Lerdahl and Jackendoff's Generative Theory of Tonal Music, Its Explication of Stravinsky's "Hymne" from Serenade en la
Author: Glen T. Wegge
Publisher:
Published: 1987
Total Pages: 146
ISBN-13:
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Author: Glen T. Wegge
Publisher:
Published: 1987
Total Pages: 146
ISBN-13:
DOWNLOAD EBOOKAuthor: James R. Heintze
Publisher: Warren, MI : Harmonie Park Press
Published: 2001
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKDoctoral dissertations, master's theses, and bachelor's essays are represented by 200 colleges and universities in 18 countries. Included are works that deal primarily with one of the most significant composers of the twentieth century and studies that indirectly contain references to the composer.
Author:
Publisher:
Published: 2002
Total Pages:
ISBN-13:
DOWNLOAD EBOOKA view on Fred Lerdahl and Ray Jackendoff's generative theory of tonal music.
Author: Fred Lerdahl
Publisher:
Published: 1996
Total Pages:
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DOWNLOAD EBOOKAuthor: Timothy Arlan Nord
Publisher:
Published: 1992
Total Pages: 478
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DOWNLOAD EBOOKAuthor: Fred Lerdahl
Publisher:
Published: 1985
Total Pages: 368
ISBN-13:
DOWNLOAD EBOOKAuthor: Fred Lerdahl
Publisher: Oxford University Press
Published: 2004-12-09
Total Pages: 430
ISBN-13: 0195346378
DOWNLOAD EBOOKBuilding on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.
Author: Carl Schachter
Publisher: Pendragon Press
Published: 2006
Total Pages: 300
ISBN-13: 9781576471128
DOWNLOAD EBOOKIntroduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5
Author: Joseph Nathan Straus
Publisher:
Published: 1990
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKA primer --rather than a survey--this book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music--through playing, singing, listening, and analyzing--it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern. Considers three principal kinds of post-tonal music--free atonal music, twelve-tone music, and centric music. Makes extensive use of transformational graphs and networks to present analytical information; and includes a variety of exercises in theory, analysis, musicianship and ear-training, and composition. For anyone interested in Twentieth-Century Music Techniques and Post-Tonal Theory and Analysis.
Author: Fred Lerdahl
Publisher:
Published: 1975
Total Pages: 66
ISBN-13:
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