Adam Day’s Left-Handed Wolf offers short lyrical meditations and narratives that wrestle with contemporary issues of the environment, spirituality, and the social. These compact, imagistic poems welcome space and silence as a way of addressing both the commonality and complexity of people and experience. Day’s poems—influenced by meditation practice, as well as by classical Japanese and Chinese verse—are serious and bawdy, reverential and impertinent, accessible and eclectic, yet unified in their tone, atmosphere, and sensibility.
Winner of the 2018 Caldecott Medal A girl is lost in a snowstorm. A wolf cub is lost, too. How will they find their way home? Paintings rich with feeling tell this satisfying story of friendship and trust. Wolf in the Snow is a book set on a wintry night that will spark imaginations and warm hearts, from Matthew Cordell, author of Trouble Gum and Another Brother.
With charm, wit, and "luminous clarity" (KIRKUS REVIEWS), an award-winning poet reveals the complexities of birdwatching. Leonard Nathan is on a quest to spot the elusive Snow Bunting and, as with all obsessions, it rules his hours, both waking and sleeping. In DIARY OF A LEFT-HANDED BIRDWATCHER, he invites us along on his lively personal journey.
Finally available in the United States, a singular story collection that Time Out declared "unsettlingly brilliant" Astudent's suicide note is not what it seems. A high school football rivalry turns absurd—and deadly. A much-loved cat seems to have been a different animal all along. A pair of identical twins aren't identical at all—or even related. A man finds his own yellowed birth announcement inside a bureau bought at auction. Set in a small upstate New York town, told in a conversational style, Pieces for the Left Hand is a stream of a hundred anecdotes, none much longer than a page. At once funny, bizarre, familiar, and disturbing, these deceptively straightforward tales nevertheless shock and amaze through uncanny coincidence, tragic misunderstanding, strange occurrence, or sudden insight. Unposted letters, unexpected visitors, false memories—in J. Robert Lennon's vision of America, these are the things that decide our fate. Wry and deadpan, powerful and philosophical, these addictive little tales reveal the everyday world as a strange and eerie place.
This handbook provides research guidelines to study roles of the genes and other factors involved in a variety of complex behaviors. Utilizing methodologies and theories commonly used in behavior genetics, each chapter features an overview of the selected topic, current issues, as well as current and future research.
A Wolf Called Romeo is the remarkable story of a wolf who returned again and again to interact with the people and dogs of Juneau, living on the edges of their community, engaging in an improbable, awe-inspiring interspecies dance and bringing the wild into sharp focus. At first the people of Juneau were guarded, torn between shoot first, ask questions later instincts and curiosity. But as Romeo began to tag along with cross-country skiers on their daily jaunts, play fetch with local dogs, or simply lie near Nick and nap under the sun, they came to accept Romeo, and he them. For Nick it was about trying to understand Romeo, then it was about winning his trust, and ultimately it was about watching over him, for as long as he or anyone could.
A groundbreaking look at one of the great song composers of the late Romantic period In the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860–1903) has been somewhat neglected, perhaps because he was the master of a small genre—the late Romantic lied—and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf “the Richard Wagner of the lied,” he was paying oblique homage to Wolf’s genius as a song composer in the most modern manner. In this book, Susan Youens examines five aspects of Wolf’s compositional art, each exemplifying a different synthesis of traditionalism and modernity and spanning his entire, tragically brief creative life, from his first efforts to his lapse into insanity in 1897. She discusses Wolf’s youthful imitations of Schumann, his genius for comic songs of a kind unlike any of his predecessors, his part in the ballad revival of the late nineteenth century, Wolf in relation to his contemporaries, and his pursuit of operatic fame. Youens looks as closely at the poetic texts as she does the music and includes numerous previously unpublished sketches and fragments, examples from songs now long out of print and difficult to obtain, and citations from Wolf’s vivid letters and other sources of the period.
