A pink gold dots notebook featuring the inspirational quote "She Believed She Could So She Did" on the cover. Write all your notes and ideas into this notebook (journal). - SIZE: 8.5 x 11 (Large). - PAPER: Lined Paper: 55 Pages (Ruled on the front and back). - COVER: Soft Cover. - PATTERN: Inspirational Quote. - COLOR: Pink (Matte).
As the mayor of Duck, North Carolina, Dae is playing host to twenty North Carolina elected officials attending her first Mayors' Conference Weekend at the Blue Whale Inn. When the body of Mayor Sandi Foxx is discovered the morning after a severe storm, Dae receives a vision through the mayor's ring; that there's a killer among the guests who's as deadly as any hurricane.
The play Blackberry Molasses is an inspirational story about a young African American woman, Desera Harrison, who finds her voice through her writing. She struggles to find peace in her turbulent life. She begins building a life for herself in Atlanta, where she lives with her mother and fourteen- year-old twin sisters, Ebony and Traci. Shes also just reconnected with her alcoholic father, which has introduced a whole new level of uncertainty for the family. This is a remarkable play. The main character Desera Harrison decides to leave her past behind and peruse her dreams, to become a freelance writer for one of the largest newspaper publications in New York. Despite the many disappointments and heartaches that Desera and her family have endured they find strength through love, hope, and faith. This play explores themes of family, loyalty, and perseverance in the face of adversity and is written to encourage and inspire readers to pursue their dreams. From the beginning of Blackberry Molasses to the Epilogue one will see the significance of strength and perseverance illustrated through Maple and Blackberry Trees. Desera finds strength and perseverance through her writing.
"Bored with their everyday lives and kept in insignificance by their boyfriends/husbands, these are four angry women. They try a number of outlets, but nothing suits until one of them strikes a chord on her guitar and suggests that they form a punk rock group to enter the upcoming talent show at the neighborhood punk club? Their group "The Angry Housewives," enter and win. This genial satire of contemporary feminism ran for ages in Seattle and has had numerous successful productions across the country."--Publisher.
A YALSA Quick Pick for Reluctant Young Adult Readers Between Christmas, the annual Fall Festival, and baby-mama issues, South Bay High is vibrating with activity, excitement, and drama. . . The holidays are coming, along with all the madness and materialism that comes with them. As usual, Jayd is just trying to stay sane while everyone around her is losing it. Mickey's got a major secret and Jayd's girl Nellie is trying to stir up trouble with her loose lips. Vengeful Laura is trying to undermine Jayd's performance in the school production of Shakespeare's Lady Macbeth. Rah's baby mama, Sandy, is trying to keep him from seeing his daughter. And that's just for starters. Worst of all, Jayd's grandmother warns her that serious trouble is on the way. Between a spiritual cleansing, a potion, and the mystical support of her gifted ancestors, will Jayd be able to stop all this homegirl drama in its tracks?
An old flame. A magical sorority. An uncontrollable power… Siobhan Elliot’s World Myths and Legends class was supposed to be an easy way to get elective credit. Instead, she gets an unexpected—and unwanted—blast from the past in the form of the course’s handsome teaching assistant, Jasper Hart. He puts the cliché tall, dark and handsome to shame, but that’s the least of Siobhan’s worries. Because she’s met him before. And he’s definitely not human. Back then, their brief encounter left her with a unique but uncontrollable power, forever altering her young adult life. Now, the only person who can tell her the truth about who—and what—she really is doesn’t seem to remember her. Even so, Jasper’s return opens a whole new world to Siobhan, one straight from the pages of her World Myths and Legends textbook. Her already bizarre life is about to be turned upside down, and nothing—not even her sorority, Gamma Lambda Phi—is left untouched. A world where Greek mythology meets Greek life, legendary lovers reunite, and nothing is what it seems.
Facing summer with her two boys, ages ten and seven, Pam Lobley was sifting through signups for swim team, rec camp, night camp, scout camp, and enrichment classes. Overwhelmed at the choices, she asked her sons what they wanted to do during summer: “Soccer? Zoo School? Little Prodigy’s Art Club?” “Why can’t we just play?” they asked. A summer with no scheduled activities at all . . . The thought was tempting, but was it possible? It would be like something out of the 1950s. Could they really have a summer like that? Juggling the expectations of her husband (“Are you going to wear garters?”), her son, Sam (“I’m bored!”), and her son, Jack (“Can I just stay in my pajamas?”), Pam sets out to give her kids an old-fashioned summer. During the shapeless days, she studies up on the myths and realities of the 1950s. With her trademark wit and candor, she reveals what we can learn from those long-ago families, why raising kids has changed so drastically, and most importantly, how to stop time once in a while and just play.
"Through portraits of the children in her classroom, Sentilles relates a heartbreaking journey, as she learns about a failing school system, the true meaning of poverty in America, and the strength children exhibit when they're just struggling to survive." "Sentilles originally went into Teach for America as a break between undergraduate and graduate school. She fully expected to go back to school for her doctorate in comparative literature after a two-year teaching stint. But teaching the children in Compton changed her utterly, and she decided during her tenure to study for the ministry instead."--Jacket.
New Orleans after Hurricane Katrina in 2005 was a devastated city: neglected by the authorities, deprived of basic services, deserted by thousands of its inhabitants, haunted by loss and tragedy. Jim Gabour, film producer, writer and director, decided to stay. In the months after Katrina, he sent www.openDemocracy.net a series of reports and reflections on how he, his family, his neighbours, friends and fellow-citizens were coping with the aftermath and reconstructing their homes and lives. These witty, understated, observant, characterful tales of the city are now collected in the fourth edition of the openDemocracy Quarterly. In Jim Gabour's everyday epics of survival and discovery, the heart and soul of wounded but life-affirming New Orleans quietly unfolds.
