In this collection of essays, Maurizio Ferraris explores the world portrayed in Marcel Proust's In Search of Lost Time. He ponders how memory is tied to self-identification and knowledge; how the passage of time is only perceptible after it has passed; and how life, ultimately, is accurately portrayed in literature in ways that were seen as inconceivable in our youth. Running throughout the book is the sense that memory is all we are; we are what we remember or what others remember of us.
Presents a study of the final days of the seminal author and discusses his upbringing, themes in his works, his rise as a famous writer, and the final months before his death.
This carefully considered book is a welcome addition to the debate over 'judicial activism'. Constitutional scholar Kermit Roosevelt offers an elegantly simple way to resolve the heated discord between conservatives, who argue that the Constitution is immutable, and progressives, who insist it is a living document that must be reinterpreted in new cultural contexts so that its meaning evolves. Roosevelt uses plain language and compelling examples to explain how the Constitution can be both a constant and an organic document. Recent years have witnessed an increasing drumbeat of complaints about judicial behaviour, focusing particularly on Supreme Court decisions that critics charge are reflections of the Justices' political preferences rather than enforcement of the Constitution. The author takes a balanced look at these controversial decisions through a compelling new lens of constitutional interpretation. He clarifies the task of the Supreme Court in constitutional cases, then sets out a model to describe how the Court creates doctrine to implement the meaning of the Constitution. Finally, Roosevelt uses this model to show which decisions can be justified as legitimate and which cannot.
"Shattuck leaves us not only with a deepened appreciation of Proust's great work but of all great literature as well."—Richard Bernstein, New York Times For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the culmination of a lifetime of scholarship, will serve as the next generation's guide to one of the world's finest writers of fiction.
An accessible, irreverent guide to one of the most admired—and entertaining—novels of the past century: Rememberance of Things Past. There is no other guide like this; a user-friendly and enticing entry into the marvelously enjoyable world of Proust. At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust’s novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust’s genius and appeal—he calls the work “outrageously bawdy and extremely funny”—and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader’s Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans.
‘What a marvellous book this is . . . de Botton dissects what [Proust] had to say about friendship, reading, looking carefully, paying attention taking your time, being alive and adds his own delicious commentary. The result is an intoxicating as it is wise, amusing as well as stimulating, and presented in so fresh a fashion as to be unique . . . I could not stop, and now much start all over again.’ Brian Masters, Mail on Sunday ‘De Botton not only has a complete understanding of Proust’s life . . . but what is particularly charming about this small, readable book is its tongue-in-cheek benignity, its lightly held erudition and its generous way of lending itself to what is not only the greatest book of the century but also the darkest and the most eccentric’ Edmund White, Observer ‘It contains more human interest and play of fancy than most fiction . . . de Botton, in emphasizing Proust’s healing, advisory aspects, does us the service of rereading him on our behalf, providing of that vast sacred lake a sweet and lucid distillation.’ John Updike, New Yorker ‘De Botton’s little book is so charming, amusing and sensible that it may even itself change your life.’ Allan Massie, Daily Telegraph ‘This engaging book is one of the most entertaining pieces of literary criticism I have read in a long while.’ Sunday Telegraph ‘A very enjoyable book’ Sebastian Faulks
A Pulitzer Prize Finalist The medusa is a tiny jellyfish that lives on the ventral surface of a sea slug found in the Bay of Naples. Readers will find themselves caught up in the fate of the medusa and the snail as a metaphor for eternal issues of life and death as Lewis Thomas further extends the exploration of man and his world begun in The Lives of a Cell. Among the treasures in this magnificent book are essays on the human genius for making mistakes, on disease and natural death, on cloning, on warts, and on Montaigne, as well as an assessment of medical science and health care. In these essays and others, Thomas once again conveys his observations of the scientific world in prose marked by wonder and wit.
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.
How do you make God laugh? Tell him your plans. Globe-trotting photojournalist Angela Thomas has spent all thirty-two years of her life dreaming of far-off places. Nothing that has happened to her thus far -- the dysfunction of her family, the failure of her marriage -- can convince her that "home" is where she belongs. Though she won't admit it, her job is as much an escape as it is a passion. Every foreign assignment is a chance to trade gnawing family conflicts in for situations that may kill her but won't break her heart. Everything changes when Angela is sent to cover the war in Yugoslavia. She has survived strife and destruction before, but this time is different; this time, the people around her refuse to remain at arm's length, filtered by a camera lens. Through the unexpected attachments she makes, Angela's eyes are finally opened to a view that casts her old life and her old problems in a completely different light.
Published in 1931, Axel's Castle was Edmund Wilson's first book of literary criticism--a landmark book that explores the evolution of the French Symbolist movement and considers its influence on six major twentieth-century writers: William Butler Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."
