Felix and Maisie try to save their Great-Uncle Thorne by travelling back in time to Renaissance Italy, where they meet Leonardo da Vinci and dine with the great Medici family.
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
A new examination of Leonardo's career that illuminates his time as court painter to the Duke of Milan, an experience that fundamentally changed his outlook and his legacy
For many people the greatest artist, and the quintessential Renaissance man, Leonardo da Vinci (1452-1519) was a painter, architect, theatre designer, engineer, sculptor, anatomist, geometer, naturalist, poet and musician. His Last Supper in Milan has been called the greatest painting in Western art. Illegitimate, left-handed and homosexual, Leonardo never made a straightforward career. But from his earliest apprenticeship with the Florentine painter and sculptor Andrea Verrochio, his astonishing gifts were recognised. His life led him from Florence to militaristic Milan and back, to Rome and eventually to France, where he died in the arms of the King, Francis I. As one of the greatest exponents of painting of his time, Leonardo was celebrated by his fellow Florentine Vasari (who was nevertheless responsible for covering over the great fresco of the Battle of Anghiari with his own painting). Vasari's carefully researched life of Leonardo remains one of the main sources of our knowledge, and is printed here together with the three other early biographies, and the major account by his French editor Du Fresne. Personal reminiscences by the novelist Bandello, and humanist Saba di Castiglione, round out the picture, and for the first time the extremely revealing imagined dialogue between Leonardo and the Greek sculptor Phidias, by the painter and theorist Lomazzo, is published in English. An introduction by the scholar Charles Robertson places these writings and the career of Leonardo in context. Approximately 50 pages of colour illustrations, including the major paintings and many of the astonishing drawings, give a rich overview of Leonardo's work and mind.
Offers a portrait of the artist, covering his life, creative process, and his art, presented in more than 295 illustrations that span the length and breadth of his career.
A science biography that examines the life and work of Leonardo da Vinci and offers kids the opportunity to make their own designs and inventions with hands-on activities! Leonardo da Vinci is famous for the Mona Lisa and other works of art. His other claim to fame? Being an inventor! During the Renaissance, inventors and other creative thinkers designed and constructed many new things. It was a time of discovery, wonder, and exploration. And one of the people on the forefront of that awakening was Leonardo da Vinci. In The Science and Technology of Leonardo da Vinci, readers ages 9 through 12 explore the life of one of the world''s most amazing minds. They discover what it might have been like to live in the seventeenth century, when work, entertainment, medicine, travel, and food were very different. They ponder the same kinds of questions that drove Leonardo to tinker and experiment endlessly, even while creating artwork that influenced entire generations who came after him. What is the inside of the body like? How might humans fly? How can geometry be used to design strong buildings? His dedication to invention, experimentation, and art, along with his insatiable curiosity, gave the world new insight into anatomy, botany, engineering, and much more. Kids gain these same insights through hands-on STEM activities, essential questions, text-to-world connections, and links to online resources, including primary sources, that encourage readers to take a closer look at the world of the Renaissance. Projects use materials already found in most homes, reimagining and repurposing everyday items, as well as those found in the recycling bin. Make career connections in the fields of engineering, art, medicine, and more! Aligns with Common Core State Standards Projects include Designing a parachute, Making a camera obscura, Working with perspective, Designing a water clock. Addresses disciplinary core ideas (e.g., "Structure and Properties of Matter") and crosscutting concepts (e.g., "Energy and Matter;" "Influence of Engineering, Technology, and Science on Society and the Environment") for NSTA''s NGSS curriculum. Numerous, direct connections to Dimension 2 of the C3 Framework ("History" Grades 3-5), providing opportunities for young readers to explore how a historically significant person evolved in context and engendered both scientific and social change. Additional materials include a glossary, a list of media for further learning, a selected bibliography, and index. About the Build It Science Biographies set and Nomad Press The Science and Technology of Leonardo da Vinci is part of a set of three Build It Science Biographies that capture the curiosity of three science revolutionaries who were able to glimpse beyond the limits of human experience and make discoveries that continue to resonate today. Other titles in this set include The Science and Technology of Ben Franklin and The Science and Technology of Marie Curie. Nomad Press books in the Build It series integrate content with participation. Combining content with inquiry-based projects stimulates learning and makes it active and alive. Nomad''s unique approach simultaneously grounds kids in factual knowledge while allowing them the space to be curious, creative, and critical thinkers. All books are leveled for Guided Reading level and Lexile and align with Common Core State Standards and Next Generation Science Standards. All titles are available in paperback, hardcover, and ebook formats.
"The year 2019 sees the 500th anniversary of the death of Leonardo da Vinci.... In the Spring of 2019, selections of the finest of Leonardo's drawings will be shown simultaneously at twelve museums and galleries across England, Scotland, Wales and Northern Ireland. The Queen's Gallery at Buckingham Palace will show 200 drawings during the Summer--the largest exhibition of Leonardo's work in almost 70 years--and many of those drawings will be displayed at the Palace of Holyroodhouse in Edinburgh the following Winter"--Foreword.
The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.