Through compelling personal stories and in rich detail, McClain reveals the give-and-take interaction between the institutional church in Rome and the needs of believers and the hands-on clergy who provided their pastoral care within England. In doing so, she illuminates larger issues of how believers and low-level clergy push the limits of official orthodoxy in order to meet devotional needs.
The debut novel from Akashic’s new imprint, Punk Planet Books. Also check out the smash hits How the Hula Girl Sings, Tender as Hellfire, and The Boy Detective Fails. “A funny, hard-rocking first-person tale of teenage angst and discovery.” —Booklist “Captures the loose, fun, recklessness of midwestern punk.” —MTV.com Hairstyles of the Damned is an honest, true-life depiction of growing up punk on Chicago’s south side: a study in the demons of racial intolerance, Catholic school conformism, and class repression. It is the story of the riotous exploits of Brian, a high school burnout, and his best friend, Gretchen, a punk rock girl fond of brawling. Based on the actual events surrounding a Chicago high school’s segregated prom, this work of fiction unflinchingly pursues the truth in discovering what it means to be your own person.
Letters from prison testifying to deeply felt ethical principles have a long history, extending from antiquity to the present day. In the early modern era, the rise of printing houses helped turn these letters into a powerful form of political and religious resistance. W. Clark Gilpin’s fascinating book examines how letter writers in England—ranging from archbishops to Quaker women—consolidated the prison letter as a literary form. Drawing from a large collection of printed prison letters written from the reign of Henry VIII to the closing decades of the seventeenth century, Gilpin explores the genre's many facets within evolving contexts of reformation and revolution. The writers of these letters portrayed the prisoner of conscience as a distinct persona and the prison as a place of redemptive suffering where bearing witness had the power to change society. The Letter from Prison features a diverse cast of characters and a literary genre that combines drama and inspiration. It is sure to appeal to those interested in early modern England, prison literature, and cultural forms of resistance.
From the author of the bestselling novel The Shack and the New York Times bestsellers Cross Roads and Eve comes a compelling, conversational exploration of twenty-eight assumptions about God—assumptions that just might be keeping us from experiencing His unconditional, all-encompassing love. In his wildly popular novels, Wm. Paul Young portrayed the Triune God in ways that challenged our thinking—sometimes upending long-held beliefs, but always centered in the eternal, all-encompassing nature of God’s love. Now, in Wm. Paul Young’s first nonfiction book, he invites us to revisit our assumptions about God—this time using the Bible, theological discussion, and personal anecdotes. Paul encourages us to think through beliefs we’ve presumed to be true and consider whether some might actually be false. Expounding on the compassion fans felt from the “Papa” portrayed in The Shack—now a major film starring Sam Worthington and Octavia Spencer—Paul encourages you to think anew about important issues including sin, religion, hell, politics, identity, creation, human rights, and helping us discover God’s deep and abiding love.
These last four years have worn us all down ... everyone is tired of being asked to look at their part in why they started misbelieving and misbehaving over these last four years ... we need to face what took place and ask ourselves what was so egregious that caused some of us to separate from our friends, relatives, family members, and co-workers ... what was so horrific that caused some of us to turn our eyes away from having each other's back ... what was so threatening to us as a nation that we haven't overcome before ... what caused some of us to put more faith in weapons than each other, or worse, taking up these arms against each other ... what took place that caused some of us to put others in harm's way and throw aside our individual primary human survival instincts during the Covid virus? ... most importantly, whatever happened that influenced some of us to set aside our common spiritual ethics and morals that we have abided by for these last 244 years ... history has shown us many times before that this is what happens when self-serving leaders and individuals use the people's shortcomings for their self interests to where we end being played and who ever wants to admit that they have been played.
A groundbreaking history of how elite colleges and universities in America and Britain finally went coed As the tumultuous decade of the 1960s ended, a number of very traditional, very conservative, highly prestigious colleges and universities in the United States and the United Kingdom decided to go coed, seemingly all at once, in a remarkably brief span of time. Coeducation met with fierce resistance. As one alumnus put it in a letter to his alma mater, "Keep the damned women out." Focusing on the complexities of institutional decision making, this book tells the story of this momentous era in higher education—revealing how coeducation was achieved not by organized efforts of women activists, but through strategic decisions made by powerful men. In America, Ivy League schools like Harvard, Yale, Princeton, and Dartmouth began to admit women; in Britain, several of the men's colleges at Cambridge and Oxford did the same. What prompted such fundamental change? How was coeducation accomplished in the face of such strong opposition? How well was it implemented? Nancy Weiss Malkiel explains that elite institutions embarked on coeducation not as a moral imperative but as a self-interested means of maintaining a first-rate applicant pool. She explores the challenges of planning for the academic and non-academic lives of newly admitted women, and shows how, with the exception of Mary Ingraham Bunting at Radcliffe, every decision maker leading the charge for coeducation was male. Drawing on unprecedented archival research, “Keep the Damned Women Out” is a breathtaking work of scholarship that is certain to be the definitive book on the subject.
This study explores representations of the Madonna and Child in early modern culture. It considers the mother and son as a conceptual, religio-political unit and examines the ways in which that unit was embodied and performed. Of primary interest is the way mothers derived agency from bearing incipient rulers.
"The focus of this book is to educate society about the genetic birthright of sexual orientation and to dispel many of the gay myths which permeate our society today"--From publisher description.
Among the pressing concerns of Americans in the first century of nationhood were day-to-day survival, political harmony, exploration of the continent, foreign policy, and--fixed deeply in the collective consciousness--hell and eternal damnation. The fear of fire and brimstone and the worm that never dies exerted a profound and lasting influence on Americans' ideas about themselves, their neighbors, and the rest of the world. Kathryn Gin Lum poses a number of vital questions: Why did the fear of hell survive Enlightenment critiques in America, after largely subsiding in Europe and elsewhere? What were the consequences for early and antebellum Americans of living with the fear of seeing themselves and many people they knew eternally damned? How did they live under the weighty obligation to save as many souls as possible? What about those who rejected this sense of obligation and fear? Gin Lum shows that beneath early Americans' vaunted millennial optimism lurked a pervasive anxiety: that rather than being favored by God, they and their nation might be the object of divine wrath. As time-honored social hierarchies crumbled before revival fire, economic unease, and political chaos, "saved" and "damned" became as crucial distinctions as race, class, and gender. The threat of damnation became an impetus for or deterrent from all kinds of behaviors, from reading novels to owning slaves. Gin Lum tracks the idea of hell from the Revolution to Reconstruction. She considers the ideas of theological leaders like Jonathan Edwards and Charles Finney, as well as those of ordinary women and men. She discusses the views of Native Americans, Americans of European and African descent, residents of Northern insane asylums and Southern plantations, New England's clergy and missionaries overseas, and even proponents of Swedenborgianism and annihilationism. Damned Nation offers a captivating account of an idea that played a transformative role in America's intellectual and cultural history.
