rejection of material goods, the ecstatic embrace of nature, and the essential role of sentiment in understanding". While Rousseau ultimately rejects society, however, Wollstonecraft celebrates domestic scenes and industrial progress in her text."--Wikipedia.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
While best remembered for her revolutionary work, A Vindication of the Rights of Woman (1792), renowned feminist, author, and thinker Mary Wollstonecraft’s most popular book during her lifetime was a travel narrative, Letters Written in Sweden, Norway, and Denmark. As acclaimed travel author and novelist Joanna Kavenna notes in an insightful new introduction, Wollstonecraft’s overlooked classic is timeless in its appeal and surprisingly modern in its sensibility. The impetus behind her trip couldn’t be more dramatic: Just two weeks after her first suicide attempt, Wollstonecraft sets out for Scandinavia in order to retrieve a stolen treasure ship for her lover, Gilbert Imlay. Believing that the journey would restore their strained relationship, she eagerly embarks with her baby daughter and a nursemaid. As she travels across the dramatic landscape, she writes vividly of the people she encounters, events she witnesses, and the natural landscape in a sublime style that would later influence the Romantic poets William Wordsworth and Samuel Taylor Coleridge. Yet the letters also reflect her anguish as she comes to realize that her love affair is fated to end. Letters Written from Sweden, Norway, and Denmark is an arresting travel book, a deeply personal memoir, and a provocative, philosophical exploration of identity and politics. Wollstonecraft's future husband, philosopher William Godwin, wrote: "If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.” In its day, it inspired hordes of readers to travel to Scandinavia. Now, freshly reintroduced, Mary Wollstonecraft's remarkable Letters will enchant a new generation of readers and world travelers. Praise for Letters Written from Sweden, Norway, and Denmark “Travelling with just her baby daughter and a nursemaid as company, Wollstonecraft cuts a dashing figure on a mission to recover a stolen boat of silver and proves herself an acute observer and knowledgeable guide. She was, however, primarily a woman of ideas and she used these letters to extend her defence of the French Revolution, outline her radical stance on women's rights, crime (caused by wealth, not poverty), capital punishment (ineffective and excessive) and commerce (evil).... This collection brings to life the radical writer of A Vindication of the Rights of Woman, proving she was a strident, independent force in deeds as well as words. One can only imagine the spectacle she caused travelling alone in the late 18th century.” —Katie Toms, The Observer "If ever there was a book calculated to make a man in love with its author, this appears to me to be the book" —William Godwin, husband of Mary Wollstonecraft Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) was published at the end of the 18th century—one marked by the concept of “enlightenment,” by the gradual erosion of monarchical authority (which reached its apex with the French Revolution in 1789), and by the birth of democracy. While the question of the rights of men engendered lively debate at that time, a woman's lot remained unconsidered. Wollstonecraft, however, was determined to change this and to add a dissenting female voice to the chorus debating political emancipation. Best known as a radical feminist, Wollstonecraft wrote about politics, history, and various aspects of philosophy in a number of different genres that included critical Praise for, translations, pamphlets, and novels. She also shaped the art of travel writing as a literary genre and, through her account of her journey through Scandinavia, she had an impact on the Romantic movement. Joanna Kavenna grew up in various parts of Britain, and has also lived in the USA, France, Germany, Scandinavia, and the Baltic States. Her first book, The Ice Museum, was about traveling in the remote North, among other things. Her second was a novel called Inglorious, which won the Orange Award for New Writing. It was followed by a novel called The Birth of Love, which was longlisted for the Orange Prize. Her latest novel is a satire called Come to the Edge. Kavenna's writing has appeared in the New Yorker, the London Review of Books, the Guardian and Observer, the Times Literary Supplement, the International Herald Tribune, the Spectator and the Telegraph, among others. She was named as one of the Telegraph's 20 "Writers under 40" in 2010. She has most recently been the Writer-in-Residence at St Peter's College, Oxford.
The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.
