There are many different stories that the Indians tell. Myths and legends, history of the old ones of years ago, curses that seem they will never be broken spirits held captive. Will this be the day that a long untold ledgend comes true?...
"Logue writes beautifully about rural Minnesota life while telling a good mystery. For fans of J.A. Jance and Margaret Maron." --Library Journal Deputy Sheriff Claire Watkins has had an easy summer in Fort St. Antoine, Wisconsin; the only problem is that her daughter Meg is leaving for college soon. When Claire walks down to the park to watch the Burning Boat--a large replica of a Norwegian longboat set on the shores of Lake Pepin, burned at the autumnal equinox--she has no idea that more than just a wooden structure is going up in flames. The next day, the bones of a young woman are found in the ashes. When Claire learns that the new deputy she has hired, a vet returning from Afghanistan, was the young woman's former boyfriend, and that he is now dating her daughter Meg, she is desperate to find out who is responsible for the death. In order to get to the heart of this mystery, Claire must understand what happened in an attack in the mountains of Afghanistan, which left one man wounded, one man killed, and one man disturbed. Could one of those two remaining men be the killer?
In the vein of the astonishing and eye-opening bestsellers I'll Be Gone in the Dark and The Line Becomes a River, this stunning work of investigative journalism follows a series of unsolved disappearances and murders of Indigenous women in rural British Columbia.
This clever quasi-memoir is steeped in fantasy and soul. Through dreams, fantasy, and active imagination, Lois Carey's A Salty Lake of Tears guides readers down the 'rabbit hole' to explore the wounds of childhood, where one can meet long forgotten castaways that are most vital to healing, reclaiming self, and living an authentic life. A very creative autobiography that weaves early childhood memories and dark underground travels with playful characters, Mother Earth, and the scent of roses. Though the memoir is born out of pain, it clearly reflects a profound psychological transformation that occurs when the deep feminine spirit is invoked. —John Allan, PhD, Professor Emeritus, Counseling Psychology, University of British Columbia, Canada A unique combination of autobiography, fantasy, and its exploration of the symbolic meaning of life. Lois Carey's familiarity with Jungian symbolism and Greek mythology permeates her account of complicated family relationships and recreated childhood memories and anxieties. Like no other memoir, this evocative blend of fantasy and reality resonates with compelling appeal and strength.—Nancy Boyd Webb, Distinguished Professor of Social Work Emerita, Fordham University In her latest book, Lois Carey deftly transmutes her personal biography of pain and joy into a universal tapestry that is the analogue for the human condition. She infuses myth, original poetry, and allegory, and interweaves the story of the white rabbit from 'Alice and Wonderland' throughout her emotional journey. This is the story of a complex woman, a brilliant scholar, and a devoted, caring mother, wife and daughter. I highly recommend this read for those looking to deepen their personal experiences and connect the dots on their emotional landscape, as Ms. Carey has so done in this wonderful gift to the reader of inner discovery. —Eric J. Green, PhD, Assistant Professor, University of North Texas at Dallas
The international bestselling series returns for a new generation with a fresh look and bonus content from the legends of Deltora.Lief, Barda, and their unpredictable new companion Jasmine are on an urgent mission to find the seven stones from the magic Belt of Deltora. The golden topaz has already been found. But only when all the stones have been restored to the Belt can their land be freed from the dark power of the evil Shadow Lord.To find the second stone, Lief, Barda, and Jasmine must travel through territory ruled by the monster-sorceress Thaegan and overcome their biggest challenge yet--the hideous guardian of the enchanted Lake of Tears!
When her lover dies suddenly, all Catherine has left is her work. In an act of compassion her manager at London’s Swinburne Museum gives her a very particular project: a box of intricate clockwork parts that constitute a nineteenth-century automaton, a beautiful mechanical bird. It’s an object made of equal parts magic, love, madness and science, a delight that contains the seeds of our age’s downfall. Once Catherine discovers the diary of the man who commissioned it, one obsession merges into another.
This is the first book-length examination of Bartók's 1911 opera Duke Bluebeard's Castle, one of the twentieth century's enduring operatic works. Writing in an engaging style, Leafstedt adopts an interdisciplinary approach to the opera by introducing, in addition to music-dramatic analysis, a number of topics that are new to the field of Bartók studies. These new areas of critical and scholarly terrain include a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith. Leafstedt begins with a short introductory chapter that places Duke Bluebeard's Castle within the context of Bartók's early composing career, his discovery of folk music, and its impact on his later work. The book goes on to explore the composition's troubled history, its failure to win two early Hungarian opera competitions, and the three versions of the ending that resulted, discussed here in depth for the first time. The core of the book is devoted to the musical and dramatic organization of the opera and offers an analysis of the seven individual door scenes, including a detailed analysis of scene six, the "lake of tears" scene, illustrating the work's complex tonal organization and dramatic structure. A separate chapter places this darkly psychological version of the Bluebeard story within the broader context of European history and literature. Throughout the book, Leafstedt draws on original Hungarian source material, much of it newly translated by the author and available here for the first time in English, and he includes a generous selection of musical examples. Inside Bluebeard's Castle is an ideal starting point for research in twentieth-century music, Hungarian cultural history, and opera studies, as well as an invaluable guide for anyone interested in Bartók's only opera.