A stroke of the pen and history is changed. In 1938, British prime minister Neville Chamberlain, determined to avoid war, signed the Munich Accord, ceding part of Czechoslovakia to Hitler. But the following spring, Hitler snatched the rest of that country, and England, after a fatal act of appeasement, was fighting a war for which it was not prepared. Now, in this thrilling alternate history, another scenario is played out: What if Chamberlain had not signed the accord? In this action-packed chronicle of the war that might have been, Harry Turtledove uses dozens of points of view to tell the story: from American marines serving in Japanese-occupied China and ragtag volunteers fighting in the Abraham Lincoln Battalion in Spain to an American woman desperately trying to escape Nazi-occupied territory—and witnessing the war from within the belly of the beast. A tale of powerful leaders and ordinary people, at once brilliantly imaginative and hugely entertaining, Hitler’s War captures the beginning of a very different World War II—with a very different fate for our world today. BONUS: This edition contains an excerpt from Harry Turtledove's The War that Came Early: West and East.
History is changed by one small act. In an extraordinary saga of nations locked in war, master storyteller Harry Turtledove examines a very different World War II—one which erupts eleven months earlier, and over Czechoslovakia rather than Poland. Now comes the final installment in this landmark series. Hitler’s Plan A was to win in a hurry, striking hard and deep into France. There was no Plan B. Now the war grinds on. Countries have been forced into strange alliances. The Nazis fortify thin lines with Hungarian and Romanian troops. England, finding its footing after the suspicious death of Winston Churchill and a coup d’état, fights back in Europe and on the seas of the North Atlantic. Jews fight on both sides of the war—in secret in German uniform, openly in Spain, France, and Russia. Into the standoff come new killing tools, from tanks to bazookas. In the Pacific, Japan prepares bombs filled with macabre biological concoctions to be dropped on Hawaii. For the U.S., the only enemy is Japan, as there has been no casus belli for America in Europe. Then Hitler becomes desperate and declares war on the United States. But is it too late? His own people are rising up in revolt. The German military may have to put down the violence, even perhaps bomb its own cities. In this epic drama, real men and women are shaped by the carnage, and their individual acts in turn shape history. Drawing on the gritty, personal reality of war and on a cast of unforgettable characters, Harry Turtledove has written an alternate history that intrigues, fascinates, and astounds. Praise for Last Orders “From our perspective seventy years later, we’re accustomed to thinking of WWII’s outcome as being inevitable. Not so, says [Harry] Turtledove. . . . Disdaining broad brush strokes, Turtledove’s focus on the characters serves to fill out the big picture with patient, nitty-gritty detail. It’s all quite plausible. . . . Armchair warriors will have much to ponder.”—Kirkus Reviews Praise for Harry Turtledove “If you like alternate histories, you’re going to like this series a lot.”—The San Diego Union-Tribune “Turtledove is the standard-bearer for alternate history.”—USA Today Coup d’Etat “This is what alternative history is all about.”—Historical Novel Society The Big Switch “The Hugo Award winner continues to delight in exploring the world of ‘what if?’”—Library Journal West and East “There’s plenty to satisfy fans of military strategy, tactics, and armaments.”—Publishers Weekly Hitler’s War “Turtledove is always good, but this return to World War II . . . is genuinely brilliant. . . . The characterizations in particular bring the book to extraordinary life.”—Booklist
In the early morning of April 12, 1861, Captain George S. James ordered the bombardment of Fort Sumter, beginning a war that would last four years and claim many lives. This book brings together a collection of voices to help explain the commencement of Am.
NEW YORK TIMES BESTSELLER • The first comprehensive account of the epoch-making Six-Day War, from the author of Ally—now featuring a fiftieth-anniversary retrospective Though it lasted for only six tense days in June, the 1967 Arab-Israeli war never really ended. Every crisis that has ripped through this region in the ensuing decades, from the Yom Kippur War of 1973 to the ongoing intifada, is a direct consequence of those six days of fighting. Writing with a novelist’s command of narrative and a historian’s grasp of fact and motive, Michael B. Oren reconstructs both the lightning-fast action on the battlefields and the political shocks that electrified the world. Extraordinary personalities—Moshe Dayan and Gamal Abdul Nasser, Lyndon Johnson and Alexei Kosygin—rose and toppled from power as a result of this war; borders were redrawn; daring strategies brilliantly succeeded or disastrously failed in a matter of hours. And the balance of power changed—in the Middle East and in the world. A towering work of history and an enthralling human narrative, Six Days of War is the most important book on the Middle East conflict to appear in a generation. Praise for Six Days of War “Powerful . . . A highly readable, even gripping account of the 1967 conflict . . . [Oren] has woven a seamless narrative out of a staggering variety of diplomatic and military strands.”—The New York Times “With a remarkably assured style, Oren elucidates nearly every aspect of the conflict. . . . Oren’s [book] will remain the authoritative chronicle of the war. His achievement as a writer and a historian is awesome.”—The Atlantic Monthly “This is not only the best book so far written on the six-day war, it is likely to remain the best.”—The Washington Post Book World “Phenomenal . . . breathtaking history . . . a profoundly talented writer. . . . This book is not only one of the best books on this critical episode in Middle East history; it’s one of the best-written books I’ve read this year, in any genre.”—The Jerusalem Post “[In] Michael Oren’s richly detailed and lucid account, the familiar story is thrilling once again. . . . What makes this book important is the breadth and depth of the research.”—The New York Times Book Review “A first-rate new account of the conflict.”—The Washington Post “The definitive history of the Six-Day War . . . [Oren’s] narrative is precise but written with great literary flair. In no one else’s study is there more understanding or more surprise.”—Martin Peretz, Publisher, The New Republic “Compelling, perhaps even vital, reading.”—San Jose Mercury News
In 1942, two nations switch sides—and World War II takes a horrifying new course. In the real world, England and France allowed Adolf Hitler to gobble up the Sudetenland in 1938. Once Hitler finished dismembering Czechoslovakia, he was ready to go to war over Poland a year later. But Hitler had always been eager to seize Czechoslovakia, no matter the consequences. So what if England and France had stood up to the Nazis from the start, and not eleven months later? That is the question behind the War That Came Early series. Four years later, the civil war in Spain drags on, even after General Franco’s death. The United States, still neutral in Europe, fights the Japanese in the Pacific. Russia and Germany go toe-to-toe in Eastern Europe—yet while Hitler stares east, not everything behind him is going as well as he would like. But nothing feeds ingenuity like the fear of losing. The Germans wheel out new tanks and planes, Japan deploys weapons of a very different sort against China, and the United States, England, and France do what they can to strengthen themselves against imminent danger. Seen through the eyes of ordinary citizens caught in the maelstrom, this is a you-are-there chronicle of battle on land and sea and in the air. Here are terrifying bombing raids that shatter homes, businesses, and the rule of law. Here are commanders issuing orders that, once given, cannot be taken back. And here are the seeds of rebellion sown in blood-soaked soil. In a war in which sides are switched and allies trust one another only slightly more than they trust their mortal enemies, Nazi Germany has yet to send its Jews to death camps, and dangerous new nationalist powers arise in Eastern Europe. From thrilling submarine battles to the horror of men fighting men and machines all through Europe, Two Fronts captures every aspect of a brilliantly reimagined conflict: the strategic, the political, and the personal force of leaders bending nations to their wills. BONUS: This edition includes an excerpt from Harry Turtledove's The War That Came Early: Last Orders. Praise for Two Fronts “[Harry] Turtledove has another major twist in store for the readers and his alternative world.”—SF Site “Turtledove’s new variation on the theme of WWII is departing more and more from the original, sometimes in subtle ways and sometimes in less subtle ones. . . . What’s next is anybody’s guess, except that it will almost certainly be more surprises.”—Booklist “Turtledove is the standard-bearer for alternate history.”—USA Today Praise for Harry Turtledove “If you like alternate histories, you’re going to like this series a lot.”—The San Diego Union-Tribune “Turtledove is the standard-bearer for alternate history.”—USA Today
In his acclaimed novels of alternate history, Harry Turtledove has scrutinized the twisted soul of the twentieth century, from the forces that set World War I in motion to the rise of fascism in the decades that followed. Now, this masterly storyteller turns his eyes to the aftermath of World War II and asks: In an era of nuclear posturing, what if the Cold War had suddenly turned hot? Bombs Away begins with President Harry Truman in desperate consultation with General Douglas MacArthur, whose control of the ground war in Korea has slipped disastrously away. MacArthur recognizes a stark reality: The U.S. military has been cut to the bone after victory over the Nazis—while China and the USSR have built up their forces. The only way to stop the Communist surge into the Korean Peninsula and save thousands of American lives is through a nuclear attack. MacArthur advocates a strike on Chinese targets in Manchuria. In actual history, Truman rejected his general’s advice; here, he does not. The miscalculation turns into a disaster when Truman fails to foresee Russia’s reaction. Almost instantly, Stalin strikes U.S. allies in Europe and Great Britain. As the shock waves settle, the two superpowers are caught in a horrifying face-off. Will they attack each other directly with nuclear weapons? What countries will be caught in between? The fateful global drama plays out through the experiences of ordinary people—from a British barmaid to a Ukrainian war veteran to a desperate American soldier alone behind enemy lines in Korea. For them, as well as Truman, Mao, and Stalin, the whole world has become a battleground. Strategic strikes lead to massive movements of ground troops. Cities are destroyed, economies ravaged. And on a planet under siege, the sounds and sights of nuclear bombs become a grim harbinger of a new reality: the struggle to survive man’s greatest madness. Praise for Bombs Away “A fascinating and compelling story of real people caught in forces beyond their control . . . [Harry Turtledove is] the unrivaled monarch of alternate history.”—Analog “Turtledove is an undisputed centerpiece of the alternate-history genre, and now, to his already grand display, he’s adding the ambitious tale of a WWIII that could have happened.”—Booklist “This is Turtledove at his best.”—SFRevu “Alternate-world warrior extraordinaire Turtledove delivers the opening barrage of a new speculative conflict.”—Kirkus Reviews
In 1941 Winston Churchill was Hitler’s worst enemy. Then a Nazi secret agent changed everything. What if Neville Chamberlain, instead of appeasing Hitler, had stood up to him in 1938? Enraged, Hitler reacts by lashing out at the West, promising his soldiers that they will reach Paris by the new year. Instead, three years pass, and with his genocidal apparatus not fully in place, Hitler barely survives a coup, while Jews cling to survival, and England and France wonder whether the war is still worthwhile. The stage is set for World War II to unfold far differently from the history we know—courtesy of Harry Turtledove, wizard of “what if?,” in the continuation of his thrilling series: The War That Came Early. Through the eyes of characters ranging from a brawling American serving with the Abraham Lincoln Brigade in Spain to a woman who has seen Hitler’s evil face-to-face, The Big Switch rolls relentlessly forward into 1941. As the Germans and their Polish allies slam into the gut of the Soviet Union in the west, Japan pummels away in the east. Meanwhile, in the trenches of France, French and Czech forces are outmanned but not outfought by their Nazi enemy. Then the stalemate is shattered. In England Winston Churchill dies suddenly, leaving the gray men wondering who their real enemy is. And as the USSR makes peace with Japan, the empire of the Rising Sun looks westward—its war with America about to begin.
“The best book by far on the Pacific War” (The New York Times Book Review), this classic one-volume history of World War II in the Pacific draws on declassified intelligence files; British, American, and Japanese archival material; and military memoirs to provide a stunning and complete history of the conflict. This “superbly readable, insightful, gripping” (Washington Post Book World) contribution to WWII history combines impeccable research with electrifying detail and offers provocative interpretations of this brutal forty-four-month struggle. Author and historian Ronald H. Spector reassesses US and Japanese strategy and shows that the dual advance across the Pacific by MacArthur and Nimitz was more a pragmatic solution to bureaucratic, doctrinal, and public relations problems facing the Army and Navy than a strategic calculation. He also argues that Japan made its fatal error not in the Midway campaign but in abandoning its offensive strategy after that defeat and allowing itself to be drawn into a war of attrition. Spector skillfully takes us from top-secret strategy meetings in Washington, London, and Tokyo to distant beaches and remote Asian jungles with battle-weary GIs. He reveals that the US had secret plans to wage unrestricted submarine warfare against Japan months before Pearl Harbor and shows that MacArthur and his commanders ignored important intercepts of Japanese messages that would have saved thousands of lives in Papua and Leyte. Throughout, Spector contends that American decisions in the Pacific War were shaped more often by the struggles between the British and the Americans, and between the Army and the Navy, than by strategic considerations. Spector vividly recreates the major battles, little-known campaigns, and unfamiliar events leading up to the deadliest air raid ever, adding a new dimension to our understanding of the American war in the Pacific and the people and forces that determined its outcome.
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post
