Land of Tomorrow sheds new light on changes within American liberalism after the Second World War. The postwar period's fiction, criticism, philosophy, and popular culture circulated and authorized political sensibilities that opposed social democratic reform in the United States.
Published by the Kentucky Historical Society and distributed by the University Press of Kentucky The history and beauty of the Bluegrass State come alive in words and pictures, as this volume chronicles the Kentucky experience in all its variety. Rare black-and white historic images combine with more than two hundred modern color photographs to complement a narrative written by some of the commonwealth's most celebrated wordsmiths: Thomas D. Clark, George Ella Lyon, John Ed Pearce, Gerald L. Smith, Michal Smith-Mello, and Michael T. Childress. Photographs by Dan Dry of Louisville, Kentucky. excerpt: Where are you from? ""Kentucky,"" I say. I'm from a place where people still stop for funerals, where they know who your grandmother was, where they tell stories at Corn Island at the state park at the dinner table where they pass on their youngest's outgrown clothes and bring a casserole as soon as someone dies. --George Ella Lyon
Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "Master Builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World' s Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, the New York Times bestseller Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters. Meanwhile, the Fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock-and-roll right there in Queens. And as Southern civil rights efforts turned deadly, and violent protests also occurred in and around the Fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict. World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964-65 Fair was truly exceptional.
Documents the author's traditional childhood north of the Arctic Circle, his education in the continental U.S., and his lobbying efforts that convinced the government to allocate resources to Alaska's natives in compensation for incursions on their way of life.
Following a nuclear holocaust, Nathan Taylor and his family face grim choices in order to stay alive. Fleeing deadly radiation, plague and desperate men, Nathan, an army officer, leads his wife and their two teenage sons away from chaos and madness toward his ancestral home in Kentucky. Horrors lie in their path. From the prison struggling to maintain control of its inmates, to the desperadoes who enslave anyone who comes their way, even survival may cost Nathan his humanity...or that of his sons, Joshua and David. Nathan struggles to keep his family intact, but it requires making brutal choices. He wants to protect his sons, but knows they now must be deadly and cold at times. Nathan's home has been spared from the worst of the destruction, but a larger conflict over scarce resources erupts. For the survivors to have any chance they will have to fight and the desperate journey has transformed young Joshua and David into men called upon to lead and sacrifice. Torn between harsh realities, and wanting to hold onto fleeting childhoods, they are often conflicted and angry about the roles thrust upon them. Much will depend on how Nathan and his sons respond to a madman and his military regime seeking to conquer the fledgling community they are helping to build. GLIMMER OF HOPE is an epic tale of one family's endurance and triumph after tomorrow's apocalypse.
When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally--the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death? Now a major motion picture starring Tom Cruise! -- VIZ Media