Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.
“Pure and lovely…to read Zelda’s letters is to fall in love with her.” —The Washington Post Edited by renowned Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda Fitzgerald's granddaughter, Eleanor Lanahan, this compilation of over three hundred letters tells the couple's epic love story in their own words. Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years, through the highs and lows of his literary success and alcoholism, and her mental illness. In Dear Scott, Dearest Zelda, over 300 of their collected love letters show why theirs has long been heralded as one of the greatest love stories of the 20th century. Edited by renowned Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda's granddaughter, Eleanor Lanahan, this is a welcome addition to the Fitzgerald literary canon.
FROM THE WINNER OF THE CWA INTERNATIONAL DAGGER 2010 FOR THE DARKEST ROOM 'A compelling and scary psychological thriller' - Sunday Mirror Who amongst us can really say they’re sane? Jan has just started working at the Dell nursery. But this is no normal nursery. It’s linked to a high-security asylum by a dimly-lit underground tunnel, which is used for the children to visit their parents. Who are some of the most dangerous psychopaths in the country. And Jan has complicated reasons for being here. There’s something he’s not telling people about his past. And there’s someone in the asylum who he really wants to see . . .
When Frances Tepper, a mother of three and former 4-H leader, precipitously became executive director of the Monroe County Fair and Recreation Association in 1992, there were few women in what was traditionally a "good ole boys" network. Despite the obstacles stacked against her, she held the position for twenty years before she retired in 2012. With humor, candor, and lots of teachable moments, this memoir tells the true story of how Fran, starting as a bewildered novice, grew what was once called "an embarrassment to the industry" into one of the most innovative fairs in New York State.
Trained cultural anthropologist Elizabeth Bodien chronicles nine of the most fascinating and relevant of her past lives, including lives as an abandoned child raised in a nunnery in Helvetia, a male sandal-maker in Ancient Greece, a German calligrapher who speaks with the dead, an Atlantean priestess-in-training, and even a future life.
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
