In this book, Geoffrey Baker extends the survey of Le Corbusier's architecture in his acclaimed Le Corbusier: An analysis of form to chart the way in which Le Corbusier developed his creative approach. Baker concentrates on the way a designer's mind works. He extends the analytical skills used to explain Le Corbusier's architecture into a detailed analysis of those vital early sketchbooks that form the core of Le Corbusier's education.
This unique appraisal of the famous Swiss architect's major works have now been expanded to include two more buildings. The Villa Shodhan and the Pavilion Suisse round out the coverage of Le Corbusier's significant works. The author critically examines Le Corbusier's achievements helping student and professional alike to appreciate the elements of successful design. The narrative and fine illustration cover the key buildings from each of the four developmental stages of his work, making it an excellent guide for practicing architects and students.
By assessing the historical, personal and intellectual influences of two of the greatest figures in modern architecture - Le Corbusier and Alvar Aalto, this study offers an understanding about the diversity at the heart of modernism.
Vogt's investigation of LC's early life and education not only reveals important, previously unacknowledged influences on specific projects such as the League of Nations headquarters and the Villa Savoye, but also suggests why LC throughout his career preferred to lift buildings above the ground, to give them the appearance of "floating." This tendency had decisive consequences for buildings associated with the modern movement and continues to influence architecture today.
Le Corbusier came of age at the time when cars and planes were becoming a common means of transportation, thus he was one of the first professional architects to ply his trade on several continents at once. This book brings together his finest work.
In this book, Geoffrey Baker extends the survey of Le Corbusier's architecture in his acclaimed Le Corbusier: An analysis of form to chart the way in which Le Corbusier developed his creative approach. Baker concentrates on the way a designer's mind works. He extends the analytical skills used to explain Le Corbusier's architecture into a detailed analysis of those vital early sketchbooks that form the core of Le Corbusier's education. For the first time in a single volume, Baker provides comprehensive documentation of sketches in La Chaux-de-Fonds, Italy and on the journey to the East, including extensive English translations of Le Corbusier's notes. This assemblage of some of Le Corbusier's finest sketches is closely related to the way he designed his first homes, providing a remarkably lucid and accessible record of the working research method of a master.
The Le Corbusier Guide presents the architecture of Le Corbusier. The focus is on Paris given that it is his adopted city and the place where he came of age. Within its environs is a representative sample of his built work. It contains most of his purist houses, and an early foray away from the crisp surfaces of Purism. This itinerary follows the outlines of Le Corbusier's life's work. Beginning at his birthplace in La Chaux-de-Fonds, Switzerland, the route continues to Paris, to the perimeter of France, and finally to the international scene architects, architecture, Paris. Also presented are Le Corbusier's work in Switzerland, Belgium, Germany, Italy, United States, Argentina, Brazil, Tunisia, Iraq, Japan, USSR, and India. The itinerary includes not only the buildings but also the process of getting from one to the next. On the ""open road"" it is a pleasure to remember Le Corbusier's own joy of self-propulsion in the automobile, efficiency, and speed in the train; and the thrill of flight as he experienced it with the poet of flight, Antoine de Saint Exupery. All these mimetic pleasures are ancillary to the experience of the buildings in situ in their complex relationship to local landscape, national spirit, and international vision.
The fourteen essays are by Russell Walden, Paul Turner, Patricia Sekler, Maurice Favre, Brian Taylor, Charles Jencks, Anthony Sutcliffe, Robert Fishman, Martin Purdy, John Winter, Maxwell Fry, Jane Drew, Madhu Sarin, and Stanislaus von Moos.
"Each day of my life has been dedicated in part to drawing. I have never stopped drawing and painting, seeking, where I could find them, the secrets of form."--Le Corbusier Charles-Édouard Jeanneret, known as Le Corbusier (1887-1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L'Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process. Beautifully illustrated with more than 300 drawings that have never before been published for an English readership, this revealing book charts the evolution of Le Corbusier's process from his youthful travels abroad to his arrival and maturation in Paris. Danièle Pauly shows how his drawings functioned within an intimate zone of private reflection and situates his work within the broader artistic and intellectual currents of Cubism, Purism, Primitivism, and Surrealism. In addition to providing a crucial new background against which to comprehend Le Corbusier's architecture and urbanism, this important volume advocates for understanding him alongside leading modern artists including Pablo Picasso and Fernand Léger.
