Among the thirteenth-century saints exalted are female martyrs and hermits of early Christianity. In The Lady as Saint, Brigitte Cazelles offers the first English translation of these lives and provides extensive commentary on the portrayal of female spirituality.
Liliana Faltin just wants some stability in her life. But her mother’s boyfriend has a thing for booze and touching. To deal, Lily writes letters to John Wayne. Yeah, he’s a dead movie cowboy, but whatever—at least the Duke knew how to be a hero. Now, Lily just needs to figure out how to be a hero herself.
The remarkable coming-of-age novel from acclaimed Vermont poet Peter Money. Shines like a pint in Slatterys on a rainy Friday night, with the promise of adventures to come. A Dublin On the Road. As featured in Writing.ie, RTÉ Radio 1's Arena, the Limerick Leader, the Irish Examiner and the Irish Times.
This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.