Leopardi and Shelley

Leopardi and Shelley

Author: Cerimonia Daniela

Publisher: Routledge

Published: 2017-07-05

Total Pages: 217

ISBN-13: 1351560328

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Giacomo Leopardi (1798-1837) and Percy Bysshe Shelley (1792-1822) crossed paths during their lifetimes, and though they never met, the legacy of their work betrays a shared destiny. As prominent figures who challenged and contributed to the Romantic debate, Leopardi and Shelley hold important roles in the history of their respective national literatures, but paradoxically experienced a controversial and delayed reception outside their native lands. Cerimonia‘s wide-ranging study brings together these two poets for the first time for an exploration of their afterlives, through a close reading of hitherto unstudied translations. This intriguing journey tells the story, from its origins, of the two poets critical fortune, and examines their position in the cultural debates of the nineteenth century; in disputes regarding translation theories and practices; and shows the configuration of their identities as we understand their legacy today.


Classicism and Romanticism in Italian Literature

Classicism and Romanticism in Italian Literature

Author: Fabio A Camilletti

Publisher: Routledge

Published: 2015-10-06

Total Pages: 225

ISBN-13: 1317321332

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In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.


Leopardi's Nymphs

Leopardi's Nymphs

Author: Fabio A. Camilletti

Publisher: Routledge

Published: 2017-12-02

Total Pages: 338

ISBN-13: 1351191497

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"How can one make poetry in a disenchanted age? For Giacomo Leopardi (1798-1837) this was the modern subject's most insolvable deadlock, after the Enlightenment's pitiless unveiling of truth. Still, in the poems written in 1828-29 between Pisa and the Marches, Leopardi manages to turn disillusion into a powerful source of inspiration, through an unprecedented balance between poetic lightness and philosophical density. The addressees of these cantos are two prematurely dead maidens bearing names of nymphs, and thus obliquely metamorphosed into the charmingly disquieting deities that in Greek lore brought knowledge and poetic speech through possession. The nymph, Camilletti argues, can be seen as the inspirational power allowing the utterance of a new kind of poetry, bridging antiquity and modernity, illusion and disenchantment, life and death. By reading Leopardi's poems in the light of Freudian psychoanalysis and of Aby Warburg's and Walter Benjamin's thought, Camilletti gives a groundbreaking interpretation of the way Leopardi negotiates the original fracture between poetry and philosophy that characterises Western culture. Fabio Camilletti is Assistant Professor in Italian at the University of Warwick."


Zibaldone

Zibaldone

Author: Giacomo Leopardi

Publisher: Farrar, Straus and Giroux

Published: 2013-07-16

Total Pages: 2592

ISBN-13: 1466837055

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A groundbreaking translation of the epic work of one of the great minds of the nineteenth century Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.) He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication.


Realpoetik

Realpoetik

Author: Paul Hamilton

Publisher:

Published: 2013-11

Total Pages: 249

ISBN-13: 0199686173

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Realpoetik considers the relationship between literary and political ideas in the thought of key European writers of the Romantic period examining how the main historical events of the period encouraged a re-imagining of the political shape of Europe which also changed the way we think about imagination itself.


Die Architektur der Wolken

Die Architektur der Wolken

Author: Rolf Fieguth

Publisher: Peter Lang

Published: 2005

Total Pages: 452

ISBN-13: 9783039103997

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Die Aufsätze dieses mehrsprachigen Bandes vermitteln einen besonderen Blick auf die vielfältige europäische Poesie des 19. Jahrhunderts, die hier konsequent unter dem Aspekt des Gedichtzyklus bzw. des komponierten Gedichtbuches betrachtet wird. Dies hat einen eigenen ästhetischen und intellektuellen Reiz. Die Zyklisierung versetzt das individuelle Gedicht in eine spezifische Bewegung, die aus dem Einzeltext selbst nicht hervorgeht. Auch schafft sie ein Widerspiel zwischen Ganzheitssuggestionen und poetischen Ganzheitsdestruktionen, die einer Architektur der ständig bewegten Wolken gleicht. Wie kann ein epochentypisches «Zyklusbewusstsein» rekonstruiert werden? Wie reflektieren sich die verschiedenen Stadien der europäischen Romantik und der Postromantik in Kompositionsformen und -stilen zyklisierter Gedichtgruppen? Wie lassen sich grenzüberschreitende Inspirationen und Anknüpfungen in diesem Bereich erfassen? Wie steht es um eine Theorie des Gedichtzyklus samt verwandten Formen und seiner literarhistorischen Evolution? Und wie lassen sich solche Kompositionsformen ohne allzu viel Pedanterie darstellen? Solche Fragen ziehen sich durch alle Beiträge. Der komparatistisch gedachte Band ist aus einem mehrjährigen Nationalfondsprojekt der Freiburger Professoren Rolf Fieguth (Slavistik) und Alessandro Martini (Italienische Literatur) hervorgegangen, die Autoren sind zumeist Mitarbeiter der Universität Freiburg/Schweiz.