"The Religious Patronage of the Duke of Lerma, 1598?621 "

Author: LisaA. Banner

Publisher: Routledge

Published: 2017-07-05

Total Pages: 400

ISBN-13: 1351541080

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco G? de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid, he embarked on a career of renovating or building religious foundations in various towns and cities around seventeenth-century Spain. The unintended consequence of his architectural patronage and involvement was to proliferate the distinctive royal architectural style developed under Philip II, which connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

The Religious Patronage of the Duke of Lerma, 1598-1621
The Religious Patronage of the Duke of Lerma, 1598-1621

Author: Lisa A. Banner

Publisher: Routledge

Published: 2009

Total Pages: 280

ISBN-13:

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco Gómez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces how Lerma embarked on a career of renovating or building religious foundations in seventeenth-century Spain; and shows how his architectural patronage and involvement connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

Jesuit Art
Jesuit Art

Author: Mia M. Mochizuki

Publisher: BRILL

Published: 2022-01-31

Total Pages: 225

ISBN-13: 9004498222

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In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.

The Transatlantic Hispanic Baroque
The Transatlantic Hispanic Baroque

Author: Harald E. Braun

Publisher: Routledge

Published: 2016-03-03

Total Pages: 324

ISBN-13: 1317013689

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Gathering a group of internationally renowned scholars, this volume presents cutting-edge research on the complex processes of identity formation in the transatlantic world of the Hispanic Baroque. Identities in the Hispanic world are deeply intertwined with sociological concepts such as class and estate, with geography and religion (i.e. the mixing of Spanish Catholics with converted Jews, Muslims, Dutch and German Protestants), and with issues related to the ethnic diversity of the world’s first transatlantic empire and its various miscegenations. Contributors to this volume offer the reader diverse vantage points on the challenging problem of how identities in the Hispanic world may be analyzed and interpreted. A number of contributors relate earlier processes and formations to Neo-Baroque and postmodern conceptualisations of identity. Given the strong interest in identity and identity-formation within contemporary cultural studies, the book will be of interest to a broad group of readers from the fields of law, geography, history, anthropology and literature.