This elegant Fourth Edition of Chip Sullivan's classic Drawing the Landscape shows how to use drawing as a path towards understanding the natural and built environment. It offers guidance for tapping into and exploring personal creative potential and helps readers master the essential principles, tools, and techniques required to prepare professional graphic representations in landscape architecture and architecture. It illustrates how to create a wide range of graphic representations using step-by-step tutorials, exercises and hundreds of samples.
The Berkeley hills offer great natural beauty and sensitive landscape design that skillfully incorporates the architecture into the natural environment. In the early 20th century, architects inspired by the Arts and Crafts movement worked to integrate the hills' large outcrops of rock (known to geologists as Northbrae rhyolite) into the city's development. At once a historical architectural reference and a captivating art book, BERKELEY ROCKS documents the unique harmony between Berkeley's distinctive geography, homes, and local ideals.Reviews"The book is indeed rife with gorgeous images, but it'¬'s also much more."-San Jose Mercury News and Oakland Tribune
"Landscape at Berkeley was published in conjunction with the centennial anniversary celebration of the Department of Landscape Architecture and Environmental Planning. Through scholarly essays, reminiscences, and illustrations, the monograph represents both commemoration of the Department and a greater understanding of the Berkeley campus. It also endeavors to trace Berkeley’s role in the history of the profession and design education in the United States. Landscape at Berkeley focuses on the first hundred years of teaching landscape architecture and environmental planning on the UC Berkeley campus and captures an important localized perspective as well as primary source evidence that will enhance broader examinations of the major issues that have shaped the profession and the environments we inhabit and visit. Furthermore, it will contribute to the increasing scholarly interest in and literature on the history of design education, particularly that of landscape architecture and environmental planners. As such, it will appeal to a diverse audience of scholars, students, design professionals, policy makers, and the general public. The monograph includes a comprehensive narrative history and schematic timeline of key events; scholarly essays exploring the activities of UC Berkeley students and faculty within the broader context of design history, education, research, practice, policy, and leadership; reminiscences of current and former faculty and students; and a color portfolio of student work illustrating curricular goals, program competitions, and the formative work of many individuals who have contributed to the profession locally, regionally, nationally, and internationally"--
In Landscapes in India, Amita Sinha shows that landscapes can be read like languages, as arrangements of symbols that reveal cultural values. South Asian landscapes'rich with formalized symbols, from the Cosmic Tree in Buddhist landscapes to cities patterned on mandalas'offer a training ground for reading landscapes everywhere. In a readable narrative heavily illustrated with spectacular color photographs, Sinha introduces readers to sacred and secular landscapes, identifying archetypal forms that have evolved over millennia. According to Sinha, landscape symbols express all that a culture holds dear and externalize deeply felt emotions'of security, kinship, and relationship with the divine. Architects, landscape architects, and planners will rely on this beautiful book's idation of archetypal forms and how they co-evolve with nature and culture. Landscapes in India also offers fresh perspectives for travelers and readers interested in geography, anthropology, and religion.
Twenty-two essays that provide a forum for assessing the tenets, accomplishments and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline. During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time. Together with Thomas Church, whose gardens provided the setting for California living, they laid the foundations for a modern American landscape design. This first critical assessment of modem landscape architecture brings together seminal articles from the 1930s and 1940s by Eckbo, Kiley, Rose, Fletcher Steele, and Christopher Tunnard, and includes contributions by contemporary writers and designers such as Peirce Lewis, Catherine Howett, John Dixon Hunt, Peter Walker, and Martha Schwartz who examine the historical and cultural framework within which modern landscape designers have worked. There are also essays by Lance Neckar, Reuben Rainey, Gregg Bleam, Michael Laurie, and Marc Treib that discuss the designs and legacy of the Americans Tunnard, Eckbo, Church, Kiley, and Robert Irwin. Dorothée Imbert takes up Pierre-Emile Legrain and French modernist gardens of the 1920s, and Thorbjörn Andersson reviews experiments with stylized naturalism developed by Erik Glemme and others in the Stockholm park system.
A collection of seventeen essays examining the field of American cultural landscapes past and present. The role of J. B. Jackson and his influence on the field is a explored in many of them.
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
A visual journey through the history of landscape design For thousands of years, people have altered the meaning of space by reshaping nature. As an art form, these architectural landscape creations are stamped with societal imprints unique to their environment and place in time. Illustrated History of Landscape Design takes an optical sweep of the iconic landscapes constructed throughout the ages. Organized by century and geographic region, this highly visual reference uses hundreds of masterful pen-and-ink drawings to show how historical context and cultural connections can illuminate today's design possibilities. This guide includes: Storyboards, case studies, and visual narratives to portray spaces Plan, section, and elevation drawings of key spaces Summaries of design concepts, principles, and vocabularies Historic and contemporary works of art that illuminate a specific era Descriptions of how the landscape has been shaped over time in response to human need Directing both students and practitioners along a visually stimulating timeline, Illustrated History of Landscape Design is a valuable educational tool as well as an endless source ofinspiration.
