There are a lot of rules that don't interest Lemonade Jones. No running in the classroom, not even in an emergency. Dangerous animals should be in cages. No biting. (Not even your worst enemy.) But it's especially hard to stick to the rules when you're making life loud and exciting. And Lemonade Jones likes it when loud and exciting things happen. Two delightful stories about Lemonade Jones - a feisty girl with a lot of fizz!
There are a lot of rules that don't interest Lemonade Jones. No running in the classroom, not even in an emergency. Dangerous animals should be in cages. No biting. (Not even your worst enemy.) But it's especially hard to stick to the rules when you're making life loud and exciting. And Lemonade Jones likes it when loud and exciting things happen. Two delightful stories about Lemonade Jones - a feisty girl with a lot of fizz!
Skippyjon Jones really wants to go to school. School is for dogs, his mama tells him. It's where they go to get trained. But nothing can stop Skippy-once inside his closet, he finds himself on the playground of his imagination, surrounded by dogs of all kinds. He bays with the beagles, learns French with the poodles, and checks out a Chihuahua book from the library. And when a bully starts sending shiver-itos down the spines of the little yippers, Skippy saves the day and earns the biggest gold star.
He only looked away for a second. Still haunted by the disappearance of his little sister, Amy, over twenty years ago, Joseph Bridgeman’s life has fallen apart. When a friend talks him into seeing hypnotherapist Alexia Finch to help with his insomnia, Joseph accidentally discovers he can time travel. His first trip only takes him back a few minutes, but his new-found ability gives him something he hasn’t felt for the longest time: hope. Joseph sets out to travel back to the night Amy went missing and save her. But after several failed attempts, he discovers the farther back he travels, the less time he gets to stay there. And the clock is ticking. With the help of Alexia, Joseph embarks on a desperate race against the past to save his sister. Can he master his new skill and solve the mystery of Amy’s disappearance before it’s too late? Previously released as The Unexpected Gift of Joseph Bridgeman, this updated version includes extra chapters, new plotlines, and even deeper character development. It makes way for an expanded vision of the Joseph Bridgeman Series, with the first four books released in 2021 and 2022.
Friends, justice, and . . . lemonade? Evan and Jessie are hot on the trail of the missing lemonade-stand money. Follow this brother-sister duo as they take justice into their own hands and explore the meaning of fairness, integrity, and repairing relationships on the playground and in business in this installment of the award-winning Lemonade War series. Evan Treski thinks fourth grader Scott Spencer is their prime suspect, so he challenges him to a game of basketball. But his little sister Jessie disagrees. Her solution? Turn the playground into a full-blown courtroom with a judge, jury, witnesses . . . and surprising consequences. But what happens when neither solution is what they expected? Can these siblings solve the mystery on their own or will they need to work together after all? And will the lemonade money ever be found? Humorous and emotionally engaging, this entertaining novel is full of ideas for creative problem solving, definitions of legal terms, and even analytical thinking. The five books in this fun-to-read series are: The Lemonade War The Lemonade Crime The Bell Bandit The Candy Smash The Magic Trap
""You are a component; purpose unknown."" Being the space and time of Skidmore Shuffledeck, galactic mechanic. Tutored on the machine world of Perridi, Skidmore takes his first steps into a space divided. The human diaspora is in full swing, just not in the twelve worlds, where Horatio Holroyd bends the void and Yours Truly chases his tail. Or on the cusp of the apocalypse, where Terminals seek the star at the centre of the universe - that they might destroy it. Skidmore has to learn fast. Firstly, interspatial displacement, aka ""the trumpet."" Secondly, himself, and who he can trust. For the difference between man and machine is the difference between passive stoicism and frenzied blood.
Everyone dies. For thousands of years, uncountable millions of corpses have been given funerals, and the living have always been faced with the problems of valedictory ceremonials for the dead and what to do with the corpses. Most of them have been buried, burnt, preserved, put in the sea, or exposed to the air. Quicklime, acids, eating and shrinking are more rare, and on the whole the overtly scientific methods go with unnatural death, so that earth, air, fire, and water are the most common agents of disposal.--pg. 9.
Kitsch: the mere word evokes mental images of cutesy collectibles, treacly trinkets, sweetly sentimental scenes, thematically trite tabletop tchotchkes, or perhaps anemic appropriations of canonical works of art. Frequently dismissed as facile, lowbrow, or one-off, throwaway aesthetics, kitsch elicits responses that range from the sardonic smirk laced with derision to the grin glimmering with the indulgence in a “guilty” pleasure. Kitsch, however, is surprisingly mobile and complex, as evidenced by its recent renewal as “kitschy cool.” This ambiguity not only allows it to gesture towards a disparate array of artifacts and ideations, but also to be pushed and pulled in various applicatory directions. The contributors to this collection address the problem of how and what kitsch might signify, and approach the kitsch question as a complex, nuanced interrogative. They consider kitsch in relation to its historical association with pseudo-art, its theoretical underpinnings and connections to class, the deliberate mobilization of kitsch in the work of specific artists, kitsch as a form of practice, as well as kitsch’s traffic with race, patriotism, and postmodernism. The essays in this collection necessarily cut a wide interpretative path, mapping the terrain of the phenomenon of kitsch – historically, conceptually, practically – in multivocal ways, befitting the polysemous creature that is kitsch itself. Drawing upon art history, popular culture studies, philosophy, and visual culture, the authors’ responses to the “big” question of kitsch move well beyond habitual artificial boundaries, far beyond the simple binaries of good/bad, high/low, elite/popular, or art/kitsch, into far more complex, challenging, and ultimately rewarding territory.
Froggy has a lemonade stand, but he's done it his way! Froggy has great plans for all the money he's going to make from his lemonade stand. But there's a problem: he was so thirsty that he drank all the lemonade. Luckily lovable Froggy has lots of good friends to help him find a solution. Even if they don't get rich, they all have a very good time!
