Modern readings of Sidney generally either endorse Greville's judgment, defining a poet who transcends through art the conflicts of public virtue and private desire, or they reverse it, presenting a Sidney trapped by cultural demands and expectations he could neither abandon nor reform.
It’s a book that women talk to their girlfriends about, and a book they’d like their lovers to read. It’s an “intellectually sexy experience” that lyrically, wittily and provocatively explores women’s history of romantic obsession through the telling and deconstruction of a passionate love affair.
"This important new study will appeal to Almodovar's devotees and to film students alike, with its chronological examination of the director's career. It sheds light on each individual film, demonstrates the connections between one movie and another and examines the director's progression in terms of genre, style and cinematic technique to reveal Almodovar's growing mastery of his art."--BOOK JACKET.
"In Children, Parents, and the Rise of the Novel, T. G. A. Nelson challenges the views of literary critics who contend that the child held little importance as a theme of imaginative literature in the first half of the eighteenth century. Nelson's work follows thirty years of intense discussion of children and childhood by social historians, most of whom see the first half of the eighteenth century as a time of momentous change." "In Restoration comedy, for example, the child is a signifier of unwanted burdens that may fall on the parents: wit and cunning are expended in transferring responsibility for children to convenient dupes. However, in the early novel, in periodical literature, and in other discourses of concern, the comic, dismissive response toward children is increasingly marginalized and subjected to negative criticism, especially when attributed to wealthy or socially distinguished characters. In traditional comedy, rejection of children characterized the carefree rake, who, though satirized at times, was generally projected as an embodiment of the life-force. In the new writing, rejection of children is firmly associated with frigidity, especially among the rich, not with life-giving energy." "Recent writers on the eighteenth-century novel have overstressed elements of covert hostility toward wives and children. This seems partly due to their own ideological rejection of the family and partly to their misunderstanding of the nature of fictional and dramatic narrative. Such narrative is unsuited to figurations of domestic peace and harmony; often it is in situations of domestic discord that the child figure becomes most active and significant in the world of the novel, but this does not mean that the novelists continued to present the child or the family negatively, as earlier dramatists had done. Overall, the child in eighteenth-century fiction is not merely more prominent than has been generally recognized, but is identifiable as a signifier of hope, vigor, spontaneity, and new life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.
National Outdoor Book Awards Winner Winner of the BANFF Adventure Travel Award “A thrilling and harrowing story. If it’s a cliche to say I couldn’t put this book down, well, too bad: I couldn’t put this book down.” —Jess Walter, bestselling author of Beautiful Ruins “Polar exploration is utter madness. It is the insistence of life where life shouldn’t exist. And so, Labyrinth of Ice shows you exactly what happens when the unstoppable meets the unmovable. Buddy Levy outdoes himself here. The details and story are magnificent.” —Brad Meltzer, bestselling author of The First Conspiracy: The Secret Plot to Kill George Washington Based on the author's exhaustive research, the incredible true story of the Greely Expedition, one of the most harrowing adventures in the annals of polar exploration. In July 1881, Lt. A.W. Greely and his crew of 24 scientists and explorers were bound for the last region unmarked on global maps. Their goal: Farthest North. What would follow was one of the most extraordinary and terrible voyages ever made. Greely and his men confronted every possible challenge—vicious wolves, sub-zero temperatures, and months of total darkness—as they set about exploring one of the most remote, unrelenting environments on the planet. In May 1882, they broke the 300-year-old record, and returned to camp to eagerly await the resupply ship scheduled to return at the end of the year. Only nothing came. 250 miles south, a wall of ice prevented any rescue from reaching them. Provisions thinned and a second winter descended. Back home, Greely’s wife worked tirelessly against government resistance to rally a rescue mission. Months passed, and Greely made a drastic choice: he and his men loaded the remaining provisions and tools onto their five small boats, and pushed off into the treacherous waters. After just two weeks, dangerous floes surrounded them. Now new dangers awaited: insanity, threats of mutiny, and cannibalism. As food dwindled and the men weakened, Greely's expedition clung desperately to life. Labyrinth of Ice tells the true story of the heroic lives and deaths of these voyagers hell-bent on fame and fortune—at any cost—and how their journey changed the world.
From his army of the undead, Xar, Lord of the Nexus, learns of the existence of the mysterious Seventh Gate. It is said that this gate grants whoever enters it the power to create worlds—or destroy them. Only Haplo knows its location—but he doesn't know he knows it. Now an ex-lover has been sent to betray Haplo and bring back his corpse. Meanwhile, the assassin Hugh the Hand is also after Haplo, wielding the Accursed Blade. With his old companion Alfred, Haplo must seek sanctuary in the Labyrinth—a deadly prison maze whose inhabitants are condemned to death. Millennia ago a battle raged between the Sartan and the Patryn, and the Sartan sundered the world into four realms—air, fire, stone, and water—and then vanished. But now the two races have rediscovered each other through the magic of the Death Gate—and war is about to erupt anew.
The book's study of Milton's identification with his female hero, and his advocacy of women's ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism"--Book jacket
AVAILABLE FOR THE FIRST TIME IN eBOOK! General Simon Bolivar, “the Liberator” of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill. Aflame with memories of the power that he commanded and the dream of continental unity that eluded him, he is a moving exemplar of how much can be won—and lost—in a life.
NEW YORK TIMES BESTSELLER The definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks. You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison Chewning Published and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading size Excerpts from notebooks kept during his 1970 Miami trial The shooting script and gorgeous color stills from the never-released film HWY Complete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s hand Epilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer