Memoirs of the Colman Family
Author: Richard Brinsley Peake
Publisher:
Published: 1841
Total Pages: 476
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Richard Brinsley Peake
Publisher:
Published: 1841
Total Pages: 476
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Brinsley Peake
Publisher:
Published: 1841
Total Pages: 914
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Brinsley Peake
Publisher:
Published: 1841
Total Pages: 442
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DOWNLOAD EBOOKAuthor: Charles Macklin
Publisher:
Published: 1799
Total Pages: 476
ISBN-13:
DOWNLOAD EBOOKAuthor: James Thomas Kirkman
Publisher:
Published: 1799
Total Pages: 476
ISBN-13:
DOWNLOAD EBOOKAuthor: James Thomas Kirkman
Publisher:
Published: 1799
Total Pages: 478
ISBN-13:
DOWNLOAD EBOOKAuthor: David C. Sutton
Publisher:
Published: 1995
Total Pages: 544
ISBN-13:
DOWNLOAD EBOOKAuthor: George Colman
Publisher:
Published: 1768
Total Pages: 76
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Herman
Publisher:
Published: 1884
Total Pages: 92
ISBN-13:
DOWNLOAD EBOOKAuthor: Ian Newman
Publisher: Liverpool University Press
Published: 2022-02-15
Total Pages: 352
ISBN-13: 1800855605
DOWNLOAD EBOOKCharles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.