Originally published in 1997 by Houghton Mifflin, this is a collection of true stories, essays and poems which tell of the glories and rigours of living close to the land.
A finalist for the 1995 Governor General's Literary Award for English-language non-fiction Winner of the Mountain Environment and Culture Award at the 1995 Banff Mountain Book Festival Leaning on the Wind is a love song of the west, sung to the tune of the wild chinook wind. Sid Marty skilfully weaves together the prehistory of Alberta with the experiences of First Nations, miners, early homesteaders and his own family. At the centre of his tale is the Marty homestead, located in the foothills of the Rocky Mountains. Sid looks back through generations of his family and celebrates the feats of wild creatures and wild westerners. The past comes alive in these pages, but so does the present, where you will meet cowboy poets, bull riders, sailplane pilots, desperate chicken farmers, curmudgeonly broncos, a homicidal cow elk, some dubious politicians and several fierce defenders of the earth. Humour and sardonic wit abound, along with abundant affection for the western earth and the people who depend on its bounties and experience its extremes of wind, frost and drought. A western classic, Leaning on the Wind is as evocative today as when it was first published in 1995.
“Leaning against the wind” (LAW) with a higher monetary policy interest rate may have benefits in terms of lower real debt growth and associated lower probability of a financial crisis but has costs in terms of higher unemployment and lower inflation, importantly including a higher cost of a crisis when the economy is weaker. For existing empirical estimates, costs exceed benefits by a substantial margin, even if monetary policy is nonneutral and permanently affects real debt. Somewhat surprisingly, less effective macroprudential policy and generally a credit boom, with resulting higher probability, severity, or duration of a crisis, increases costs of LAW more than benefits, thus further strengthening the strong case against LAW.
"Leaning into the Wind is a series of ten intimate essays in which Susan Allen Toth, who was spent most of her life in Iowa, Minnesota, and Wisconsin, reveals the ways in which weather has challenged and changed her perceptions about herself and the world around her. She describes her ever-growing awareness of and appreciation for how the weather marks the major milestones of her life. Toth explores issues as large as weather and spirituality in "Who Speaks in the Pillar of Cloud?" and topics as small as mosquito in "Things That Go Buzz in the Night." In "Storms," a severe thunderstorm becomes a continuing metaphor for the author's troubles first marriage. Two essays, one from late middle age, ponder how the weather seems different at various stages of life but always provides unexpected opportunities for self-discovery, change, and renewal."--BOOK JACKET.
Time, always an element in the work of Andy Goldsworthy, both as a medium and as a metaphor, is celebrated in this book. The text is comprised of Goldsworthy's own diaries.
« Andy Goldsworthy est un artiste mondialement reconnu pour son travail éphémère et permanent avec la nature, le LAND ART. Il y a 16 ans, de sa rencontre avec le réalisateur Thomas Riedelsheimer est né le succès mondial Rivers and tides. Entre 2013 et 2016, les deux hommes sont repartis à l'aventure. On découvre comment Andy Goldsworthy s'introduit lui même dans ses œuvres, comment son travail devient à la fois plus fragile et plus personnel, plus sévère et plus difficile, incorporant des machineries massives et des équipes importantes sur de plus gros projets. Ce film est un voyage créatif qui nous mène d'Edimbourg à la réserve d'Ibitipoca au Brésil, du sud de la France à la Nouvelle-Angleterre.»
NATIONAL BESTSELLER • The story of Cynthia Ann Parker and the last days of the Comanche In 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians from her family's settlement. She grew up with them, mastered their ways, and married one of their leaders. Except for her brilliant blue eyes and golden mane, Cynthia Ann Parker was in every way a Comanche woman. They called her Naduah—Keeps Warm With Us. She rode a horse named Wind. This is her story, the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever. It will thrill you, absorb you, touch your soul, and make you cry as you celebrate the beauty and mourn the end of the great Comanche nation.
An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition and sparking an online movement against compulsory hijab. A photo on Masih's Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked 'My Stealthy Freedom,' a social media campaign that went viral. But Masih is so much more than the arresting face that sparked a campaign inspiring women to find their voices. She's also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands' shadows. As a teenager, Masih was arrested for political activism and was surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran where she was later served divorce papers to the shame and embarrassment of her religiously conservative family. Masih spent nine years struggling to regain custody of her beloved only son and was forced into exile, leaving her homeland and her heritage. Following Donald Trump's notorious immigration ban, Masih found herself separated from her child, who lives abroad, once again. A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don't know nearly enough about, The Wind in My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in, and to encourage others to do the same.
Equilibrium. That’s what Stacey and Calvin found in each other. He is as solid as his beloved vintage motorcycle and helps quiet the constant clamor in Stacey’s mind. She is a passionate, creative spirit—and a lifeline after Calvin’s soldier brother dies. But lately the balance is off. Calvin’s grief is taking new forms. Voices of self-loathing are dominating Stacey’s life. When struggles with body image threaten her health, Calvin can’t bear to lose another person that he loves. Taking action may destroy their relationship, but the alternative could be much more costly.