Situated in the Val d'Orcia, a wide valley in southeastern Tuscany, La Foce is run by Benedetta and Donata Origo, and is open to the public one day a week.".
It is quite impossible to attach importance to material possessions now. All that one still clings to is a few vital affections' Iris Origo, October 1943. Marchesa Iris Origo and her husband had been settled at their rural estate of La Foce since 1924. When the Second World War broke out Origo, an Englishwoman married to an Italian landowner, had divided loyalties. But as the war dragged on and the hostilities escalated, the small community of Val d'Orcia found themselves helping evacuees, orphans, refugees, prisoners of war and soldiers from both sides, concerned less with who was fighting whom than caring for those who needed their aid. Origo kept her diary throughout this time, when the risk of betrayal was a fact of life and the penalty for helping the enemy would result in death. Even with German troops occupying her manor house, she wrote at night about her valiant attempts to shelter refugees, burying her diary in the garden each morning. The result is a book which has become a classic, an affirmation in itself of courage and resistance, and an unsentimental, compelling story of the trials and tragedies of wartime.
This recently discovered “trenchant, intelligent” follow-up to the British expatriate’s classic memoir, War in Val d’Orcia, chronicles life in Italy in the year leading up to WW2 (New Yorker). This insightful diary provides a vivid, ground-level account of how Mussolini decided on a course of action that would devastate his country and ultimately destroy his regime. In 1939 it was not a foregone conclusion that Mussolini would enter World War II on the side of Hitler. Though the British-born Origo lived with her Italian husband on an estate in a remote part of Tuscany, she was supremely well-connected and regularly in touch with intellectual and diplomatic circles in Rome, where her godfather, William Phillips, was the American ambassador. Her diary documents the Fascist government’s growing infatuation with Nazi Germany as Hitler’s armies marched triumphantly across Europe, and the campaign of propaganda and intimidation that was mounted in support of its new aims. The book ends with the birth of Origo’s daughter and Origo’s decision to go to Rome to work with prisoners of war at the Italian Red Cross. A Chill in the Air offers an indispensable record of Italy at war as well as a thrilling story of a formidable woman’s transformation from observer to actor at a great historical turning point.
Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remain widely admired. Iris grew up in Italy where she became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons. When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.
An exploration of the work of the English architect and landscape designer who practiced almost exclusively in Italy from 1907 to midcentury. English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England’s premier landscape architect, regarded Pinsent as his “first maestro on the placing of buildings in the landscape.” This first book dedicated to bringing to light Pinsent’s contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.
Like its palatial contemporaries Biltmore and San Simeon, Vizcaya represents an achievement of the Gilded Age, when country houses and their gardens were a conspicuous measure of personal wealth and power. In Vizcaya, the authors use illustrations, historic photographs, and narrative to document this extraordinary house and landscape.
This book explores how the mere designation of World Heritage sites can achieve UNESCO's goal of creating lasting worldwide peace. Drawing on ethnography, policy analysis, and a sophisticated fusion of anthropological theories, Di Giovine convincingly reveals the existence of ...
Bookbound. Hardcover books lie flat for ease of use. Acid-free, archival paper. A detail from G. B. Arzentis Birds Eye View depiction of early 17thcentury Venice adds continental sophistication to this journal. Embossed, iridescent highlights, ribbon bookmark.
From grand views and romantic hillside villas to sprawling gardens and alfresco dinners, Italy offers its most authentic self through its landscape and its food. For the Love of Italy celebrates Italy's countryside and the farm-to-table movement with vivid profiles and luscious photography of twenty-two spectacular agriturismi, or hospitable farming estates. Each is inextricably connected to the Italian agricultural tradition and to the most simple of daily routines and pleasures. All will delight visitors with lovely accommodations and unforgettable graciousness. Marella Caracciolo, who has written extensively about travel in Italy from both sides of the Atlantic, and renowned photographer Oberto Gili present a sensual journey in this evocative collection of diverse landscapes, unmatched architecture, and local gastronomic traditions. One can stay at a Renaissance villa estate with breathtaking views, where biodynamic wine is produced, or at a unique luxury hotel in the prehistoric dwellings of Basilicata, where visitors sleep, bathe, and eat by candlelight. Families visiting Villa la Foce and the nearby thirteenth-century farmhouse in southern Tuscany, will discover exquisite gardens, a swimming pool, a tree house--and meals inspired by the bounty of the enormous vegetable garden and orchards. Caracciolo describes in transporting prose the colorful history and seasonal rhythms of these and nineteen other estates. And in Gili's photography the interiors, architecture, and gardens unfold with charm and grace. Whether one wants to learn traditional pasta making, sip Brunello right where it's made, or wander an ancient orangerie and then take a nap, these delightful farms promise unique and spectacular trips--or the fantasy of one. With a resource section that will be indispensable for anyone planning a trip to an agriturismo, For the Love of Italy is a portrait of an irresistible country and an enviable way of life.