French Colour-prints of the XVIII Century
Author: Malcolm Charles Salaman
Publisher:
Published: 1913
Total Pages: 290
ISBN-13:
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Author: Malcolm Charles Salaman
Publisher:
Published: 1913
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKAuthor: Prosper ¬de Baudicour
Publisher:
Published: 1861
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1925
Total Pages: 1426
ISBN-13:
DOWNLOAD EBOOKA record of literary properties sold at auction in the United States.
Author: Kristel Smentek
Publisher: Routledge
Published: 2017-07-05
Total Pages: 343
ISBN-13: 1351559214
DOWNLOAD EBOOKCelebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Author: W. McAllister Johnson
Publisher: University of Toronto Press
Published: 2012-12-15
Total Pages: 185
ISBN-13: 1442665998
DOWNLOAD EBOOKThe term ‘versified prints’ is used to describe images that are accompanied by poetic explanatory text. They were immensely popular and diffused throughout Europe in the eighteenth century, and many were shown at the Salon du Louvre. Although not all print verses are signed, their authors include occasional poets and members of the Académie Française. These prints remain among the most accessible documents for the study of art and society, but have never been examined before for their historical and cultural context. With 112 full-page reproductions, Versified Prints offers an engaging and informative introduction to these intriguing works. W. McAllister Johnson's guide discusses print production, the nature of sources, and the relationship and transformations in both text and images. Proposing a typology and methodology for this artistic phenomenon, Versified Prints enhances our knowledge of this fascinating new area of research and lays the groundwork for future studies. Disclaimer: Images removed at the request of the rights holder.
Author: Steven L. Kaplan
Publisher: Anthem Press
Published: 2015-09-15
Total Pages: 817
ISBN-13: 1783084790
DOWNLOAD EBOOKA new edition of Kaplan’s landmark study on eighteenth-century French political economy, reissued with a new Foreword by Sophus A. Reinert. Based on research in all the Parisian depots and more than fifty departmental archives and specialized and municipal libraries, Kaplan’s classic work constitutes a major contribution to the study of the subsistence problem before the French Revolution and the political economy of deregulatory reform. Anthem Press is proud to reissue this path breaking work together with a significant new historiographic companion volume by the author, “The Stakes of Regulation: Perspectives on ‘Bread, Politics and Political Economy’ Forty Years Later.”
Author: Mary L. Myers
Publisher: Metropolitan Museum of Art
Published: 1991
Total Pages: 258
ISBN-13: 0870996258
DOWNLOAD EBOOKAuthor: Thomas W. Gaehtgens
Publisher: Getty Publications
Published: 2011
Total Pages: 112
ISBN-13: 1606060929
DOWNLOAD EBOOKThis richly illustrated book examines the making of one of the earliest modern catalogues--La galerie électorale de Dusseldorff. Published in 1778, the revolutionary two-volume publication showcases one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum. In two essays, the authors analyze the process by which the catalogue was produced and shed light on the historical and cultural context that gave rise to an innovative and didactic way of displaying paintings--and, by extension, to art history as a discipline. The volume accompanies an exhibition of the same name to be held at the Getty Research Institute from May 31 to August 21, 2011.