La troisième édition de ce livre est centrée sur l’emploi du dessin d'enfant dans une optique objective et rigoureuse. Des exemples de situations cliniques sont proposés afin d’ouvrir des perspectives pratiques de l’examen psychologique. L’aspect théorique est également articulé à cette technique afin d’en rendre sérieuse son utilisation.
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
La deuxième édition de ce livre est centrée sur l’emploi du dessin dans une optique objective et rigoureuse. Des exemples de situations cliniques sont proposés afin d’ouvrir des perspectives pratiques de l’examen psychologique. L’aspect théorique est également articulé à cette technique afin d’en rendre sérieuse son utilisation. Destiné aux étudiants de psychologie qui y trouveront les fondamentaux théoriques, cet ouvrage intéressera aussi les professionnels de l’enfance et de l’adolescence qui pourront étayer leur pratique et approfondir leur réflexion autour du dessin d’enfant.
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
La deuxième édition de cet ouvrage, à jour des recherches les plus récentes, explicite les différentes techniques d'utilisation du dessin (dessin libre, du Bonhomme, de la maison, de la famille et de l'arbre) dans l'examen psychologique de l'enfant et de l'adolescent.
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
This book, at the crossroads of creativity, design and interdisciplinary studies, offers an overview of these major trends in scientific research, society, culture and economics. It brings together different approaches and communities around a common reflection on interdisciplinary creative design thinking. This collective effort provides a unique dialogical and convergent space that deals with the challenges and opportunities met by researchers and practitioners working on design thinking, creativity and inter- and transdisciplinarity, or at the interface between these areas.
